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Riverbend, the young Iraqi woman whose “articulate, even poetic prose packs an emotional punch,” continues her blog from her hometown of Baghdad (The New York Times). Riverbend, the pseudonymous recipient of a Lettre Ulysses Award for the Art of Literary Reportage, continues her chronicle of daily life in occupied Baghdad. Drawn from her popular blog, this volume spans from October 2004 through March 2006. In her distinctively wry yet urgent prose Riverbend, now 27, tells of life in a middle-class, secular, mixed Shia-Sunni family. She describes the attacks she sees on TV, raids in her neighborhood, fuel shortages, rolling blackouts, and water shortages, all while offering insightful critiques of the Iraqi draft constitution and American Media. Riverbend reveals how, for the first time in her life, she feels lesser due to her gender. Dispelling reductive, media-driven stereotypes, she explains that most Iraqis are tolerant people, prefer secular to religious government, oppose a civil war, and desperately want the occupation to end.
Since the fall of Bagdad, women’s voices have been largely erased, but four months after Saddam Hussein’s statue fell, a 24 year-old woman from Baghdad began blogging. In 2003, a twenty-four-year-old woman from Baghdad began blogging about life in the city under the pseudonym Riverbend. Her passion, honesty, and wry idiomatic English made her work a vital contribution to our understanding of post-war Iraq—and won her a large following. Baghdad Burning is a quotidian chronicle of Riverbend’s life with her family between April 2003 and September of 2004. She describes rolling blackouts, intermittent water access, daily explosions, gas shortages and travel restrictions. She also expresses a strong stance against the interim government, the Bush administration, and Islamic fundamentalists like Al Sadr and his followers. Her book “offers quick takes on events as they occur, from a perspective too often overlooked, ignored or suppressed” (Publishers Weekly). “Riverbend is bright and opinionated, true, but like all voices of dissent worth remembering, she provides an urgent reminder that, whichever governments we struggle under, we are all the same.” —Booklist “Feisty and learned: first-rate reading for any American who suspects that Fox News may not be telling the whole story.” —Kirkus
The astonishing story of the soldiers, conservationists, and ordinary Iraqis who united to save the animals of the Baghdad Zoo When the Iraq war began, conservationist Lawrence Anthony could think of only one thing: the fate of the Baghdad Zoo, caught in the crossfire at the heart of the city. Once Anthony entered Iraq he discovered that hostilities and uncontrolled looting had devastated the zoo and its animals. Working with members of the zoo staff and a few compassionate U.S. soldiers, he defended the zoo, bartered for food on war-torn streets, and scoured bombed palaces for desperately needed supplies. Babylon's Ark chronicles Anthony's hair-raising efforts to save a pride of Saddam's lions, close a deplorable black-market zoo, run ostriches through shoot-to-kill checkpoints, and rescue the dictator's personal herd of Thoroughbred Arabian horses. A tale of the selfless courage and humanity of a few men and women living dangerously for all the right reasons, Babylon's Ark is an inspiring and uplifting true-life adventure of individuals on both sides working together for the sake of magnificent wildlife caught in a war zone.
"BAGHDAD WAS BURNING." With these words, Ambassador L. Paul "Jerry" Bremer begins his gripping memoir of fourteen danger-filled months as America's proconsul in Iraq. My Year in Iraq is the only senior insider's perspective on the crucial period following the collapse of Saddam Hussein's regime. In vivid, dramatic detail, Bremer reveals the previously hidden struggles among Iraqi politicians and America's leaders, taking us from the ancient lanes in the holy city of Najaf to the White House Situation Room and the Pentagon E-Ring. His memoir carries the reader behind closed doors in Baghdad during hammer-and-tongs negotiations with emerging Iraqi leaders as they struggle to forge the democratic institutions vital to Iraq's future of hope. He describes his private meetings with President Bush and his admiration for the president's firm wartime leadership. And we witness heated sessions among members of America's National Security Council -- George Bush, Dick Cheney, Colin Powell, Donald Rumsfeld, and Condoleezza Rice -- as Bremer labors to realize the vision he and President Bush share of a free and democratic New Iraq. He admires the selfless and courageous work of thousands of American servicemen and -women and civilians in Iraq. The flames Bremer describes on arriving in Baghdad were from fires started by looters. One of his first acts was to request an additional 4,000 Military Police to help restore order in the streets. For most of the next year, as the insurgency spread, Bremer resisted efforts by generals and senior Defense Department civilians to reduce American troop strength prematurely, replacing our forces with ill-trained, poorly led Iraqi police and soldiers. And he lays to rest the myth that the Coalition disbanded Saddam's army, a force comprised of Shiite draftees who had deserted and refused to serve under their former Sunni officers. Bremer also describes his frustration with intelligence operations that concentrated on the search for weapons of mass destruction while the insurgency gathered strength. Bremer faced daunting problems working with Iraq's traumatized and divided population to find a path to a responsible and representative government. The Shia Arabs, the country's long-repressed majority, deeply distrusted the Sunni Arab minority who had held power for centuries and had controlled the detested Baath Party. Iraq's non-Arab Kurds teetered on the brink of secession when Bremer arrived. He had to find Sunnis willing to participate in the new political order. Some in the U.S. government pushed for what Bremer would come to call a cut-and-run policy that would have quickly delivered governance of Iraq to a handful of unrepresentative anti-Saddam exiles. Bremer vigorously resisted this ill-conceived course. He takes the reader inside marathon negotiations as he and his team shepherded Iraq's new leaders to write an interim constitution with guarantees for individual and minority rights unprecedented in the region. My Year in Iraq is required reading for all those interested in the real story of how America responded to its gravest recent overseas crisis.
