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First hand account of the history of rock music in the Soviet Union.
Boris Kagarlitsky reflects on what happened in Russia after the collapse of the old regime and how this has affected social and cultural life, as well as the everyday lives of ordinary people.
Ian Fleming could not have imagined a better place to set a thriller: an upstart mini-state on the edge of Europe, Transnistria is a nowhereland, a Soviet museum occupied by Russian peace-keepers near the Black Sea. Its oligarchs in Adidas tracksuits hunt wild boar with AK-47s. Its young people train for revolution at the Che Guevara High School of Political Leadership. Its secret factories have supplied arms to Chechnya and electrical cable to Iran's Bushehr nuclear power plant. Its isolation and tiny size belie the real threat it poses to the West. To many observers, Transnistria is the North Korea of Europe. Yet its new president has launched a cunning coup of political marketing, appointing as his top ministers personable young women like the Facebook-savvy Cheryl Cole lookalike Foreign Minister, sexing-up the republic's image abroad, and using their glitter to obscure this internationally unrecognised non-state's shadowy past. Now Western ambassadors and foreign ministers are queuing up to meet them. Rory MacLean and Nick Danziger, two of Europe's most intrepid travellers and chroniclers, document life in the only country in the world not to have recognised the collapse of the Soviet Union. Readers will find themselves truly back in the USSR... with a difference.
When Harrison, the son of American diplomats, lands in Moscow at the height of the Cold War, he knows three things. His passport will keep him safe. His daydreams will keep him company. His music will keep him sane. But everything he knows is about to change. His father has disappeared. His mother is keeping secrets. And his friend Prudence, the fearless daughter of foreign correspondents, leads him on a wild chase across the city in pursuit of a mysterious stranger. As they race to find a priceless record in a place where rock is banned, Harrison and Prudence tangle with desperate spies and ruthless gangsters. Forced to navigate the dark underworld of a communist state, they risk everything — and discover a web of secrets that leads to the most dangerous game of all. Chock full of suspense and propelled by a grand tale of unrequited love, Back in the USSR will keep you on the edge of your seat right up to the emotional, uplifting ending. If you enjoyed Anthony Horowitz's Alex Rider series, Elizabeth Wein's Code Name Verity, or Ruta Sepetys's I Must Betray You, you'll love Back in the USSR. "MASTERFUL ... EXPERTLY PACED ... RIVETING ... 10 OUT OF 10." -The BookLife Prize by Publishers Weekly "A book about rock 'n' roll and its power to fight suppression, feed the human spirit and kick butt." -Goodreads review “Read this in two days – couldn’t put it down.” -Goodreads review "Vividly painted and irresistible … a fun, rich, and sophisticated page-turner … Highly recommended!" -Tim Weed, award-winning author of the young adult adventure Will Poole's Island "Clever plot twists abound, keeping the reader spellbound up to the colorful and dramatic ending." -Laurel Davis Huber, award-winning author of the historical novel The Velveteen Daughter "Kept me turning the page to see what happened next, all the while delighting with easter eggs, lyric references and the pure joy that The Beatles bring to the world." -Obadiah Jones, host of Beatles podcast "Gimme Some Truth"
A funny, nostalgic and strange glimpse at life behind the Iron Curtain - from the hit social media account with over 1 million followers WELCOME TO THE USSR PARADE in the latest fashions! MARVEL at the wonders of the space race! DELIGHT in the many fine delicacies of food and drink! REVEL in the fine opportunities for work and play!
