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Outback and Out West examines the ecological consequences of a settler-colonial imaginary by comparing expressions of settler colonialism in the literature of the American West and Australian Outback. Tom Lynch traces exogenous domination in both regions, which resulted in many similar means of settlement, including pastoralism, homestead acts, afforestation efforts, and bioregional efforts at “belonging.” Lynch pairs the two nations’ texts to show how an analysis at the intersection of ecocriticism and settler colonialism requires a new canon that is responsive to the social, cultural, and ecological difficulties created by settlement in the West and Outback. Outback and Out West draws out the regional Anthropocene dimensions of settler colonialism, considering such pressing environmental problems as habitat loss, groundwater depletion, and mass extinctions. Lynch studies the implications of our settlement heritage on history, art, and the environment through the cross-national comparison of spaces. He asserts that bringing an ecocritical awareness to settler-colonial theory is essential for reconciliation with dispossessed Indigenous populations as well as reparations for ecological damages as we work to decolonize engagement with and literature about these places.
An intimate and eye-opening account of Michelle Grattan’s travels through ‘the wool track’ of western New South Wales In Back On The Wool Track, Michelle Grattan traces the footsteps of pre- eminent journalist and war historian C.E.W Bean. In 1909, Bean was commissioned by the Sydney Morning Herald to write a series of articles on the wool industry in western New South Wales. The articles were later compiled into a book and published as On The Wool Track which went on to become an Australian classic. (Continually in print until 1966.) Now, almost 100 years later, Michelle Grattan traces Bean’s footsteps and paints a fascinating picture of the Far West in 21st century Australia. Like Bean, whose descriptions brought to life the characters who inhabited this harsh, arid region, Back on the Wool Track is about people. Grattan visits the wool country and tracks down descendants of people Bean met during his travels and she observes the modern shearers, doing an old job in a new world. As Bean brought the outback to his city readers in 1909, Grattan interprets the Western Division for contemporary Australians. Back On The Wool Track is a vivid and sensitive portrayal of ‘this delicate country that responds like a piano to whatever touches it’.
Winner at the 2013 Moonbeam Children's Book Awards. A magic ball has mysteriously appeared and will help to weave the most beautiful friendship between the animals of the forest. One morning, a hedgehog wakes up to find a mysterious ball of wool caught in his prickles. Why would he want a ball of wool?, he wonders in dismay. His friend the spider, who was an expert knitter, encouraged him to start knitting, teaching him all the keys and secrets to making a perfect sweater. Fascinated, all of the forest animals come to his house and the hedgehog happily knits something for each of his visitors. CLICKETY-CLICK, CLICKETY-CLICK... A stitch here, a stitch there... When the hedgehog stops knitting, he realizes something amazing—the ball of wool is magic! A charming tale of friendship, generosity and kindness that will bring out the best in young readers by encouraging them to help others.
"In 2007, the Center for Automation in Nanobiotech (CAN) outlined the hardware and software platforms that would one day allow robots smaller than human cells to make medical diagnoses, conduct repairs, and even self-propagate. In the same year, the CBS network re-aired a program about the effects of propranolol on sufferers of extreme trauma. A simple pill, it had been discovered, could wipe out the memory of any traumatic event. At almost the same moment in humanity's broad history, mankind discovered the means for bringing about its utter downfall. And the ability to forget it ever happened."--
Saturday, 19 March 1932, the day of the opening of the Sydney Harbour Bridge, one of the most significant occasions in the history of the city of Sydney. The public mood, however, was apprehensive more than it was festive. As one senior journalist later reflected, 'the city was jumpy, jumpy as I've never known it since'. For one thing, the leader of the right-wing New Guard had vowed that Premier Lang would not open the Bridge. The police and security authorities were concerned that the New Guard might kidnap the premier, and stage a coup d'etat. All eyes scanned the horizon, awaiting the approach of an angry right-wing mob.Into these confused and tense circumstances rode a lone horseman, wielding an ex-cavalry sword. He was Captain Francis De Groot, a former Hussar and Irishman- also a senior member of the New Guard. Slashing the ribbon with his sword he declared the Sydney Harbour Bridge open 'in the name of the decent and respectable people of New South Wales'.Relying upon hitherto unused archival material, as well as manuscripts found in Ireland, Andrew Moore tells the story of the Bridge opening in all its colourful detail. This sheds fresh light on the bizarre circumstances that had brought New South Wales to the brink of civil war.Irish Fascist. Australian Legend is also the first biography to be published of Francis De Groot. The handsome, enigmatic Irishman grew up in Dublin, a member of an elite Irish Huguenot family. Prior to World War One he worked as a merchant seaman, coal lumper and antique dealer. After serving on the Western Front, he returned to Sydney to manufacture reproduction furniture of the finest quality.Captain De Groot became part of Australian folklore for his part in the Harbour Bridge opening. Yet, through furniture and antiques, his contribution to the cultural life of his adopted city and country was as profound as his celebrated role in opening Sydney's famous 'Coathanger'.Shortlisted for THE STATE RECORDS NSW - JOHN AND PATRICIA WARD HISTORY PRIZE 2006 (New South Wales Premier' s History Awards). A NSW Sesquicentenary of Responsible Government publication.
