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Shamus Award–winner John Straley returns to his critically acclaimed Cecil Younger detective series, set in Sitka, Alaska, a land of perfect beauty and not-so-perfect locals. Criminal defense investigator Cecil Younger spends his days coaching would-be felons on how to avoid incriminating themselves. He even likes most of the rough characters who seek his services. So when Sherrie, a returning client, asks him to track down some evidence to clear her of a domestic violence charge, Cecil agrees. Maybe he’ll find something that will get her abusive boyfriend locked up for good. Cecil treks out to the shady apartment complex only to discover the “evidence” is a large pile of cash—fifty thousand dollars, to be exact. That is how Cecil finds himself in violation of one of his own maxims: Nothing good comes of walking around with a lot of someone else’s money. In this case, “nothing good” turns out to be a deep freeze full of drug-stuffed fish, a murder witnessed at close range, and a kidnapping—his teenage daughter, Blossom, is snatched as collateral for his cooperation. The reluctant, deeply unlucky investigator turns to an unlikely source for help: the misfit gang of clients he’s helped to defend over the years. Together, they devise a plan to free Blossom and restore order to Sitka. But when your only hope for justice lies in the hands of a group of criminals, things don’t always go according to plan.
Trapped on an Alaskan cruise line, PI Cecil Younger must expose a killer—and fast—or he may just find himself sleeping with the fishes. Cecil Younger never thought it would come to this: running surveillance on a chicken coop that’s being raided by a fowl thief. But things have not exactly been breaking right lately for the Alaskan PI. The logical thing to do? Take a vacation, of course. Well, it’s not exactly a vacation. Cecil has been paid to investigate a doctor aboard a cruise ship up the Alaskan coast following some complaints from his patients . . . that is, the patients who are still alive to complain. Worst of all, someone is leaving evidence pointing an accusing finger at Cecil. By the time the S.S. Westward makes landfall, Cecil will be wishing he was back guarding chickens.
Peter Lovesey, MWA Grand Master and titan of the English detective novel, returns readers to Bath with the eighteenth mystery in his critically acclaimed Peter Diamond series. As a New Year begins in Bath, Ben Brace proposes to his long-term girlfriend, Caroline, the daughter of notorious crime baron Joe Irving, who is coming to the end of a prison sentence. The problem is that Ben’s father, George, is the Deputy Chief Constable. A more uncomfortable set of in-laws would be hard to imagine. But mothers and sons are a formidable force: a wedding in the Abbey and reception in the Roman Baths are arranged before the career-obsessed DCC can step in. Peter Diamond, Bath’s head of CID, is appalled to be put in charge of security on the day. Ordered to be discreet, he packs a gun and a guest list in his best suit and must somehow cope with potential killers, gang rivals, warring parents, bossy photographers and straying bridesmaids. The laid-back Joe Irving seems oblivious to the danger he is in from rival gang leaders, while Brace can’t wait for the day to end. Will the photo session be a literal shoot? Will Joe Irving’s speech as father of the bride be his last words? Can Diamond pull off a miracle, avert a tragedy and send the happy couple on their honeymoon?
Berlin, 1948. Still occupied by the four Allied powers and largely in ruins, the city has become the cockpit of a new Cold War. The legacies of the war have become entangled in the new Soviet-American conflict, creating a world of bizarre and fleeting loyalties—a paradise for spies. As spring unfolds, a Western withdrawal looks increasingly likely. Berlin’s German inhabitants live in fear of the Soviet forces who occupy half the city, and whose legacy of violence has ripped apart many families. John Russell works for both Stalin's NKVD and the newly created CIA, trying his best to cut himself loose from both before his double-agency is discovered by either. As tensions between the great powers escalate, each passing day makes Russell’s position more treacherous. He and his Soviet liaison, Shchepkin, seek out one final operation—one piece of intelligence so damning it could silence the wrath of one nation and solicit the protection of the other. It will be the most dangerous task Russell has ever taken on, but one way or the other, it will be his last.