A memoir by an American who almost single-handedly introduced Soviet rock to the free world, [...] Stingray, who wrote this memoir with her daughter, Madison, nicely captures her daring amid an atmosphere of liberation and fear, and she's a study in moxie and enthusiasm. --Kirkus Reviews As one of the first American musicians to break through the Soviet scene, and one of the few women to be seen as an equal amongst Leningrad's pantheon of rock superstars, Stingray's perspective on the development of late Soviet rock is probably the single most important source for those who want a birds-eye view of late Soviet youth culture, and Stingray's stories are as entertaining as they are relevant and illuminating. --Alexander Herbert, author of What About Tomorrow?: An Oral History of Russian Punk from the Soviet Era to Pussy Riot Wild and vivid -- a rollicking memoir of romance and rock 'n' roll in an era of upheaval and transition. From Los Angeles to Leningrad and back again, Joanna's story is borne along by her infectious, headlong enthusiasm. It's quite a ride. --Patrick Radden Keefe, creator of the Wind of Change podcast and author of Say Nothing: A True Story of Murder and Memory in Northern Ireland The history of Russian rock music could have been very different without Joanna Stingray. Joanna was friends with rock musicians, recorded songs with them, shot their videos and brought them clothes and instruments from the West. Her video footage, capturing young icons of Russian rock like Viktor Tsoi, Sergei Kuryokhin, Timur Novikov and Boris Grebenshchikov, is rare evidence of the golden era of the Soviet underground. --The Moscow Times Red Wave is a warm and conversational autobiography about a lost world, peopled with courageous artists risking their freedom for the ideas of expression, art, and rock 'n' roll. [...] We root for her and her friends to overcome bureaucracy, oppression, isolation, deprivation, and the heavy footsteps of the KGB. [...] In a readable and personable way, Red Wave helps shine some light into this remarkable corner of rock history. --Tim Sommer, Guernica Joanna Stingray's appearance in St. Petersburg in the early 1980s must have been God's response to our unconscious prayers. Her naive bravery, curiosity and generosity created a kind of a lifeline for us rockers: she brought in things we needed to play our music, and took out not only our recordings but the very message of our existence. Had it not been for her and her Red Wave, it would have taken Aquarium many more years to have official records on Melodiya and Kino to start touring Europe. This fearless maiden broke through the siege that looked hopelessly unbreakable. She threw a life-saver into our waters and she changed everything. No matter how many times we thank her -- it's never enough. --Boris Grebenshchikov (Aquarium), 2018
Presents a collection of photographs that document life in the Soviet Union.
From the acclaimed author of The Man Without a Face, the previously untold story of the Jews in twentieth-century Russia that reveals the complex, strange, and heart-wrenching truth behind the familiar narrative that begins with pogroms and ends with emigration. In 1929, the Soviet government set aside a sparsely populated area in the Soviet Far East for settlement by Jews. The place was called Birobidzhan.The idea of an autonomous Jewish region was championed by Jewish Communists, Yiddishists, and intellectuals, who envisioned a haven of post-oppression Jewish culture. By the mid-1930s tens of thousands of Soviet Jews, as well as about a thousand Jews from abroad, had moved there. The state-building ended quickly, in the late 1930s, with arrests and purges instigated by Stalin. But after the Second World War, Birobidzhan received another influx of Jews—those who had been dispossessed by the war. In the late 1940s a second wave of arrests and imprisonments swept through the area, traumatizing Birobidzhan’s Jews into silence and effectively shutting down most of the Jewish cultural enterprises that had been created. Where the Jews Aren’t is a haunting account of the dream of Birobidzhan—and how it became the cracked and crooked mirror in which we can see the true story of the Jews in twentieth-century Russia. (Part of the Jewish Encounters series)
André Paul Guillaume Gide (22 November 1869 - 19 February 1951) was a French author and winner of the Nobel Prize in Literature (in 1947). His work "Retour de l' U.R.S.S." (1936) is a simple, yet important testimony to life inside a totalitarian society and the ensuing disillusionment felt by those who believed in the socialist utopia. Gide's informal style allows the reader to travel inside Stalin's Soviet Union and understand the disillusionment that Gide and others felt at seeing hopes dash upon the rocks of reality. It is a must read for anyone interested in learning about totalitarianism from inside a system.
Until recent times, incidents of mass unrest in the USSR were shrouded in official secrecy. Now this pioneering work by historian Vladimir A. Kozlov has opened up these hidden chapters of Soviet history. It details an astonishing variety of widespread mass protest in the post-Stalin period, including workers' strikes, urban riots, ethnic and religious confrontations, and soldiers' insurrections. Kozlov has drawn on exhaustive research in police, procuracy, KGB, and Party archives to recreate the violent major uprisings described in this volume. He traces the historical context and the sequence of events leading up to each mass protest, explores the demographic and psychological dynamics of the situation, and examines the actions and reactions of the authorities. This painstaking analysis reveals that many rebellions were not so much anti-communist as essentially conservative in nature, directed to the defense of local norms being disturbed by particular instances of injustice or by the rash of Krushchev-era reforms. This insight makes the book valuable not only for what it tells us about postwar Soviet history, but also for what it suggests about contemporary Russian society as well as popular protests in general.