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This is the first comprehensive study of Babylonian prayers dedicated to Marduk, the god of Babylon, since J. Hehn's essay Hymnen und Gebete an Marduk (1905). Marduk was the god of the city of Babylon and was the most important god in Babylonia from the time of Hammurabi (the 18th century BCE) onwards. In this book, Takayoshi Oshima presents an up-to-date catalog of all known Babylonian prayers dedicated to Marduk from different historical periods and offers critical editions of 31 ancient texts based on newly identified manuscripts and a collation of the previously published manuscripts. The author also discusses various aspects of Akkadian prayers to different deities and the ancient belief in the mechanism of punishment and redemption by Marduk.
These studies take up several themes that the author has pursued in addition to his work on witchcraft literature and Gilgamesh. The volume contains general articles on Mesopotamian magic, religion, and mythology; studies, synchronic and diachronic, on Akkadian prayers; treatments of literary classics; comparative studies of terms and phenomena; and examinations of legal texts.
This is the first comprehensive study of Babylonian prayers dedicated to Marduk, the god of Babylon, since J. Hehn's essay »Hymnen und Gebete an Marduk« (1905). Marduk was the god of the city of Babylon and was the most important god in Babylonia from the time of Hammurabi (the 18th century BCE) onwards. In this book, Takayoshi Oshima presents an up-to-date catalog of all known Babylonian prayers dedicated to Marduk from different historical periods and offers critical editions of 31 ancient texts based on newly identified manuscripts and a collation of the previously published manuscripts. The author also discusses various aspects of Akkadian prayers to different deities and the ancient belief in the mechanism of punishment and redemption by Marduk.
Editing and examining source-critically for the first time the Late Babylonian ritual texts dealing with the New Year Festival, this book proposes an incisive re-interpretation of the most frequently discussed of all Mesopotamian rituals.
Takayoshi Oshima analyses the two most important Babylonian wisdom texts: Ludlul Bel Nemeqi (also known as the Babylonian Job or the Babylonian Righteous Sufferer) and the so-called Babylonian Theodicy. On the basis of the hitherto published as well as newly available, unpublished cuneiform manuscripts, the author establishes a new critical text for each poem and gives an English translation. He offers detailed philological and critical notes to the texts, discussing both the textual and the interpretive issues evoked by individual words and passages. In addition, however, each poem is preceded by a lengthy discussion of its origins, intention, and plot, as well as by more general considerations of its cultural and historical background, including short but important observations on the relationship to Old Testament wisdom literature.
In 1989, David Tsumura published a monograph entitled The Earth and the Waters in Genesis 1 and 2: A Linguistic Evaluation, in which he demonstrated that the oft-recited claim that the early chapters of Genesis betrayed a background or adaptation by Israel of mythological terms and/or motifs from other ancient Near Eastern literature could not be supported by a close examination of the linguistic data. Despite the book's positive reception, the notion that the Chaoskampf motif lies behind the early chapters of Genesis continues to be rehearsed in the literature as if the data were incontrovertible. In this revised and expanded edition of the 1989 book, Tsumura carries the discussion forward. In part 1, the general thesis of the original work is restated in a significantly revised and expanded form; in the second part of this monograph, he expands the scope of his research to include a number of poetic texts outside the Primeval History, texts for which scholars often have posited an ancient Near Eastern mythological substratum. Among the questions asked are the following: What are the functions of "waters" and "flood" in biblical poetry? Do the so-called chaos dragons in the Old Testament, such as Leviathan, Rahab, and Yam, have anything to do with the creation motif in the biblical tradition? What is the relationship between these poetic texts and the Ugaritic myths of the Baal-Yam conflict? Are Psalms 18 and 29 "adaptations" of Canaanite hymns, as suggested by some scholars? Among the conclusions that Tsumura reaches are these: (1) The phrase tohû wabohû has nothing to do with the idea of a chaotic state of the earth. (2) The term tehà ́m in Gen 1:2 is a Hebrew form derived from the Proto-Semitic *tiham-, "ocean," and it usually refers to the underground water that was overflowing and covering the entire surface of the earth in the initial state of creation. (3) The earth-water relationship in Gen 2:5-6 is different from that in Gen 1:2. In Gen 1:2, the earth was totally under the water; in Gen 2:5-6, only a part of the earth, the land, was watered by the 'ed-water, which was overflowing from an underground source. (4) The biblical poetic texts that are claimed to have been influenced by the Chaoskampf-motif of the ancient Near East in fact use the language of storms and floods metaphorically and have nothing to do with primordial combat.
