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Be calm good wind, blow not a word away for this is a meticulous account of Sir Francis Bacon's lifetime, written as journal entries, and with his style: I have no more made my book, than my book has made me: 'tis a book consubstantial with the author, of a peculiar design, a member of my life, and whose business is not designed for others, as that of all other books.
From folk ballads to film scripts, this new five-volume encyclopedia covers the entire history of British literature from the seventh century to the present, focusing on the writers and the major texts of what are now the United Kingdom and the Republic of Ireland. In five hundred substantial essays written by major scholars, the Encyclopedia of British Literature includes biographies of nearly four hundred individual authors and a hundred topical essays with detailed analyses of particular themes, movements, genres, and institutions whose impact upon the writing or the reading of literature was significant.An ideal companion to The Oxford Encyclopedia of American Literature, this set will prove invaluable for students, scholars, and general readers.For more information, including a complete table of contents and list of contributors, please visit www.oup.com/us/ebl
Desiderius Erasmus' humanist works were influential throughout Europe, in various areas of thought including theology, education, philology, and political theory. Exploiting Erasmus examines the legacy of Erasmus in England from the mid-sixteenth century to the overthrow of James II in 1688 and studies the various ways in which his works were received, manipulated, and used in religious controversies that threatened both church and state. In viewing movements and events such as the rise of anti-Calvinism, the religious politics leading to the English civil war, and the emergence of the Latitudinarians during the Restoration, Gregory D. Dodds provides a fascinating account not only of the reception and effects of Erasmus' works, but also of the early history of English Protestantism. Exploiting Erasmus offers a critical new angle for rethinking the theology and rhetoric of the time. It is a remarkable study of Erasmus' influence on issues of conformity, tolerance, war, and peace.
How do we come to trust our knowledge of the world? What are the means by which we distinguish true from false accounts? Why do we credit one observational statement over another? In A Social History of Truth, Shapin engages these universal questions through an elegant recreation of a crucial period in the history of early modern science: the social world of gentlemen-philosophers in seventeenth-century England. Steven Shapin paints a vivid picture of the relations between gentlemanly culture and scientific practice. He argues that problems of credibility in science were practically solved through the codes and conventions of genteel conduct: trust, civility, honor, and integrity. These codes formed, and arguably still form, an important basis for securing reliable knowledge about the natural world. Shapin uses detailed historical narrative to argue about the establishment of factual knowledge both in science and in everyday practice. Accounts of the mores and manners of gentlemen-philosophers are used to illustrate Shapin's broad claim that trust is imperative for constituting every kind of knowledge. Knowledge-making is always a collective enterprise: people have to know whom to trust in order to know something about the natural world.
What is criticism? And where is it to be found? Thinking about literature and the visual arts is found in many places - in treatises, apologies, and paragoni; in prefaces, letters, and essays; in commentaries, editions, reading notes, and commonplace books; in images, sculptures, and built spaces; within or on the thresholds of works of poetry and visual art. It is situated between different disciplines and methods. Critical ideas and methods come into England from other countries, and take root in particular locations - the court, the Inns of Court, the theatre, the great house, the printer's shop, the university. The practice of criticism is transplanted to the Americas and attempts to articulate the place of poetry in a new world. And commonplaces of classical poetics and rhetoric serve both to connect and to measure the space between different critical discourses. Tracing the history of the development of early modern thinking about literature and the visual arts requires consideration of various kinds of place - material, textual, geographical - and the practices particular to those places; it also requires that those different places be brought into dialogue with each other. This book brings together scholars working in departments of English, modern languages, and art history to look at the many different places of early modern criticism. It argues polemically for the necessity of looking afresh at the scope of criticism, and at what happens on its margins; and for interrogating our own critical practices and disciplinary methods by investigating their history.
Lady Anne Cooke Bacon's translation of Bishop John Jewel's Apologia Ecclesiae Anglicanae (1562) as An Apology or Answer in Defence of the Church of England (1564) is the official defence of the Elizabethan Settlement. At once an explanation and vindication of the establishment of the English Church and an attack on the perceived failings of the Church of Rome, An Apology embodies the tensions of a polemical age. It illustrates how politics and religion were inextricably entwined in early printed books. As well as shining light on the intense controversy between Jewel, Bishop of Salisbury, and fellow Devon native Thomas Harding, exiled in Louvain, Lady Bacon's text and its reception foreground the critical significance of her translating expertise in presenting church history and debates through pungent, idiomatic prose. One of the lauded Cooke sisters and mother of Sir Anthony and Sir Francis, Lady Bacon combined her proven talent in languages and reform principles with an insider's knowledge of court intrigues. Although her translation disappeared from print acknowledgement for almost two centuries, it is here offered in a richly annotated edition. Explaining and contextualizing the cryptic marginalia, this edition allows twenty-first-century readers to feel the heat and apprehend the strategic importance of An Apology.
"Queen Elizabeth I of England never married, but she came close to it on one or two occasions, or so we are led to believe. One of those thought to be a likely candidate for the honor was the second Earl of Essex—much to the horror and dismay of the other courtiers who crowded the royal court. And yet Essex did not marry Elizabeth; in fact, he was disgraced after expressly ignoring a royal command—and tried for treason. The sequence is well known, and yet the explanation for what can only be taken to be Essex's stupidity, on the one hand (he well knew the imperiousness of Elizabeth's will), and Elizabeth's rage and mortification, on the other, has remained unclear until Joseph Allen Matter steeped himself in the volumes of the British State Trials and, on the basis of the official records, came up with the careful reevalutation that is My Lords and Lady of Essex. The Essexes were an ill-starred family. Taking no notice of the troubles of Elizabeth's onetime favourite, the second earl's successors in the reign of James I (1603–1625) fought among themselves and conspired against their sovereign—ending up with depression regularity in the law courts, there to becomes the subject of Mr. Matter's minute researches. By making use of many of the surviving documents of the period, in particular of the State Trial of Mr. Matter has reconstructed a fascinating period of English history, restoring to what is often passed over as an arid recitation of facts the full flavor of personality, intrigue, and the comedy of manners that is humanity in any age or time."-Publisher.