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On the southern frontier in the eighteenth and early nineteenth centuries, European men--including traders, soldiers, and government agents--sometimes married Native women. Children of these unions were known by whites as "half-breeds." The Indian societies into which they were born, however, had no corresponding concepts of race or "blood." Moreover, counter to European customs and laws, Native lineage was traced through the mother only. No familial status or rights stemmed from the father. "Mixed Blood" Indians looks at a fascinating array of such birth- and kin-related issues as they were alternately misunderstood and astutely exploited by both Native and European cultures. Theda Perdue discusses the assimilation of non-Indians into Native societies, their descendants' participation in tribal life, and the white cultural assumptions conveyed in the designation "mixed blood." In addition to unions between European men and Native women, Perdue also considers the special cases arising from the presence of white women and African men and women in Indian society. From the colonial through the early national era, "mixed bloods" were often in the middle of struggles between white expansionism and Native cultural survival. That these "half-breeds" often resisted appeals to their "civilized" blood helped foster an enduring image of Natives as fickle allies of white politicians, missionaries, and entrepreneurs. "Mixed Blood" Indians rereads a number of early writings to show us the Native outlook on these misperceptions and to make clear that race is too simple a measure of their--or any peoples'--motives.
The disappearance of fabulously rich Chicago candy heiress Helen Brach and the suspicious deaths of a string of champion racehorses are linked in a celebrated scandal that has reverberated through every level of the glamorous enclaves of thoroughbred horse breeding. When widowed heiress Helen Brach suddenly disappeared on the morning of February 17, 1977, after a visit to the Mayo Clinic, she left behind a lavender Rolls-Royce, Cadillacs in red, pink, and coral, an eighteen-room mansion, and a fortune now estimated at $75 million. She also left behind a mystery that would tantalize investigators for years. When Assistant US Attorney Steven Miller assigned himself the challenge of solving the Brach case, he never imagined an investigation of the horse world would lead to a charming gigolo named Richard Bailey who made a career of romancing wealthy women out of huge sums of money, a shadowy figure called The Sandman who made his living by killing priceless horses so that their owners could collect insurance, and the ghastly murder of three children in 1955.
Selena Crawford is a Chicago homicide detective. She is also the unwilling companion of Istvan, chief of the Enforcers. They do their best to avoid one another-until they both find themselves investigating the murder of a vampire.
"A dramatist of exceptional and distinctive promise" (Daily Telegraph) The early 1950s. Two brothers and a sister are marooned on a remote farm after their father's death. They are thrown into a state of panic when one of them makes a bid for freedom. Long-suppressed jealousies and resentments begin to seethe and fester. Thirty years later an unexpected visitor brings their feud to a climax. Flesh and Blood completes Philip Osment's trilogy of Devon plays, following the highly acclaimed The Dearly Beloved (winner, 1993 Writers Guild Award) and What I Did in the Holidays (nominee 1995 Writers Guild Award).
“High stakes, big heart, and lots of Black Girl Magic…unputdownable.” —Aiden Thomas, New York Times bestselling author of Cemetery Boys A rich, dark urban fantasy debut following a teen witch who is given a horrifying task: sacrificing her first love to save her family’s magic. The problem is, she’s never been in love—she’ll have to find the perfect guy before she can kill him. After years of waiting for her Calling—a trial every witch must pass to come into their powers—the one thing Voya Thomas didn’t expect was to fail. When Voya’s ancestor gives her an unprecedented second chance to complete her Calling, she agrees—and then is horrified when her task is to kill her first love. And this time, failure means every Thomas witch will be stripped of their magic. Voya is determined to save her family’s magic no matter the cost. The problem is, Voya has never been in love, so for her to succeed, she’ll first have to find the perfect guy—and fast. Fortunately, a genetic matchmaking program has just hit the market. Her plan is to join the program, fall in love, and complete her task before the deadline. What she doesn’t count on is being paired with the infuriating Luc—how can she fall in love with a guy who seemingly wants nothing to do with her? With mounting pressure from her family, Voya is caught between her morality and her duty to her bloodline. If she wants to save their heritage and Luc, she’ll have to find something her ancestor wants more than blood. And in witchcraft, blood is everything.
Werewolf. Coach. Lover. Spy. After the War, Lotte gave up the turmoil of pack life to pursue a far more placid career in tennis. Or so she believed. When a player is found dead at the compound with only days left until the Munich Games, the Interspecies Crimes and Relations Agency rolls in. Senior Agent Isa Vogt suspects foul play and enlists Lotte's help to discover who stands behind the lethal performance-enhancing drug. While separating friend from foe seems like an impossible task, Lotte has no choice but to return to her ruthless werewolf ways%or see another athlete die.