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Johann Sebastian Bach created some of the most significant music in history, including A Keyboard Practice Consisting of an Aria with Thirty Variations for the Harpsichord—commonly known as the Goldberg Variations. Goldberg is Johann Gottlieb Goldberg, a young musician in the court of Count Keyserlingk, a Russian ambassador living in Dresden. It isn’t known for certain why Bach’s difficult composition was named for the young man, but Anna Harwell Celenza gives us one possible story based on extensive research.
Many listeners and players are fascinated by Bach's Goldberg Variations. In this wideranging and searching study, Professor Williams, one of the leading Bach scholars of our time, helps them probe its depths and understand its uniqueness. He considers the work's historical origins, especially in relation to all Bach's Clavierübung volumes and late keyboard works, its musical agenda and its formal shape, and discusses significant performance issues. In the course of the book he poses a number of key questions. Why should such a work be written? Does the work have both a conceptual and a perceptual shape? What other music is likely to have influenced the Goldberg and to what extent is it trying to be encyclopedic? What is the canonic vocabulary? How have contemporaries or musicians from Beethoven to the present day seen this work and, above all, how has its mysterious beauty been created?
The autobiography of pianist Zhu Xiao-Mei.
This book a offers a multitude of provocative new perspectives on one of the most iconic composers in the Western classical tradition. Its collective rethinking of some of our most cherished narratives and deeply held beliefs about Johann Sebastian Bach will allow readers to see the man in a new light and to hear his music with new ears.
This book offers the first detailed reception history of adaptations of Johann Sebastian Bach's Goldberg Variations from 1800-2020. By focusing on ways the piece has been arranged, transcribed, and reworked, or quoted in in film, dance, literature, visual art, and digital media, it reveals changing views about the role of the composer and score that have impacted recent performance practices and notions of the work concept. Beyond this, it features the work of composers, many from underrepresented backgrounds, who have recently deconstructed Bach by reimagining the subjects, compositional procedures, and forms, using contemporary compositional approaches.
Nancy Huston describes GOLDBERG VARIATIONS:"Suppose you invite thirty people to your home, people whom you love or have loved, to listen to you perform Bach's Goldberg Variations. And say that this concert unfolds like a midsummer night's dream, that is, you, Liliane, succeed in vibrating thirty people like so many variations, each at a different tune -- you must oscillate between memory and speculation; you must, above all, master your fears -- maybe then, all these fragments of music would dance into the same stream, and that you would call GOLDBERG VARIATIONS, a novel."
Classic 1919 arrangements of four keyboard masterpieces — Goldberg Variations, Chromatic Fantasy and Fugue, The Art of the Fugue, and Concerto for Piano and String Orchestra in D Minor. Breitkopf & Härtel edition.
Read Along or Enhanced eBook: Johann Gottlieb Goldberg is a young servant in the employ of Count Keyserlingk. A talented musician, the boy secretly practices playing the harpsichord at night. When the count discovers Goldberg one evening, he challenges Goldberg to combine all the harpsichord music he's learned--and to throw in a riddle. In a panic, Goldberg turns to Johann Sebastian Bach for the perfect piece of music to appease the count. Stylized illustrations include elements from the baroque period. For families, teachers, and curious music lovers of all ages.
This open source edition of Bach's Goldberg Variations was created as part of the Open Goldberg Variations project. The funding for the project came from donations made by music lovers via the crowd-funding website Kickstarter.com. The dedications at the bottom of most variations reflect the sentiments of the backers of the Kickstarter project. A special thanks to the many people who supported the creation of this score. This edition is released without any copyright to encourage its use and enjoyment by as wide an audience as possible. You may make copies of this text. The edition was made by Werner Schweer utilizing the free and open source MuseScore music notation program, and has been refined through an open process of public peer review. A digital version of the score, and the corresponding recording made by Kimiko Ishizaka, can be obtained online.