This book surveys within the various literary genres (cosmologies, personal archives and epics, hymns, and prayers) parallels between the Bible and Ancient Near Eastern literature.
In The Revival of the Anu Cult and the Nocturnal Fire Ceremony at Late Babylonian Uruk, Julia Krul offers a comprehensive study of the rise of the sky god Anu as patron deity of Uruk in the Late Babylonian period (ca. 480-100 B.C.). She reconstructs the historical development of the Anu cult, its underlying theology, and its daily rites of worship, with a particular focus on the yearly nocturnal fire ceremony at the Anu temple, the Bīt Rēš. Providing the first in-depth analysis of the ceremony, Julia Krul convincingly identifies it as a seasonal renewal festival with an important exorcistic component, but also as a reinforcement of local hierarchical relationships and the elite status of the Anu priesthood. "With this study, Krul adds significantly to the research on Babylonian temple rituals in general, providing a useful methodology and survey of secondary sources....This book offers an excellent in-depth analysis of the nocturnal fire ceremony as it could have been celebrated at Hellenistic Uruk. It forms a good starting-point for comparison with and further study of other Late Babylonian rituals from both Uruk and Babylon." - Céline Debourse, Vienna, in: Wiener Zeitschrift für die Kunde des Morgenlandes 109 (2019) "The book is essentially a commentary on a late cuneiform text from 3rd-century BCE Uruk describing a nocturnal sacrificial ritual held annually on the winter solstice (16 Tevet). The text itself is well known, having first been published by F. Thureau-Dangin in his classic work Rituels accadiens (1921), but this book is the most comprehensive far-reaching commentary on this important text, with valuable extraneous information [...]. There is much valuable data in this book regarding late Babylonian ritual practice, couched in an informative narrative." -Markham J. Geller, Journal for the Study of the Old Testament 43.5 (2019)
A collector's edition of the long-lost translated cuneiform tablet collection, revealing secret underground methods to acquire direct communication with what some call "alien intelligences" via a program of ancient-styled Babylonian-inspired devotion, reviving the same techniques as ancient Mardukite priests of the Sumerian Anunnaki in Mesopotamia. This amazing 10th Anniversary collector's edition of "The Book of Marduk by Nabu" reflects a very real modern philosophical and meta-spiritual "New Thought" movement aligned specifically with the Anunnaki paradigm. In ancient Babylon, this was famously celebrated among the followers of MARDUK--recognized among the pantheon as patron of Babylon city and self-made Anunnaki "King of the Gods" for the "Mardukite" or "Babylonian" branch of the Mesopotamian mythos, with the assistance of the Nabu priesthood of scribes. Ten years ago, materials from "The Complete Book of Marduk by Nabu" circulated underground, serving as an early cornerstone of "Mesopotamian Neopaganism," paving the way for a decade of developmental research and experimentation by the "Mardukite ResearchOrganization" of "Mardukite Chamberlains." Selections included in this revised and expanded, beautifully crafted, portable hardcover Mardukite Liber-W+Z volume have also inspired many other incredible literary classics, including "The Complete Anunnaki Bible" and "The Sumerian Legacy" by Joshua Free. In commemoration of the anniversary release of a "complete" Book of Marduk by Nabu, additional portions once released separately as "The Book of Zagmuk" are also included, detailing the annual Spring Equinox Festival or Babylonian "Akiti"/"Akitu" New Year Rituals. As an additional bonus, this special edition of a favored underground classic now includes graphic images of Mesopotamian Art that beautifully supplements key information, as reproduced from "The Anunnaki Tarot" guidebook by Joshua Free and Kyra Kaos--forthcoming in June 2019.
Originally published in 1896, this text contains the cunieform text of 60 clay tablets written between 669-625 BC. These tablets were inscribed with prayers and religious compositions of a devotional and magical character and there is little doubt that they were compiled from Babylonian sources.