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We all have a certain creature that makes our skin scrawl and give us the ‘heebie jeebies’. Spiders that make us scream, mice that make us jump on top of furniture until the coast is clear, or bats that make us shudder at the thought of them flapping around our hair. There are creatures big and small all over the world that make us squirm and wriggle in our seats just at the mere thought of them. But what did these animals ever do to deserve such a bad reputation? Most of the time it’s humans that have labelled them ugly, dangerous and downright gross. But it’s one false acquisition too many for these little guys. They’ve had enough of being called scary, slimy, nasty and ewwy. They’re here to dispel these false acquisitions and set the record straight once and for all! "You humans have given us a BAD rep! You've been spreading rumours about us - you think we're scary and spooky and dangerous and icky. Well we're here to set the record straight because we're fed up with the lies you've been spreading. We're not bad animals at all -we're just misunderstood!" With laugh-out-loud illustrations from the immensely talented Sophie Corrigan, uncover the truth behind the animal and learn all about how each creature plays an important role in our world. With bitesize text that will leave you giggling and a fact box about each misrepresented creature, this is the perfect introduction to over 30 critters big and small who really aren’t all that bad at all!
"This edition is available for distribution only through the school market"--P. [4] of cover.
Avoid the messy confrontations that accompany delivering bad news personally and let one of these cute baby animal postcards deliver the devastating message for you. Are you afraid to tell your girlfriend that her ass looks fat? Do you need to explain to your nephew that dreams don't come true? Why not let a cute, fuzzy bunny do it for you! We understand how hard it is to tell someone that you're sleeping with his wife, so let a photograph of a duckling sleeping on a teddy bear soften the blow. These perforated postcards answer all of your cowardly prayers—you'll finally be able to tell the truth without ever conquering your fear of confrontation. Let these adorable baby animals supply a silver lining to any bad situation and avoid, a long, tearful afternoon explaining why daddy's never coming home.
There's a lot that animals don't want you to know, and the better their public image, the worse their secrets are: gang-rapist dolphins; lazy, infanticidal lions; and, of course, our own dogs, who eat our money, set our houses on fire, and in more than one case, actually shoot their owners with guns. Animals Behaving Badly shows that animals are just like us: gluttonous, selfish, violent, lustful, and always looking out for number one. Using anecdotes from the news and from scientific research, Linda Lombardi pokes fun at our softhearted preconceptions about animals, makes us feel a little better about humanity's basest impulses, and painlessly teaches us a bit more about our furry and feathered friends. You'll learn: Bees love alcohol: even, says one researcher, more than college students Pandas enjoy pornographic movies-they're particularly aroused by the soundtrack-and macaques will pay with juice to look at dirty pictures A rabbit who lives in a pub in England is addicted to gambling with a slot machine African elephants raised by teenage mothers form violent youth gangs
The 25 Best Thriller Books of the Summer—New York Post Best New Books Coming Out Summer 2018 —Southern Living 46 Great Books to Read This Summer—Nylon Dazzling Debuts"—WYPR, "The Weekly Reader" Summer Thrillers That Will Have You at the Edge of Your Chaise Lounge—Refinery29 8 New Books You Should Read This June—vulture.com What We Read, Watched, and Listened to in May—Outside “Furious and electric . . . a fever dream."—Publishers Weekly, *Starred Review!* Breaking Bad meets No Country for Old Men... Ever since their father's untimely death five years before, Wyatt Smith and his inseparably close twin sister, Lucy, have scraped by alone on their family's isolated ranch in Box Elder County, Utah. That is until one morning when, just after spotting one of their steers lying dead in the field, Wyatt is hit in the arm by a hail of gunfire that takes four more cattle with it. The shooter: a fever-eyed, fearsome girl-child with a TEC-9 in her left hand and a worn shotgun in her right. They hold the girl captive, but she breaks loose overnight and heads south into the desert. With the dawning realization that the loss of cattle will mean the certain loss of the ranch, Wyatt feels he has no choice but to go after her and somehow find restitution for what's been lost. Wyatt's decision sets him on an epic twelve-day odyssey through a nightmarish underworld he only half understands; a world that pitches him not only against the primordial ways of men and the beautiful yet brutally unforgiving landscape, but also against himself. As he winds his way down from the mountains of Box Elder to the mesas of Monument Valley and back, Wyatt is forced to look for the first time at who he is and what he’s capable of, and how those hard truths set him irrevocably apart from the one person he’s ever really known and loved. Steeped in a mythic, wildly alive language of its own, and gripping from the first gunshot to the last, Rough Animals is a tour de force from a powerful new voice.
