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BAD SUBJECTS offers a critique of the post-1960s left in the United States and attempts to reclaim a utopian vision. Simultaneously a valuable resource and an inspiration, BAD SUBJECTS is an example of a progressive political community making use of new technologies. It covers everything from popular culture and high technology to economic restructuring and political organizing, from Raymond Williams to The Dead Kennedys.
Bad Subjects examines the social and cultural milieu of the early modern French empire through an analysis of the quasi-criminal category of libertinage in the French Atlantic.
In this probing exploration of what it means to be deaf, Brenda Brueggemann goes beyond any simple notion of identity politics to explore the very nature of identity itself. Looking at a variety of cultural texts, she brings her fascination with borders and between-places to expose and enrich our understanding of how deafness embodies itself in the world, in the visual, and in language. Taking on the creation of the modern deaf subject, Brueggemann ranges from the intersections of gender and deafness in the work of photographers Mary and Frances Allen at the turn of the last century, to the state of the field of Deaf Studies at the beginning of our new century. She explores the power and potential of American Sign Language—wedged, as she sees it, between letter-bound language and visual ways of learning—and argues for a rhetorical approach and digital future for ASL literature. The narration of deaf lives through writing becomes a pivot around which to imagine how digital media and documentary can be used to convey deaf life stories. Finally, she expands our notion of diversity within the deaf identity itself, takes on the complex relationship between deaf and hearing people, and offers compelling illustrations of the intertwined, and sometimes knotted, nature of individual and collective identities within Deaf culture.
Writers as diverse as Carolivia Herron, Charles Johnson, Paule Marshall, Toni Morrison, and Derek Walcott have addressed the history of slavery in their literary works. In this groundbreaking new book, Arlene R. Keizer contends that these writers theorize the nature and formation of the black subject and engage established theories of subjectivity in their fiction and drama by using slave characters and the condition of slavery as focal points. In this book, Keizer examines theories derived from fictional works in light of more established theories of subject formation, such as psychoanalysis, Althusserian interpellation, performance theory, and theories about the formation of postmodern subjects under late capitalism. Black Subjects shows how African American and Caribbean writers' theories of identity formation, which arise from the varieties of black experience re-imagined in fiction, force a reconsideration of the conceptual bases of established theories of subjectivity. The striking connections Keizer draws between these two bodies of theory contribute significantly to African American and Caribbean Studies, literary theory, and critical race and ethnic studies.
This book analyzes the genre subjects created by Jean Siméon Chardin in the 1730s and 1740s as exemplars of a period-specific aesthetic known as the goût moderne or Modern taste, a category shaped by the literary Quarrel of the Ancients versus the Moderns.
This, the second anthology of their writing, collects the Bad Subjects Collective's most interesting and provocative articles from the last six years. Covering diverse personal and political ground, the contributors explore cultural and media studies, racial identities, sexual politics, globalization, alternative communities, activism, the complexities of history, alternative consciousness and many other topics, in an incendiary mix of political radicalism and rigourous debate that's intended to provoke further discussion among academics and activists worldwide. Contributors include Doug Henwood, Richard D. Wolff, Annalee Newitz, Rick Prelinger, David Hawkes, Joel Schalit, Megan Shaw Prelinger, John Brady, Arturo Aldama, Joe Lockard, Jonathan Sterne, Charlie Bertsch, Mike Mosher, Cynthia Hoffman, Kim Nicolini, J.C. Myers, Scott Schaffer, Fred Aldama, Zach Furness, Elisabeth Hurst, Matt Wray, Tomas Sandoval and Viet Thanh Nguyen. 'Bad Subjects is a collective that seeks to revitalize progressive politics in retreat. We think too many people on the left have taken their convictions for granted. So we challenge progressive dogma by encouraging readers to think about the political dimension to all aspects of everyday life.' From the Bad Subjects manifesto