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While national crime rates have recently fallen, crimes committed by women have risen 200 percent, yet we continue to transform female violence into victimhood by citing PMS, battered wife syndrome, and postpartum depression as sources of women?s actions. When She Was Bad convincingly overturns these perceptions by telling the stories of such women as Karla Faye Tucker, who was recently executed for having killed two people with a pickax; Dorothea Puente, who murdered several elderly tenants in her boarding house; and Aileen Wuornos, a Florida woman who shot seven men. Patricia Pearson marshals a vast amount of research and statistical support from criminologists, anthropologists, psychiatrists, and sociologists, and includes many revealing interviews with dozens of men and women in the criminal justice system who have firsthand experience with violent women. When She Was Bad is a fearless and superbly written call to reframe our ideas about female violence and, by extension, female power.
Polygamy, forced marriage, female genital mutilation, punishing women for being raped, differential access for men and women to health care and education, unequal rights of ownership, assembly, and political participation, unequal vulnerability to violence. These practices and conditions are standard in some parts of the world. Do demands for multiculturalism--and certain minority group rights in particular--make them more likely to continue and to spread to liberal democracies? Are there fundamental conflicts between our commitment to gender equity and our increasing desire to respect the customs of minority cultures or religions? In this book, the eminent feminist Susan Moller Okin and fifteen of the world's leading thinkers about feminism and multiculturalism explore these unsettling questions in a provocative, passionate, and illuminating debate. Okin opens by arguing that some group rights can, in fact, endanger women. She points, for example, to the French government's giving thousands of male immigrants special permission to bring multiple wives into the country, despite French laws against polygamy and the wives' own bitter opposition to the practice. Okin argues that if we agree that women should not be disadvantaged because of their sex, we should not accept group rights that permit oppressive practices on the grounds that they are fundamental to minority cultures whose existence may otherwise be threatened. In reply, some respondents reject Okin's position outright, contending that her views are rooted in a moral universalism that is blind to cultural difference. Others quarrel with Okin's focus on gender, or argue that we should be careful about which group rights we permit, but not reject the category of group rights altogether. Okin concludes with a rebuttal, clarifying, adjusting, and extending her original position. These incisive and accessible essays--expanded from their original publication in Boston Review and including four new contributions--are indispensable reading for anyone interested in one of the most contentious social and political issues today. The diverse contributors, in addition to Okin, are Azizah al-Hibri, Abdullahi An-Na'im, Homi Bhabha, Sander Gilman, Janet Halley, Bonnie Honig, Will Kymlicka, Martha Nussbaum, Bhikhu Parekh, Katha Pollitt, Robert Post, Joseph Raz, Saskia Sassen, Cass Sunstein, and Yael Tamir.
Coming in summer 2022: The new book from the award-winning and No. 1 Sunday Times bestselling author of THE FIVE: THE WOMEN WHO WERE KILLED BY JACK THE RIPPER In 1910, the name Dr Hawley Harvey Crippen entered legend. The remains of his wife, the music hall performer, Belle Elmore were discovered in his London cellar, while he and his secretary Ethel Le Neve were found masquerading as father and son on a ship bound for Canada. Meanwhile, in New York, the Irish family of Charlotte Bell, Crippen’s first wife were investigating the mysterious circumstances of her death, nearly 20 years earlier. For over a century, Belle Elmore’s murder has been retold as a tale about a cold-blooded killer and the heroic men who brought him to justice, however the real story is one that hasn’t been heard. It is told by the ranks of women who dominated the case, not only the larger-than-life Belle, the rebellious and ambitious Ethel, and the courageous Charlotte, but an army of Edwardian actresses, circus performers, singers, horse trainers, landladies, secretaries, bookkeepers and medical professionals whose version of events has been drowned out by those of law enforcement and even by the murderer himself. Their perspectives paint a chilling picture of an Edwardian world, not so entirely distant from our own.
On female sexual morality
Good Women Behaving Badly A spiteful boss, a defiant employee, a manipulative mother, a desperate housewife, an envious sister…honey, we know these women. We’ve lived with them, worked with them, or caught a glimpse of them in our mirrors. Now let’s take a look at their ancient counterparts in Scripture: Sarah mistreated her maidservant, Hagar despised her mistress, Rebekah manipulated her son, Leah claimed her sister’s husband, and Rachel envied her fertile sister. They were far from evil, but hardly perfect. Mostly good, yet slightly bad. In other words, these matriarchal mamas look a lot like us. “A Slightly Bad Girl is simply this: a woman unwilling to fully submit to God. We love him, serve him, and worship him, yet we find it difficult to trust him completely, to accept his plan for our lives, to rest in his sovereignty.” —from Slightly Bad Girls of the Bible
Miscast in the media for nearly 130 years, the victims of Jack the Ripper finally get their full stories told in this eye-opening and chilling reminder that life for middle-class women in Victorian London could be full of social pitfalls and peril.
Traces the artistic heritage of numerous women blues singers, from Ma Rainey and Billie Holiday to Aretha Franklin and Tina Turner, exploring the messages within their songs and images while discussing their contributions to music and American history. 15,000 first printing.
In London, on the brink of the Sixties, two runaways plunge into the whirl of Soho nightlife. Mattie faces the hard slog of repertory companies and a sleazy strip-club in search of fame as an actress. But, when it comes, stardom is not enough, and the love that Mattie desires seems to elude her.
This is a laugh out loud, narrative-driven self-help book. Think Bridget Jones gets a critical makeover.In Why Smart Women Make Bad Decisions, our protagonist Kat is learning that the philosophy of &‘Believe-in-yourself-and Magic-will-happen' will not deliver her a better life. Her story, which recounts her hapless attempts to navigate scenarios disturbingly familiar to many readers, is presented with a companion account of the cognitive quirks that drive her faulty thinking and behaviour. This is neuroscience explained through the lens of a modern comedy; the buggy brain stripped bare in a laugh out loud take down of magical thinking and the goofy, delusional self-actualisation movement. Kat discovers that the simplistic advice to honour your intuition is not all it's cracked up to be. Despite practising Gratitude and Acceptance, she is still failing to lose the 5lbs that preoccupy her. Despite her Positive Thinking, her performance review leaves her limp with despair, and despite her assiduous application to making affirmations, her philandering Hipster Boyfriend leaves her (taking with him the remote control).In the companion explanation to each chapter, author Annie McCubbin explains to readers what drives people to behave in blindly optimistic and self-destructive ways. If only they could apply the critical thinking that our narrator suggests, smart women would indeed stop making bad decisions.It becomes clear to Kat, and in turn the reader, that positive thinking, meditation and magical thinking will not turn her life around. Instead, women should apply the narrator's advice and change the inherent cognitive flaws that run, and often ruin, their lives.
"The treatment of the female,feminine,femininity,femaleness has never been constant neither in my country nor anywhere else.The 'female' is beyond gender,bodily limits and even beyond living and nonliving.Otherwise, who knew one day acid and pepper would become 'female' weapons used against and by women respectively. I tried to find out a common thread that binds together all 'women' across the world. Couldn't find any...Do let me know if you have/could.Also remember Roland Barthes once said, ""The birth of the reader must be required by the death of the author."" Well,I would say,it would be kinder if you contemplate,interpret each poem as your own but read and criticize them as my work. 'LEGENDS OF BAD WOMEN' is a collection of one hundred poems, six lines each.Most of them are not the immediate continuation of the previous one with a very few exceptions.Some of the poems are the dedications to notable personalities from history, legends, mythology, "