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Set in a diner where the food isn't very good and the ambience veers between heaven and hell, this bestselling novel from the author of Mama Day and The Women of Brewster Place is a feast for the senses and the spirit. "A virtuoso orchestration of survival, suffering, courage and humor."--New York Times Book Review.
A “moving and memorable” novel about a cafe where everyone has a story to tell from the award-winning author of The Women of Brewster Place (The Boston Globe). In post–World War II Brooklyn, on a quiet backstreet, there’s a little place that draws people from all over—not for the food, and definitely not for the coffee. An in-between place that’s only there when you need it, Bailey’s Cafe is a crossroads where patrons stay for a while before making a choice: Move on or check out? In this novel, National Book Award–winning author Gloria Naylor’s expertly crafted characters experience a journey full of beauty and heartbreak. Touching on gender, race, and the African American experience, Bailey’s Cafe is “a sublime achievement” about the resilience of the human spirit (People).
The evocative and poignant stories of the wounded and exiled denizens of a 1940s diner capture the pathos, power, and humor of the human spirit
With over 35 years of experience speaking and facilitating women’s events and Bible studies, Barb Bailey is a communicator with a down to earth style and a passion to encourage others. Her life experiences as employee, leader, teacher/facilitator, wife, mother, grandmother and friend—bring a seasoned quality to her writing. Prepare to be inspired, encouraged and entertained!
The Black Middle Ages examines the influence of medieval studies on African-American thought. Matthew X. Vernon focuses on nineteenth century uses of medieval texts to structure racial identity, but also considers the flexibility of medieval narratives more broadly in the medieval period, twentieth and twenty-first centuries. This book engages disparate discourses to reassess African-American positionalities in time and space. Utilizing a transhistorical framework, Vernon reflects on medieval studies as a discipline built upon a contended set of ideologies and acts of imaginative appropriation visible within source texts and their later mobilizations.