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Linda S. Kauffman turns the pornography debate on its head with this audacious analysis of recent taboo-shattering fiction, film, and performance art. Investigating the role of fantasy in art, politics, and popular culture, she shows how technological advances in medicine and science (magnetic resonance imaging, computers, and telecommunications) have profoundly altered our concepts of the human body. Cyberspace is producing new forms of identity and subjectivity. The novelists, filmmakers, and performers in Bad Girls and Sick Boys are the interpreters of these brave new worlds, cartographers who are busy mapping the fin-de-millennium environment that already envelops us. Bad Girls and Sick Boys offers a vital and entertaining tour of the current cultural landscape. Kauffman boldly connects the dots between the radical artists who shatter taboos and challenge legal and aesthetic conventions. She links writers like John Hawkes and Robert Coover to Kathy Acker and William Vollmann; filmmakers like Ngozi Onwurah and Isaac Julien to Brian De Palma and Gus Van Sant; and performers like Carolee Schneemann and Annie Sprinkle to the visual arts. Kauffman's lively interviews with J. G. Ballard, David Cronenberg, Bob Flanagan, and Orlan add an extraordinary dimension to her timely and convincing argument.
Linda S. Kauffman turns the pornography debate on its head with this audacious analysis of recent taboo-shattering fiction, film, and performance art. Investigating the role of fantasy in art, politics, and popular culture, she shows how technological advances in medicine and science (magnetic resonance imaging, computers, and telecommunications) have profoundly altered our concepts of the human body. Cyberspace is producing new forms of identity and subjectivity. The novelists, filmmakers, and performers in Bad Girls and Sick Boys are the interpreters of these brave new worlds, cartographers who are busy mapping the fin-de-millennium environment that already envelops us. Bad Girls and Sick Boys offers a vital and entertaining tour of the current cultural landscape. Kauffman boldly connects the dots between the radical artists who shatter taboos and challenge legal and aesthetic conventions. She links writers like John Hawkes and Robert Coover to Kathy Acker and William Vollmann; filmmakers like Ngozi Onwurah and Isaac Julien to Brian De Palma and Gus Van Sant; and performers like Carolee Schneemann and Annie Sprinkle to the visual arts. Kauffman's lively interviews with J. G. Ballard, David Cronenberg, Bob Flanagan, and Orlan add an extraordinary dimension to her timely and convincing argument.
Murkin was the code name chosen by the FBI for their investigation into the assassination of Dr. Martin Luther King, Jr., in 1968. Today, 20 years after the fatal shooting of the civil rights leader, Philip H. Melanson, a renowned authority on American political assassinations, unveils his own investigation into the murder. Melanson . . . has done an exhaustively thorough job on the still-mysterious King assassination. After following Melanson's meticulous pursuit of seemingly every lead in the case--including interviews with the men whose names were used as aliases for alleged killer James Earl Ray--there can be little doubt in the reader's mind that neither of the two official versions of what happened could have been the whole truth. The first was the ever-popular notion of the lone killer: Ray. The second, propounded by a clearly inept congressional investigation a decade after the 1969 shooting, was that an ill-defined racist conspiracy was behind the assassination. What seems unarguable is that Ray, a petty criminal, could not have killed King unaided. There are too many improbabilities--the source of his carefully chosen Canadian aliases, the identity of the `fat man' who brought him a `letter' in Toronto during his escape, the odd setup at the rooming house from which the shot was fired. It is Melanson's thesis that there was high-level intelligence involvement, probably by the CIA, which was violently alarmed by King's anti-Vietnam stance. Publisher's Weekly Murkin was the code name chosen by the FBI for the investigation into the assassination of Dr. Martin Luther King, Jr., in 1968. Today, twenty years after the fatal shooting of the civil rights leader, Philip H. Melanson, a renowned authority on American political assassinations, unveils his own investigation into the murder. Through extensive interviews, research, and Freedom of Information Act requests, Melanson analyzes the official investigations, the evidence, the performance of law enforcement officials, the role of James Earl Ray, and the questions of conspiracy. Much of the data presented has never before been published. Based on his detailed investigation, Melanson offers a revisionist interpretation of the King case, demonstrating that it remains unsolved. Melanson argues persuasively that both the FBI's conclusion that Ray acted alone and the later 1978 House Select Committee on Assassinations decision that Ray was backed by a conspiracy of St. Louis-based white supremacists are not supported by the evidence. Although Melanson concludes that Ray did not, in fact, act alone, he contends that the official investigations were so flawed that the conspirators behind him are still unidentified. His own conclusions regarding the probable source of the conspiracy offer a sobering indictment of the ways in which powerful interests, left unchecked, can wreak havoc on American democratic processes.