Strange is not a word he should use (it’s not quite politically correct), but sometimes Joel Yanofsky can think of no other way to describe life with his son, Jonah—life with autism. Jonah is “on the spectrum” of Autism Spectrum Disorders (ASD), but knowing the correct terminology makes it no easier for Yanofsky to understand his ten-year-old son’s complicated relationship with the world. While his wife, Cynthia, an art therapist, assumed the burden of researching ASD and investigating effective treatments for Jonah, Yanofsky tried other approaches. In this funny and moving account of a year in their life together, he chronicles his struggle to enter his son’s world using the materials he knows best: self-help books, feel-good memoirs, and literary classics ranging from the Old Testament to Dr. Seuss, as well as knock-knock jokes, riddles, and puns—all the wacky routines Yanofsky calls schtick. Told with candour, insight, and compassion, Bad Animals is not only about autism; it’s about the things that make life worth living.
Tom Cull's debut collection is equal parts zoo, fun-house, and curio cabinet. A mouthy badger tells off a search committee, a family of beavers conspire to commit murder, a celebrity seal slips his cage, and a flock of seabirds pay a visit to Ripley's Aquarium. In these poems, human and animal spaces overlap, often marking moments of transgression, rebellion, escape, and capture. The rural logic of everyday violence stands in relief to urban hyper-spectacles of animal incursion. Home and habitat are flooded with invasive species, cute animals videos, and rising tides.Cull's lyricism ranges from the intimate to the mythopoeic; speaking in the language of mimicry, ventriloquism, tall tale, and zinger. Within this stunning debut, animals collide, conspire, and transform, creeping through the narrative spaces of these poems and intimating apocalypse as both end and beginning
INSTANT NATIONAL BESTSELLER WINNER OF THE STORY PRIZE SHORTLISTED FOR THE DYLAN THOMAS PRIZE NAMED A BEST BOOK OF THE YEAR BY USA TODAY, NPR, VULTURE, MARIE CLAIRE, THE TIMES OF LONDON, GOOD HOUSEKEEPING, AND PUBLISHERS WEEKLY A group portrait of young adults enmeshed in desire and violence, a hotly charged, deeply satisfying new work of fiction from the author of Booker Prize finalist Real Life In the series of linked stories at the heart of Filthy Animals, set among young creatives in the American Midwest, a young man treads delicate emotional waters as he navigates a series of sexually fraught encounters with two dancers in an open relationship, forcing him to weigh his vulnerabilities against his loneliness. In other stories, a young woman battles with the cancers draining her body and her family; menacing undercurrents among a group of teenagers explode in violence on a winter night; a little girl tears through a house like a tornado, driving her babysitter to the brink; and couples feel out the jagged edges of connection, comfort, and cruelty. One of the breakout literary stars of 2020, Brandon Taylor has been hailed by Roxane Gay as “a writer who wields his craft in absolutely unforgettable ways.” With Filthy Animals he renews and expands on the promise made in Real Life, training his precise and unsentimental gaze on the tensions among friends and family, lovers and others. Psychologically taut and quietly devastating, Filthy Animals is a tender portrait of the fierce longing for intimacy, the lingering presence of pain, and the desire for love in a world that seems, more often than not, to withhold it.
Fifty-plus years of media fearmongering coupled with targeted breed bans have produced what could be called “America’s Most Wanted” dog: the pit bull. However, at the turn of the twenty-first century, competing narratives began to change the meaning of “pit bull.” Increasingly represented as loving members of mostly white, middle-class, heteronormative families, pit bulls and pit bull–type dogs are now frequently seen as victims rather than perpetrators, beings deserving not fear or scorn but rather care and compassion. Drawing from the increasingly contentious world of human/dog politics and featuring rich ethnographic research among dogs and their advocates, Bad Dog explores how relationships between humans and animals not only reflect but actively shape experiences of race, gender, ethnicity, sexuality, nation, breed, and species. Harlan Weaver proposes a critical and queer reading of pit bull politics and animal advocacy, challenging the zero-sum logic through which care for animals is seen as detracting from care for humans. Introducing understandings rooted in examinations of what it means for humans to touch, feel, sense, and think with and through relationships with nonhuman animals, Weaver suggests powerful ways to seek justice for marginalized humans and animals together.
Intensive animal agriculture wrongs many, many animals. Philosophers have argued, on this basis, that most people in wealthy Western contexts are morally obligated to avoid animal products. This book explains why the author thinks that’s mistaken. He reaches this negative conclusion by contending that the major arguments for veganism fail: they don’t establish the right sort of connection between producing and eating animal-based foods. Moreover, if they didn’t have this problem, then they would have other ones: we wouldn’t be obliged to abstain from all animal products, but to eat strange things instead—e.g., roadkill, insects, and things left in dumpsters. On his view, although we have a collective obligation not to farm animals, there is no specific diet that most individuals ought to have. Nevertheless, he does think that some people are obligated to be vegans, but that’s because they’ve joined a movement, or formed a practical identity, that requires that sacrifice. This book argues that there are good reasons to make such a move, albeit not ones strong enough to show that everyone must do likewise.