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This collection of satirical sketches takes readers on a sometimes cynical, sometimes hilarious trip through many of the issues that face democratic South Africa The seed of this collection was sown in 2007 when South Africa won the right to host the 2010 FIFA World Cup. The debate about huge amounts of public funds being spent on a 'vanity project' instead of being used to improve the lives of the majority of the country’s citizens inspired Mike van Graan, one of South Africa's leading contemporary political playwrights, to use sport as an entry point for satirical commentary. Van Graan follows this with piercing attention towards matters of the state. With themes ranging from the World Cup to the political football of land, from the violent abuse of women to state capture, this selection of satirical sketches takes readers on a rollercoaster trip through many of the issues that face democratic South Africa. The sketches come from six one-person revues, Bafana Republic (2007), Bafana Republic: Extra Time (2008), Bafana Republic: Penalty Shootout (2009), Pay Back the Curry (2016), State Fracture (2017) and Land Acts (2018). Van Graan uses a potent mix of comedy, poetry and drama to make points that hit hard at core issues which 21st-century South Africans are struggling with. Readers will laugh and cringe and sometimes cry, but one thing they will not be able to do is remain unaffected.
This collection of satirical sketches takes readers on a sometimes cynical, sometimes hilarious trip through many of the issues that face democratic South Africa The seed of this collection was sown in 2007 when South Africa won the right to host the 2010 FIFA World Cup. The debate about huge amounts of public funds being spent on a 'vanity project' instead of being used to improve the lives of the majority of the country’s citizens inspired Mike van Graan, one of South Africa's leading contemporary political playwrights, to use sport as an entry point for satirical commentary. Van Graan follows this with piercing attention towards matters of the state. With themes ranging from the World Cup to the political football of land, from the violent abuse of women to state capture, this selection of satirical sketches takes readers on a rollercoaster trip through many of the issues that face democratic South Africa. The sketches come from six one-person revues, Bafana Republic (2007), Bafana Republic: Extra Time (2008), Bafana Republic: Penalty Shootout (2009), Pay Back the Curry (2016), State Fracture (2017) and Land Acts (2018). Van Graan uses a potent mix of comedy, poetry and drama to make points that hit hard at core issues which 21st-century South Africans are struggling with. Readers will laugh and cringe and sometimes cry, but one thing they will not be able to do is remain unaffected.
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"What Remains is a fusion of text, dance and movement to tell a story about the unexpected uncovering of a slave burial ground in Cape Town, the archaeological dig that follows and a city haunted by the memory of slavery. When the bones emerge from the ground, everyone in the city - slave descendants, archaeologists, citizens, property developers - is forced to reckon with a history sometimes remembered, sometimes forgotten. Loosely based on the events at Prestwich Place, What Remains forges a path between memory and magic, the uncanny and the known, waking and dreaming. Four figures - the archaeologist, the healer, the dancer and the student - move between bones and books, archives and madness, paintings and protest, as they struggle to reconcile the past with the now."--Back cover
Analyzing postapartheid culture in South Africa, this book critically examines music, cinema, social media, and the politics of change after apartheid. It cuts across academic disciplines, the creative arts, and the media to pose two central questions: Is South Africa changing for the better, or are we static? Is there too much static for us to hear each other clearly? The various chapters provide key insights into recent media phenomena, such as Die Antwoord, a South African rap-rave group; the 2010 Soccer World ∪ Bok van Blerk, a South African musician; Tsotsi, a 2005 film; Kuli Roberts’ Sunday World newspaper column on “coloureds”; the revisionist film Afrikaaps; and the University of the Free State’s Reitz video scandal. The close readings of lyrics, videos, and films are loaded with keen insights explaining what the cultural issues are and why they matter.
In a whirlwind of local history, contemporary culture, domestic angst, and nostalgia, Thabo Jijana’s debut collection of award-winning poems exhibits an emotional wisdom beyond the writer’s years. Earthen and edgy, musical and minimal, Failing Maths and My Other Crimes is not solely a meditation on family and mortality, nor just a manifesto on the role of art in a young man’s life: beyond all, this collection is a short masterclass in South African storytelling-in-verse.
Digging under the skin of contemporary South Africa, 'Green Man Flashing' explores themes of sexual harassment, political loyalty and finally, accountability to truth, which has made it one of the most talked about plays in recent years to be staged in South Africa.