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A journalist and her fixer struggle for the truth where truth is now a victim. Nabil al-Amari is an English teacher in Baghdad, in Saddam's Iraq, when a chance encounter with Samara Katchens, an American journalist covering the war, changes his life forever. It is April 2003 and American and British forces have recently invaded Iraq. Samara, or Sam for short, is ambitious, cynical and determined. Nabil is both fascinated and bewildered by her, and he's keen to show her things she doesn't notice in her rush to cover the news. She is pushed by her editor to seek concrete proof for a story concerning payments for false documents - a practice which breaks all journalistic codes of ethics - 'as if truth were so hard in that way, like rocks and concrete'. In Iraq it is rarely so. As Sam single-mindedly pursues this story, she discovers a chasm between her editor's expectations and the reality she faces in a city torn apart by war and conflicting loyalties. And in her determination to uncover the truth, she takes one gamble too many, endangering herself, Nabil and his family. '... a vivid portrait of Baghdad in the traumatic aftermath of invasion.' - The Guardian. '... spot-on descriptions of both the craft of reporting and the Iraqi landscape during that volatile time make this novel memorable and informative ... for a glimpse of life under the American occupation of Iraq, few could come close to Prusher's portrait.' - Kirkus reviews. '... this compelling debut is easy to recommend to both male and female readers interested in the Middle East, journalistic ethics, and international affairs.' - Booklist. 'A fascinating story which gives the texture of life in Iraq as it was lived by foreign journalists and Iraqis at the time of the invasion. It conveys a fresher sense of those years than a thousand news reports'. -- Patrick Cockburn, Iraq correspondent, The Independent. 'A fast-paced, evocative thriller that opens our eyes to the excitements and dangers of Iraq after the fall of Saddam. This gripping, beautifully-observed tale, written with a ring of true authenticity, captures the challenges of a journalist and her loyal fixer navigating their way through an Iraq rarely seen by outsiders.' -- Rory McCarthy, author of Nobody Told Us We Are Defeated: Stories from the New Iraq. 'Ilene Prusher's novel is a compelling account of the first few weeks following the collapse of Saddam Hussein's regime told through the eyes of a fascinating and gracefully drawn Iraqi everyman... Ms Prusher draws us into his story as he is sometimes unwittingly lured deeper and deeper into the world of war journalism, watching with horror as his country descends into chaos.' -- Borzou Daragahi, Middle East and North African correspondent, Financial Times. 'A journalist's fixer is a go-between in so many senses: linguistic, cultural. The fixer straddles borders and boundaries, helping each try to communicate with the Other. Ilene Prusher conjures this so beautifully in her stunning, thrilling debut, as Nabil, an Iraqi English teacher with a poetic soul, is drawn into the unfamiliar, learning as much about his own country and people as about the world in which Samara, the American journalist who has hired him, moves so easily. A unique novel, Baghdad Fixer's compelling plot is combined with poignant and difficult insights into the life and tragedies of ordinary Iraqis during the war. This is not just a wonderful read, it is an important book for helping us, too, to begin to understand the Other.' -- Tania Hershman, author of My Mother Was An Upright Piano and The White Road and Other Stories.
Thieves of Baghdad is a riveting account of Colonel Matthew Bogdanos and his team's extraordinary efforts to recover over 5,000 priceless antiquities stolen from the Iraqi National Museum after the fall of Baghdad. A mixture of police procedural, treasure hunt, war-time thriller, and cold-eyed assessment of the international black market in stolen art, Thieves of Baghdad also explores the soul of a truly remarkable man: a soldier, a father, and a passionate, dedicated scholar.
As the advent of an attack on Iraq approaches, a young Egyptian man working in the Gulf decides to take up a freelance job as a field translator for the L.A. Times and unsuspectingly embarks on an electrifying roller-coaster ride from Kuwait City to Baghdad. What was to happen to him and his team for the following three months is documented in his book Baghdad Bound. This is a gripping account of the remarkable events that he witnessed before and during the Iraq War: The danger of frontline reporting Dodging bullets and translating between reporters and Iraqis, the author recounts in detail the escape of BBC, CBC, Newsweek, and other news network crews from the Iraqi border after the threat of being besieged by a group of disgruntled and armed locals. The devastation of the lives of Iraqi civilians From Basra to Baghdad, a direct look at the horror of living in fear of coalition bombs as well as Saddam loyalists. The author begins to understand their psychological trauma after a first-hand look at casualties of war and along the way, discovers the real face of the Ba'athi regime. The aftermath In a lawless land, chaos reigns supreme as Iraqis, coalition forces and journalists struggle to make sense of post-war Iraq. The author recounts the mayhem of looting and rubs shoulders with Shi'a leaders and Iraqi exiles like Ahmed Chalabi vying for power while Saddam is on the loose. Of all the books that have been published about the Iraq War, Baghdad Bound is a first. A mosaic of thrilling untold stories from the theatre of war, it is an earnest and unique collection of the action-packed memoirs of an Arab interpreter who finds himself caught in an intricate web involving the CIA, the L.A. Times, and Iraqis of various walks of life. Here is a raw view of the war through the eyes of a regular man who stumbled into a defining chapter of modern history...