Thieves of Baghdad is a riveting account of Colonel Matthew Bogdanos and his team's extraordinary efforts to recover over 5,000 priceless antiquities stolen from the Iraqi National Museum after the fall of Baghdad. A mixture of police procedural, treasure hunt, war-time thriller, and cold-eyed assessment of the international black market in stolen art, Thieves of Baghdad also explores the soul of a truly remarkable man: a soldier, a father, and a passionate, dedicated scholar.
*International Booker Prize finalist* “Brave and ingenious.” —The New York Times “Gripping, darkly humorous . . . profound.” —Phil Klay, bestselling author and National Book Award winner for Redeployment “Extraordinary . . . A devastating but essential read.” —Kevin Powers, bestselling author and National Book Award finalist for The Yellow Birds From the rubble-strewn streets of U.S.-occupied Baghdad, Hadi—a scavenger and an oddball fixture at a local café—collects human body parts and stitches them together to create a corpse. His goal, he claims, is for the government to recognize the parts as people and to give them proper burial. But when the corpse goes missing, a wave of eerie murders sweeps the city, and reports stream in of a horrendous-looking criminal who, though shot, cannot be killed. Hadi soon realizes he’s created a monster, one that needs human flesh to survive—first from the guilty, and then from anyone in its path. A prizewinning novel by “Baghdad’s new literary star” (The New York Times), Frankenstein in Baghdad captures with white-knuckle horror and black humor the surreal reality of contemporary Iraq.
Sinan Antoon returns to the Iraq war in a poetic and provocative tribute to reclaiming memory Widely-celebrated author Sinan Antoon’s fourth and most sophisticated novel follows Nameer, a young Iraqi scholar earning his doctorate at Harvard, who is hired by filmmakers to help document the devastation of the 2003 invasion of Iraq. During the excursion, Nameer ventures to al-Mutanabbi street in Baghdad, famed for its bookshops, and encounters Wadood, an eccentric bookseller who is trying to catalogue everything destroyed by war, from objects, buildings, books and manuscripts, flora and fauna, to humans. Entrusted with the catalogue and obsessed with Wadood’s project, Nameer finds life in New York movingly intertwined with fragments from his homeland’s past and its present—destroyed letters, verses, epigraphs, and anecdotes—in this stylistically ambitious panorama of the wreckage of war and the power of memory.
As the advent of an attack on Iraq approaches, a young Egyptian man working in the Gulf decides to take up a freelance job as a field translator for the L.A. Times and unsuspectingly embarks on an electrifying roller-coaster ride from Kuwait City to Baghdad. What was to happen to him and his team for the following three months is documented in his book Baghdad Bound. This is a gripping account of the remarkable events that he witnessed before and during the Iraq War: The danger of frontline reporting Dodging bullets and translating between reporters and Iraqis, the author recounts in detail the escape of BBC, CBC, Newsweek, and other news network crews from the Iraqi border after the threat of being besieged by a group of disgruntled and armed locals. The devastation of the lives of Iraqi civilians From Basra to Baghdad, a direct look at the horror of living in fear of coalition bombs as well as Saddam loyalists. The author begins to understand their psychological trauma after a first-hand look at casualties of war and along the way, discovers the real face of the Ba'athi regime. The aftermath In a lawless land, chaos reigns supreme as Iraqis, coalition forces and journalists struggle to make sense of post-war Iraq. The author recounts the mayhem of looting and rubs shoulders with Shi'a leaders and Iraqi exiles like Ahmed Chalabi vying for power while Saddam is on the loose. Of all the books that have been published about the Iraq War, Baghdad Bound is a first. A mosaic of thrilling untold stories from the theatre of war, it is an earnest and unique collection of the action-packed memoirs of an Arab interpreter who finds himself caught in an intricate web involving the CIA, the L.A. Times, and Iraqis of various walks of life. Here is a raw view of the war through the eyes of a regular man who stumbled into a defining chapter of modern history...
In this often moving, sometimes wry account of life in Baghdad during the first war on Iraq and in exile in the years following, Iraqi-born, British-educated artist Nuha al-Radi shows us the effects of war on ordinary people. She recounts the day-to-day realities of living in a city under siege, where food has to be consumed or thrown out because there is no way to preserve it, where eventually people cannot sleep until the nightly bombing commences, where packs of stray dogs roam the streets (and provide her own dog Salvi with a harem) and rats invade homes. Through it all, al-Radi works at her art and gathers with neighbors and family for meals and other occasions, happy and sad. In the wake of the war, al-Radi lives in semi-exile, shuttling between Beirut and Amman, travelling to New York, London, Mexico and Yemen. As she suffers the indignities of being an Iraqi in exile, al-Radi immerses us in a way of life constricted by the stress and effects of war and embargoes, giving texture to a reality we have only been able to imagine before now. But what emanates most vibrantly from these diaries is the spirit of endurance and the celebration of the smallest of life’s joys.
In Banking on Baghdad, New York Times and international bestselling author Edwin Black chronicles the dramatic and tragic history of a land long the center of world commerce and conflict. Tracing the involvement of Western governments and militaries, as well as oil, banking, and other corporate interests, Black pinpoints why today, just as throughout modern history, the world needs Iraq's resources and remains determined to acquire and protect them. Banking on Baghdad almost painfully documents the many ways Iraq's recent history mirrors its tumultuous past.