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Looks at how Hollywood is changing to meet economic and creative challenges. This title probes the working methods of a diverse range of screenwriters to explore how they come up with their ideas, how they go about adapting a stage play or work of fiction, and whether their variegated life experiences contribute to the success of their writing.
Interviews with screenwriters
Even long memories fade, but murder never dies. Elizabeth Danniher has been among TV journalism’s elite. But divorcing her network exec husband ends not only her marriage but her career, and she’s banished to tiny KWMT in Sherman, Wyoming, to finish out her contract. Now she’s exploring what comes next – in her career, her life and her relationships with family, friends and those who’d like to be more than friends. But she’s not being left in peace to wrestle with these issues because she keeps being drawn in to murder investigations. Now Elizabeth, and handsome KWMT colleague Mike Paycik, rugged rancher Tom Burrell, and her colorful cast of collaborators, plunge into mysteries from the past that threaten the present. To succeed, they must untangle characters and plotlines from a long-hidden Back Story. Don't miss any of Elizabeth Danniher's Caught Dead in Wyoming adventures: Sign Off Left Hanging Shoot First Last Ditch Look Live Back Story Cold Open Hot Roll Reaction Shot Body Brace Cross Talk Air Ready Cue Up "Colorful characters, intriguing, intelligent mystery, plus the state of Wyoming leaping off every page." -- Emilie Richards, USA Today bestselling author What readers are saying about the Caught Dead in Wyoming series: “McLinn's mysteries set in Wyoming are addictive. The writing is excellent, the twists and turns keep the brain engaged, and Elizabeth's wry commentary keeps a smile on my face.” "I love the whole series Caught Dead in Wyoming. The writing is witty and sharp; the story is gripping; and the characters are so realistic. Even the supporting characters are fully defined and interesting. What I didn’t expect was a renewed appreciation given by this “inside” view of the world of journalism. With all the current focus on Fake News, I loved being reminded of how vital news people are to our society. E.M. Danniher changes her community and certain individuals – for the better – due to her dogged pursuit of truth and justice." "I confess to being addicted to this series and characters. I LIKE them. I wish they were real." “E.M.’s internal monologues are sharp, snappy and often hilarious.” "A terrific series with a western flair. . . . Great characters that you would want as your friends. Smart, funny, but not perfect." “Hoping this series lasts forever!” “McLinn has created in E.M. a female protagonist who is flawed but likable, never silly or cartoonish, and definitely not made of cardboard." More mystery from Patricia McLinn Secret Sleuth series Death on the Diversion Death on Torrid Avenue Death on Beguiling Way Death on Covert Circle Death on Shady Bridge Death on Carrion Lane Death on ZigZag Trail Death on Puzzle Place The Innocence Trilogy Proof of Innocence Price of Innocence Premise of Innocence Ride the River: Rodeo Knights (includes Caught Dead in Wyoming characters) female sleuth, amateur detective, women detectives, traditional mystery, mystery with humor, mysteries with humor, humorous mysteries, mystery with dog, mystery with animal, American crime murder, women sleuths, traditional mystery, krimis kriminalromane
Interviews with screenwriters
In order to save his ailing grandfather from a curse, boy inventor Walker Bean must return an accursed pearl skull to the witches who created it, and face pirates, magical machines, and deadly peril along the way.
After an undersea tangle with mermaids and fish-men, Portgaz D. Ace leads his Spade Pirates crew to the New World, a place where pirate masters and rookies battle for territory and treasure. As he flees memories of his secret past, Ace seeks pirating infamy so powerful it will change the world order. To achieve this goal, he sets his sights on one of the strongest fleets in the ocean—the Whitebeard Pirates, ruled over by dread pirate Whitebeard, the strongest man in the world! -- VIZ Media
Are we getting too squeamish about the atonement? There is a quiet crisis of confidence in many Western churches. Confusion, debates and changing sensibilities have thrown doubt on whether one of our central doctrines can be reliably communicated as “good news” today. This book approaches atonement through story, allowing imagination to illuminate the multi-faceted meanings in Christ’s atoning work, and exploring how those rich stories can be good news for the complex issues of our day.
"Originally published as Silent hill Downpour: Anne's story issues #1-4"--Indicia.
After his wife's untimely death, a powerful sorcerer dedicates his life to seeking revenge against all womankind. He turns his captives into beautiful swans--who briefly regain human form by the fleeting light of the moon. Only Odette, noblest of the enchanted flock, has the courage to confront her captor. But can she gain the allies she needs to free herself and the other swan-maidens from their magical slavery?A monumental tale of loyalty and betrayal, of magic good and evil, of love both carnal and pure, and of the duality of human nature, The Black Swan is a rich tapestry which is sure to become an all-time masterpiece of fantasy.
It is said that journalism is a vital public service as well as a business, but more and more it is also said that big media consolidation; noisy, instant opinions on cable and the Internet; and political “bias” are making a mockery of such high-minded ideals. In Backstory, Ken Auletta explores why one of America’s most important industries is also among its most troubled. He travels from the proud New York Times, the last outpost of old-school family ownership, whose own personnel problems make headline news, into the depths of New York City’s brutal tabloid wars and out across the country to journalism’s new wave, chains like the Chicago Tribune’s, where “synergy” is ever more a mantra. He probes the moral ambiguity of “media personalities”—journalists who become celebrities themselves, padding their incomes by schmoozing with Imus and rounding the lucrative corporate lecture circuit. He reckons with the legacy of journalism’s past and the different prospects for its future, from fallen stars of new media such as Inside.com to the rising star of cable news, Roger Ailes’s Fox News. The product of more than ten years covering the news media for The New Yorker, Backstory is Journalism 101 by the course’s master teacher.