News "fixers" are locally-based media employees who serve as translators, coordinators, and guides to foreign journalists in unfamiliar terrain. Operating in the shadows, fixers' contributions to journalism are largely hidden from us, yet they underpin the entire international news industry: almost every international news story we read today could not be produced without a fixer. Indeed, without fixers' on-the-ground skill and intimate knowledge of a territory, journalists would struggle to document stories unfolding in countries outside their own. Despite this, however, fixers remain one of the most under-protected and undervalued groups contributing to the production of news. Targeted by militant groups and governments, even by their neighbors, they must often engage in a precarious balancing act, bridging the divides between foreign journalists and the people who live and work in fixers' own communities. In this book, Lindsay Palmer reveals the lives and struggle of those performing some of the most important work in international news. Drawing on interviews with 75 fixers around the world, Palmer is the first researcher to illuminate fixers' own rich narratives, offering a glimpse of how difficult it is to play the role of cultural mediator, both in and out of conflict zones. A news fixers' is not simply administrative; rather, the fixer's engagement with the story is editorial and, more importantly, cultural. Each task that a fixer takes on is a creative effort at mediating between different lived experiences of race, ethnicity, gender, sexuality, religion, politics, community, and nation. Ultimately, The Fixers offers a different picture of international reporting than most people are accustomed to seeing: one that is more collaborative, more contested, and more fluid in its understanding of "truth" in a global, cross-cultural context.
A new history of early global literature that treats translators as active agents mediating cultures. In this book, Zrinka Stahuljak challenges scholars in both medieval and translation studies to rethink how ideas and texts circulated in the medieval world. Whereas many view translators as mere conduits of authorial intention, Stahuljak proposes a new perspective rooted in a term from journalism: the fixer. With this language, Stahuljak captures the diverse, active roles medieval translators and interpreters played as mediators of entire cultures—insider informants, local guides, knowledge brokers, art distributors, and political players. Fixers offers nothing less than a new history of literature, art, translation, and social exchange from the perspective not of the author or state but of the fixer.
David, a small-town journalist, reports on the war in Iraq and struggles to cope with the violence and destruction he witnesses every day. Contains adult content.
Two intelligence experts with unique access to inside sources reveal the fascinating story behind the evolution of AmericaÕs new, effective approach to counterterrorism
This book reveals that 'fixers'—local experts on whom foreign correspondents rely—play a much more significant role in international television newsgathering than has been documented or understood. Murrell explores the frames though which international reporting has traditionally been analysed and then shows that fixers, who have largely been dismissed by scholars as 'logistical aides', are in fact central to the day-to-day decision-making that takes place on-the-road. Murrell looks at why and how fixers are selected and what their significance is to foreign correspondence. She asks if fixers help introduce a local perspective into the international news agenda, or if fixers are simply ‘People Like Us’ (PLU). Also included are in-depth case studies of correspondents in Iraq and Indonesia.
How is popular knowledge of war shaped by the stories we consume, what are the boundaries of this knowledge, and how are these boundaries policed or contested by journalists producing knowledge from war zones? Based on years of fieldwork in Iraq, Syria, Lebanon, Afghanistan, and Ukraine, Conflicted challenges normative conceptions of war by revealing how representational authority comes to be. Turning the lens on journalists from The New York Times, The Washington Post, The Wall Street Journal, and other prominent publications, Isaac Blacksin shows why news coverage of contemporary conflict, widely presumed to function as a critique of excessive violence, instead serves to sanction official rationales for war. Blacksin argues that journalism's humanitarian frame—now hegemonic in conflict coverage—serves to depoliticize and remoralize war, transforming war from an effect of policy on populations to a matter of violence against the innocent. Exploring the tension between experience and expression in conditions of violence, and tracking how journalists respond to dominant expectations of reality, Conflicted tells the story of war, reporters, and the consequences of their convergence. As new wars, and new reportage, continue to shape our understanding of armed conflict, this book makes visible both the power and the particularity of war reportage.