Cara Black’s riveting 19th installment in her New York Times bestselling Parisian detective series entangles private investigator Aimée Leduc in a dangerous web of international spycraft, post-colonial Franco-African politics, and neighborhood secrets in Paris’s 12th arrondissement. Parisian private investigator Aimée Leduc is about to go onstage to deliver the keynote address at a tech conference that is sure to secure Leduc Detective some much-needed business contracts when she gets an emergency phone call from her daughter’s playgroup: Aimée’s own mother, who was supposed to pick Chloe up, never showed. Abandoning her hard-won speaking gig, Aimée rushes to get Chloe, annoyed that her mother has let her down yet again. But as Aimée and Chloe are leaving the playground, Aimée witnesses the body of a homeless woman being wheeled away from the neighboring convent, where nuns run a soup kitchen. The last person anyone saw the dead woman talking to was Aimée’s mother, who has vanished. Trying to figure out what happened to Sydney Leduc, Aimée tracks down the dead woman’s possessions, which include a huge amount of cash. What did Sydney stumble into? Is she in trouble?
The private investigator juggles multiple investigations and a crumbling personal life in the second Cecil Younger mystery set in Sitka, Alaska. “Like the Coen brothers on literary speed, John Straley is among the very best stylists of his generation.” —Ken Bruen, author of The Guards When Louise Root, a new client of Cecil Younger, is found murdered, the private investigator finds himself in the middle of a web of secrets and deadly repercussions—usually not found in the world of environmental politics. Not only that, it seems everyone suddenly wants Younger's help: his old friend, Doggy, the DA; his autistic roommate, Todd, whose Labrador retriever has disappeared; an image-conscious environmental activist; and even the sleazy executives of Global Mining, whose interest in the case is a more than a little suspicious. In the midst of all this, Younger is wrecked by guilt, and his personal life is fraying as he tries to keep his drinking under control. He's got his hands full trying to juggle his lingering emotions over his ex-lover, the multiple investigations, and simply trying to stay alive.
The second Maisie Dobbs mystery Jacqueline Winspear’s marvelous debut, Maisie Dobbs, won her fans from around the world and raised her intuitive, intelligent, and resourceful heroine to the ranks of literature’s favorite sleuths. Birds of a Feather, its follow-up, finds psychologist and private investigator Maisie Dobbs on another dangerously intriguing adventure in London “between the wars.” It is the spring of 1930, and Maisie has been hired to find a runaway heiress. But what seems a simple case at the outset soon becomes increasingly complicated when three of the heiress’s old friends are found dead. Is there a connection between the woman’s mysterious disappearance and the murders? Who would want to kill three seemingly respectable young women? As Maisie investigates, she discovers that the answers lie in the unforgettable agony of the Great War.
Viet Nam, 1966: A dead body in a combat zone barely merits a second glance. The perfect place to commit a murder. Army cop Erik Rider is content to fight his war in the sophisticated streets of Saigon, so he’s less than thrilled at being sent to a tiny American outpost in the remote wilderness of the Central Highlands. Sitting perilously close to a North Vietnamese infiltration route, Cheo Reo is rife with intrigue and betrayal: American supplies are being siphoned off by South Vietnamese corruption, the Montagnards are ready to start a bloody rebellion to regain their ancestral homeland, and Communists are harvesting opium to finance their war effort. Rider’s been sent to take down the opium operation, but soon finds himself entangled with a local CIA man and an alluring doctor serving the indigenous tribes. As he closes in on the opium fields, he learns that not all enemies are beyond the perimeter. Someone in Cheo Reo wants him dead.
After his estranged wife disappears, a husband returns to the remote lake house where their young daughter died, and he soon loses his grip on reality. Paul Luden has been haunted by a memory he can't recall. Whatever happened to his marriage, to his two-year-old daughter, is too traumatic to remember, so his unconscious has chosen to block out key details. But when he receives a phone call from the small lake town where they'd lived, telling him that no one had seen or heard from his wife in ten days, he knows what he has to do. He and his nineteen-year-old girlfriend drive from L.A. to Washington State where he's forced to confront his past. And as he pieces together his buried memories, Paul unravels mentally, falls into self-destructive trances and ultimately discovers the truth about his wife.
In Taipei, Taiwan, the kidnapping of a Mainlander billionaire throws national media into a tizzy—not least because of the famous victim’s vitriolic anti-immigration politics. Jing-nan has known Peggy Lee, a bullying frenemy who runs her family’s huge corporation, since high school. Peggy’s father has been kidnapped, and the ransom the kidnappers are demanding is not money but IP: a high-tech memory chip that they want to sell in China. Jing-nan feels sorry for Peggy until she starts blackmailing him into helping out. Peggy is worried the kidnappers’ deadline will pass before the police are able to track down the chip. But when the reluctant Jingnan tries to help, he finds himself deeper and deeper in trouble with some very unsavory characters—the most unsavory of whom might be the victim himself.