Mateship and Money Making – Summary of Book A ferocious ‘war’ erupted in remote outback Australia in 1983. Shearers were on strike. ‘Scab’ shearers had to be protected against invading mobs of unionists. In scattered and isolated woolsheds sheds the question was: should sheep-shearers be allowed to use ‘wide combs’? Australian merinos had always been shorn with ‘narrow combs’. Until a recent ruling industrial award expressly forbad wide combs. Initiated by the graziers (way back in 1926) the rule had become shearers’ folklore. Wide combs were not just wrong – but positively evil. This was the 1980s, but the roots of the problem went back to the 1890s. Shearers got paid per hundred sheep, not by the hour or the day, so the opportunity to get a bigger tally with the wide comb was something to be welcomed - one would think. Indeed, that was certainly the case. But fanatical opposing opinion could not easily be overcome. It was ‘un-Australian’ to even think about it. But equally, it was ‘un-Australian’ NOT to be allowed a free choice to use whatever equipment did the job best. Diametrically opposed points of view were quite irreconcilable. The oldest and most powerful trade union in the nation’s history stood behind the strike. The Australian Workers Union, known wide and far by its acronym ‘the AWU’, had risen in the 1890s. Ruthlessly efficient at grass roots organiser, God help any shearer trying to occupy a stand without an AWU ticket. And God help any greedy upstart questioning AWU wisdom on industrial matters. The shearing workforce had always been a rambunctious, contrary lot. The work was punishingly strenuous as well as highly skilled. Infectious group camaraderie governed its cult of ‘mateship’. This was also prone to impenetrable ‘insider-outsider’ idiosyncrasies. There was money to be made for those who could stand the pace, but strong tribal loyalties to the union dictated customs and rules in the woolshed. Many different types gravitated into shearing. At one end were staunch unionists preaching ‘mateship’ and class solidarity. At the other end self-improving moneymakers accumulated funds get started as farmers. For the most part the two groups ‘got on’, or at least tolerated one another. Hard core class warriors enjoyed the competitive camaraderie and were not themselves against making money. Moneymakers were not averse to a bit of class solidarity if it bolstered shearing rates of pay. They were less tolerant of rules which slowed them down. In its foundation years the AWU had been pugnacious and militant. Violent strikes in the 1890s did not go well for it. Too many members were farmers who ‘scabbed’ during strikes. The arrival of contract shearing further diluted the link between ‘mateship’ and union solidarity. In 1902 moneymaking professional shearers were so exasperated by AWU belligerence towards woolgrowers, they formed a rival ‘Machine Shearers Union’, more friendly to the graziers. AWU leaders had to use all their guile and cunning to outwit the upstart MSU. The AWU moderated its militancy, adopted a policy of opposing strikes, and put its faith in the newly established Arbitration Court to fix wages and settle disputes. Unfortunately for the AWU, factions within its rank-and-file remained attracted to the mythology of class war against the graziers. During World War I, the Arbitration Court was very laggard in updating the shearing award and militants had their chance. In defiance of the AWU a very successful strike was organised in Queensland. This opened the door for a militant faction with communist connections in the interwar period. The AWU’s firm policy of ‘arbitration not direct action’ was ridiculed. The AWU denigrated them as ‘bogus disrupters’ and excoriated their point of view, but at the same time adopted militant-sounding rhetoric. The union could not afford to be accused of being on the side of the bos
This edited volume gathers contributions focused on understanding the environment through the lens of Historical Archaeology. Pressing issues such as climate change, global warming, the Anthropocene and loss of biodiversity have pushed scholars from different areas to examine issues related to the causes, processes, and consequences of these phenomena. While traditional barriers between natural and social sciences have been torn down, these issues have gradually occupied a central place in the field of anthropology. As archaeology involves the transdisciplinary study of cultural and natural evidence related to the past, it is in a privileged position to discuss the historical depth of some of the processes related to environment that are deeply affecting the world today. This volume brings together substantial and comprehensive contributions to the understanding of the environment in a historical perspective along three lines of inquiry: Theoretical and methodological approaches to the environment in Historical Archaeology Studies on environmental Historical Archaeology Historical Archaeology and the Anthropocene Historical Archaeology and Environment will be of interest to researchers in both social and environmental sciences, working in different disciplines and research areas, such as archaeology, history, geography, anthropology, climate change studies, environmental analysis and sustainable development studies.
Up for a challenge? 51 Yarns is a fun, detailed list of spinning adventures every spinner should embark on. Packed for the long haul with vital information, tips, tricks, and trivia, it¿s an essential travel companion for your fiber trek across a lush topography of breeds, techniques, materials, and approaches. Map your trail or just ride along ¿ 51 Yarns is the journey; being a happy, well-rounded spinner is the destination!At 5.5 x 8.5 inches, it¿s big enough to contain 51 formidable feats but small enough to throw in your spinning basket. And we¿ve printed it on paper hearty enough to withstand trips to spinning circles and guild meetings, transcontinental hikes, vine swings, late-night spelunks, or to just sit in your library awaiting the next endeavor.