Rule No. 1: Don't piss off the Sick Boys They're cruel. Reckless. Impossibly fucked up. The Sick Boys feed on the order they create. They rule Eastpoint University just as their families have for decades. But their power doesn't stop there. The three of them are heirs to some of the largest fortunes in the world, and behind that kind of wealth lies an underworld of corruption. On the surface, they're perfect princes and he is their King. But underneath it all, they're filled with blood, lies, and secrets. With all of their connections, they have the power to crush anyone who gets in their way. But just because they're as warped as I am doesn't mean I'm going to give them a free pass. Because I, Avalon Manning, bow to no one, and I live to break the fucking rules. ***This is a Dark MF Enemies to Lovers College Romance.*** ***Please Note: This book is labeled as "Dark" for a reason. If you are sensitive or easily triggered by subjects and actions that are common in "dark" romance, please take that into consideration and read responsibly.***
It's the first day of school, and Camilla discovers that she is covered from head to toe in stripes, then polka-dots, and any other pattern spoken aloud! With a little help, she learns the secret of accepting her true self, in spite of her peculiar ailment.
Whose truth is the lie? Stay up all night reading the sensational psychological thriller that has readers obsessed, from the #1 New York Times bestselling author of Too Late and It Ends With Us. #1 New York Times Bestseller · USA Today Bestseller · Globe and Mail Bestseller · Publishers Weekly Bestseller Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of bestselling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity’s notes and outlines, hoping to find enough material to get her started. What Lowen doesn’t expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read. Page after page of bone-chilling admissions, including Verity's recollection of the night her family was forever altered. Lowen decides to keep the manuscript hidden from Jeremy, knowing its contents could devastate the already grieving father. But as Lowen’s feelings for Jeremy begin to intensify, she recognizes all the ways she could benefit if he were to read his wife’s words. After all, no matter how devoted Jeremy is to his injured wife, a truth this horrifying would make it impossible for him to continue loving her.
Thick with suspense and simmering with adolescent turmoil, Bad Girls is an action-adventure survival story that pits a group of troubled teens against a forbidding tropical landscape, an elusive enemy, and, worst of all, each other. It's Mean Girls meets Lord of the Flies, and it marks the debut of an innovative new voice in fiction. Anna Wheeler's parents have had it up to here. They can't seem to control their daughter anymore and so, one night, Anna's yanked from her bed and carted off to Camp Archstone -- bootcamp for troubled teen girls. There, on a vast, remote, sparsely populated island, Anna will be expected to change her ways and repent for the sins her religious father just can't seem to forgive. Here's a hint: There's a boy involved. No, a man. Life at Camp Archstone is Anna's worst nightmare. Every minute of the day is scheduled, the counselors are hardcore, and one girl is crueler than the next. But when a grueling hike into the forest goes horribly wrong, things go from bad to worse. Stalked by an unknown foe and left to fend for themselves, the girls band together to try to find their way back to civilization -- and that's when the real trouble begins.
NEW YORK TIMES BESTSELLER • A stunning “portrait of the enduring grace of friendship” (NPR) about the families we are born into, and those that we make for ourselves. A masterful depiction of love in the twenty-first century. NATIONAL BOOK AWARD FINALIST • MAN BOOKER PRIZE FINALIST • WINNER OF THE KIRKUS PRIZE A Little Life follows four college classmates—broke, adrift, and buoyed only by their friendship and ambition—as they move to New York in search of fame and fortune. While their relationships, which are tinged by addiction, success, and pride, deepen over the decades, the men are held together by their devotion to the brilliant, enigmatic Jude, a man scarred by an unspeakable childhood trauma. A hymn to brotherly bonds and a masterful depiction of love in the twenty-first century, Hanya Yanagihara’s stunning novel is about the families we are born into, and those that we make for ourselves. Look for Hanya Yanagihara’s latest bestselling novel, To Paradise.
“This psychological thriller follows a girl with dark secrets to a school with uneasy mysteries of its own . . . Gripping, violent and terrifying.” —Kirkus Reviews A New York Public Library “Best of the Teen Age” Angela’s parents think she’s on the road to ruin because she’s dating a “bad boy.” After her behavior gets too much for them, they ship her off to Hidden Oak. Isolated and isolating, Hidden Oak promises to rehabilitate “dangerous girls.” But as Angela gets drawn in further and further, she discovers that recovery is only on the agenda for the “better” girls. The other girls—designated as “the purple thread” —will instead be manipulated to become more and more dangerous . . . and more and more reliant on Hidden Oak’s care. “Teens might behave dangerously themselves to get their hands on this page-turner with its commentary on education.” —Booklist “The struggle and eventual triumph of the bad girls over the evil teachers makes for an intriguing conflict that many teens will appreciate.” —School Library Journal “Compelling and page-turning . . . For any fan of gothic, dark, gripping action, The School for Dangerous Girls should not be missed.” —TeensReadToo.com
Tessa O'Connell is a girl as ordinary as they come - or so she thinks. Her aim for senior year is to keep her head down yet somehow manage to convince her childhood love Jay Stone to love her back. What she isn't prepared for is for Jay's brother, Cole, to return to town and change the life she's always been seemingly content to live.