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This reference covers the unique stature and scope of opera in all its grandeur and complexity, as well as the people who have made significant contributions to the field. The 1,000 entries present information on past and newly emerged performers, librettists, set designers, scholars, directors, and composers (including current ones who have pushed the boundaries of the form). Other features include synopses of operas, an opera timeline, a glossary, a directory of opera companies, histories of the world's leading opera houses, and a foreword by famed musicologist Nicholas Slonimsky. Contains about 250 b & w illustrations and photos. Annotation copyrighted by Book News, Inc., Portland, OR.
A unique reference work containing over 2,500 A-Z entries on operatic characters. Includes synopses for over 200 operas and operettas, as well as feature articles written by well-known personalities from the world of opera, including Plácido Domingo and Dame Janet Baker. It is an essential book for anyone with an interest in opera.
A dictionary of music history and theory, including entries on musical instruments, famous compositions, musicians, and musical terms; and includes in-depth essays on musical topics.
MLA Index and Bibliography Series vol. 36 Additional information online at https://www.areditions.com/books/IB036.html
Solo Vocal Works on Jewish Themes: A Bibliography of Jewish Composers is a comprehensive and annotated compendium of stage, concert, and liturgical compositions written by Jewish composers from every known time period and country. Kenneth Jaffe has amassed nearly 3,000 large-scale musical works for solo voice(s) on Jewish themes, written by Jewish composers. The works include over 400 cantatas, 150 oratorios, almost 300 operas, more than 100 sacred services, 20 symphonies, and more than 350 stage works, including Yiddish theatre, Purim and sacred plays, multi-media pieces, and musical theatre. In addition, original song cycles and liturgical services arranged for a modest to large complement of instruments are also included. The works are organized by composer and subdivided by genre, and each entry is fully annotated, detailing the title, opus, voicing and instrumentation, text source, commission, year completed, year and location of the premiere, the year of publication and the publisher (if any), the location of scores, and the duration of the work. The works are then broken down by theme, such as Biblical themes, works for children, works of the Holocaust or Jewish suffering and persecution, interfaith works, and wedding music. They are then cross-referenced by voice type, arrangement, and by title. A list of libraries and publishing houses of Jewish music rounds out this invaluable reference.