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The Pushcart Prize–winning poet’s memoir of his criminal youth and years in prison: a “brave and heartbreaking” tale of triumph over brutal adversity (The Nation). Jimmy Santiago Baca’s “astonishing narrative” of his life before, during, and immediately after the years he spent in the maximum-security prison garnered tremendous critical acclaim. An important chronicle that “affirms the triumph of the human spirit,” it went on to win the prestigious 2001 International Prize (Arizona Daily Star). Long considered one of the best poets in America today, Baca was illiterate at the age of twenty-one when he was sentenced to five years in Florence State Prison for selling drugs in Arizona. This raw, unflinching memoir is the remarkable tale of how he emerged after his years in the penitentiary—much of it spent in isolation—with the ability to read and a passion for writing poetry. “Proof there is always hope in even the most desperate lives.” —Fort Worth Star-Telegram “A hell of a book, quite literally. You won’t soon forget it.” —The San Diego U-T “This book will have a permanent place in American letters.” —Jim Harrison, New York Times–bestselling author of A Good Day to Die
El Hermano is a rare and authentic window into everyday Hispanic village life the way it once was, and to some extent, persists.
Baca passionately explores the troubled years of his youth, from which he emerged with heightened awareness of his ethnic identify as a Chicano, his role as a witness for the misunderstood tribal life of the barrio, and his redemptive vocation as a poet.
Folk hero Elfego Baca (1865-1945) is best remembered for his single-handed standoff against an estimated 80 Texas cowboys who fired a reported 4,000 shots at him without effect. In this informative and entertaining book, Howard Bryan examines the facts and legends surrounding Baca's long and astonishing career as a gunfighter and ruffian, lawyer, sheriff, mayor, district attorney, and a perennial candidate for political office. This remarkable man was the subject of a Wait Disney television series titled The Nine Lives of Elfego Baca.
Most of us walk through each day expecting few surprises. If we want to better ourselves or our lives, we map out a path of gradual change, perhaps in counseling or psychotherapy. Psychologists William Miller and Janet C'de Baca were longtime scholars and teachers of traditional approaches to self-improvement when they became intrigued by a different sort of change that was sometimes experienced by people they encountered--something often described as "a bolt from the blue" or "seeing the light." And when they placed a request in a local newspaper for people's stories of unexpected personal transformation, the deluge of responses was astounding. These compelling stories of epiphanies and sudden insights inspired Miller and C'de Baca to examine the experience of "quantum change" through the lens of scientific psychology. Where does quantum change come from? Why do some of us experience it, and what kind of people do we become as a result? The answers that this book arrives at yield remarkable insights into how human beings achieve lasting change--sometimes even in spite of ourselves.
Fiercely moving, the two long narrative poems of Martín & Meditations on the South Valley revolve around the semi-autobiographical figure of Martin, a mestizo or "detribalized Apache." Fiercely moving, the two long narrative poems of Martín & Meditations on the South Valley revolve around the semi-autobiographical figure of Martin, a mestizo or "detribalized Apache." Abandoned as a child and a long time on the hard path to building his own family, Martin at last finds his home in the stubborn and beautiful world of the barrio. Jimmy Santiago Baca "writes with unconcealed passion," Denise Levertov states in her introduction, “but he is far from being a naive realist; what makes his writing so exciting to me is the way in which it manifests both an intense lyricism and that transformative vision which perceives the mythic and archetypal significance of life-events."
Four suspenseful southwestern mysteries featuring a Chicano PI in New Mexico, by the “extraordinary” author of Bless Me, Ultima (Los Angeles Times Book Review). These four novels starring detective Sonny Baca are set against the terrain of the American Southwest, blending its Spanish, Mexican, and Native American cultures. Zia Summer: Sonny Baca’s cousin Gloria is brutally slain, her body found drained of blood with a Zia sun sign—the symbol on the New Mexican flag—carved on her stomach. His quest to find her killer leads Baca across New Mexico’s diverse South Valley to an environmental compound and a terrifying brujo. Rio Grande Fall: A woman plummets to her death from a hot air balloon during Albuquerque’s famous Balloon Fiesta—and Baca recognizes it as no accident. Shaman Winter: Baca, confined to a wheelchair after a violent encounter, is haunted by chilling dreams, but has no choice but to go to work when the Santa Fe mayor’s teenage daughter disappears and the trail leads to a charismatic and dangerous shaman. Jemez Spring: A high-profile murder ignites a hotbed of political treachery and terrorist threats that take Baca to Los Alamos, pitting him against a formidable foe—and a nuclear bomb. Unrelentingly suspenseful, with vivid details of the physical and spiritual landscape of northern New Mexico, these mysteries are perfect for fans of Margaret Coel or James D. Doss and star “a fascinating hero” (Edmonton Journal).
Behind the fascinating public artist's practice of collaboration Judith F. Baca is best known for the Great Wall of Los Angeles (1976-83), a vibrant 2,740-foot mural in Los Angeles that presents an alternative history of California--one that focuses on the contributions of marginalized and underrepresented communities. The mural is emblematic of Baca's pioneering approach to creating public art, a process in which members of the community are essential contributors to the conception and realization of the work. Anna Indych-López explores Baca's oeuvre, from early murals painted with local gang members in the Boyle Heights neighborhood of Los Angeles to more recently commissioned works. She looks in depth at the Great Wall and considers the artist's ongoing work with the Social and Public Art Resource Center (SPARC) in Venice, California, a nonprofit group founded by Baca in 1976. Throughout, Indych-López assesses what she calls Baca's "public art of contestation" and discusses how ideas of collaboration and authorship and issues of race, class, and gender have influenced and sustained Baca's art practice.
He wakes from his afternoon siesta, / flapping legs and hands, / a bluebird perched on the birch/ branch of mother's arm/ ready to raid/ cornfields/ in his father's heart/ THE ESAI POEMS is the first of four books under the series title of BREAKING BREAD WITH THE DARKNESS by American Book Award recipient Jimmy Santiago Baca. The Esai poems are a poignant blend of Baca's wonder of his and his partner's newborn son, and the thoughts and observations of the world he will be inheriting, includlding, including war, racism, indifference and greed. Through Esai the wonder-struck new father explores the idealic world of his family through Esai's new eyes, "He studies his hands as if they are newly discovered planets . . ." but realizing the harsh realities of our times adds perspective with juxtapositions: "I'll wait to tell him how in some places armies cut off the hands of rebels..." Written as a series of thematically connected and dated poems, moving back and forth between ideas, The Esai Poems are some of Baca's strongest poetic work. Already father of two grown sons, Baca explors the implications of beginning another family with another woman. Subsiquent volumes will include explorations of self and family with Essays and Stories, The Lucia Poems (to his young daugher), and to his son, Tones and Gabe Poems and Essays.
The indispensable traveler's guide to the history of places throughout the Land of Enchantment.