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"Half ingenuous and half wily, winningly hard to pin down. The result is a kind of everyday fantastic. Dalton nails the Walserian trick of evincing a sincerity nearly indistinguishable from irony. The effect is a poised instability, more uncanny than the magic the stories sometimes describe." -Bookforum "Dalton handles her narratives with a deft skill and a keen, distinct, confident voice that never eases up, never ceases to surprise, leaving readers happy to experience her intriguing world up close. Just the way we like it." -Brooklyn Rail "[The stories] feel like brilliant sexual fairy tales on drugs. Dalton writes of self-discovery and sex with a knowing humility and humor." -Interview Magazine "'Pura Vida,' about an emotionally unavailable journalist on assignment to cover a sloth clinic in Costa Rica, is a standout, its final moment between woman and sloth arriving with breathtaking lightness, like the first flower of spring. Other memorable outings include trips to the Missouri Ozarks ("Wet Look"), the Alps ("Shrub of Emotion"), and the Painted Desert ("Baby Geisha"), with men and women on the verge of, but never quite reaching, psycho-sexual breakthroughs." -Los Angeles Magazine Critic's Pick "[Baby Geisha] pokes fun, it's satirical, there's an underlying delicious irony to it, and the telling parts are the ones where Dalton coins names, cuts down trees with her paragraphs, gives us just a touch of the absurd... Dalton's skill as a writer, and above all her expertise in choosing words that play into a darker cultural picture--an offsetting of America's natural high!--are not to be missed here." -Fanzine Baby Geisha is a collection of thirteen sexually-charged stories that roam from the Coney Island Ferris wheel to the Greek Isles. True to Trinie Dalton's form, the stories in Baby Geisha are distinctly imagined while also representing a more grounded approach in the author's style. There's the Joan Didion-obsessed starving journalist of "Pura Vida," struggling to maintain a relationship with her performance artist sisters (or anyone, for that matter), on assignment in Costa Rica to write an article on sloth-hugging. "Millennium Chill" is about a woman who discovers that her body heat is mysteriously linked to that of an elderly beggar. Baby Geisha serves to support Dalton's reputation as a remarkable stylist and a very original artist.
Trinie Dalton is back with a new compilation of short stories and, true to her outstanding form, her stories are vividly imagined. Yet they also represent a more grounded approach in her style. Stories include Pura Vida,' in which a Joan Didion-obsessed starving journalist struggles to maintain a relationship with her performance artist sisters (or anyone, for that matter) while on assignment in Costa Rica to write an article on sloth-hugging. 'Millennium Chill' is about a woman who discovers that her body heat is mysteriously linked to that of an elderly beggar.'
Discusses the geisha--practioners of music and dance and unmarried companions to the Japanese male elite.
The author, an American anthropologist, describes her experiences during the year she spent as a Japanese geisha, and looks at the role of women, and geishas, in modern Japan
The glamorous world of Kyoto's geisha is familiar to many readers but Sayo Masuda's tale tells a different story, one that bears little resemblance to the elegant geisha quarters frequented by illustrious patrons. Masuda was a geisha at a rural hot-spring
"Captivating, minutely imagined . . . a novel that refuses to stay shut" ("Newsweek"), "Memoirs of a Geisha" is now released in a movie tie-in edition.
A Kyoto geisha describes her initiation into an okiya at the age of four, the intricate training that made up most of her education, her successful career, and the traditions surrounding the geisha culture.
"Apocalyptic and psychologically attentive. I was moved." -Tao Lin, New York Times Book Review "A marvelously scathing indictment of a generation that has no choice but to burn. From Nothing’s outset, [Wirth Cauchon] crafts scenes with complexity and a scary prescience. [Nothing is] a riveting first piece of scripture from our newest prophet of misspent youth." -Paste "Like a movie adaptation of Daria as directed by Gregg Araki. The energy almost makes each page glow. Though this novel starts as Bret Easton Ellis, it ends as Nick Cave - thunderous, apocalyptic. The move into the grand and mythic separates Nothing from the usual stuff concerning the bored and the pretty." -Electric Literature "Nothing feels like the descendent of the masterful short stories of Denis Johnson’s Jesus’ Son. [A] noteworthy debut." -Bustle "A burning mean and darkly mysterious read." -Joy Williams "I could tell you that Anne Marie Wirth Cauchon has written an utterly contemporary novel of our fragmented culture, a novel that I think might be the great American novel of the selfie, brilliantly alternating the narratives of two young travelers partying and searching and losing themselves in the wild West — a Kerouac hitchhiker juxtaposed with the nihilistic, wanting, wandering Ruth and her toxic friendship with her prettier best friend. But this is what I want to tell you—this is what you need to know — Anne Marie Wirth Cauchon writes like a beast, brutal and ecstatic. You need to read this." -Kate Zambreno "An edgy debut. Cauchon's characters have serrated edges... they'll get under the reader's skin." -Publishers Weekly "Claustrophobic. It's August and the hills are on fire and I'm reading Nothing. I see Wirth Cauchon's characters lurking around Missoula, outside the bars and walking along the river, lost and fucked up, abused and abusers, seekers, trustafarians, and ne'er-do-wells. Stuck in the limbo of youthful identity crisis, desperate for a way in or a way out." -Jeff Ament Ruth traded a dead-end life in Minneapolis for a dead-end life in Missoula. But in Missoula, she's got Bridget. "[Bridget] was gorgeous… but that wasn't it, that didn't quite explain it. What explained it was the curse. The curse of the unreasonably pretty, the curse of cult leaders and dictators. It sucked everyone to her, it consumed her, made her untouchable." After a local girl dies at a party, signaling the end of fun for the twentysomethings of Missoula, James and Ruth become involved. But jealousy over Bridget quickly complicates things. Nothing announces a nervy and assertive new voice, while also capturing the angst and foreboding that could mark it as an even grander generational statement.
* One of the Best Books of 2012 —Salon "Waclawiak's novel reinvents the immigration story. How to Get Into the Twin Palms movingly portrays a protagonist intent on both creating and destroying herself, on burning brightly even as she goes up in smoke." —New York Times Book Review, Editors' Choice How To Get Into the Twin Palms is the story of Anya, a young woman living in a Russian neighborhood in Los Angeles, who struggles between retaining her parents' Polish culture and trying to assimilate into her adopted community. She lusts after Lev, a Russian man who frequents the Twin Palms nightclub down the block from Anya's apartment. It is Anya's wish to gain entrance to this seeminly exclusive club. How To Get Into the Twin Palms is a really funny and often moving book that provides a unique twist on the immigrant story, and provides a credible portrait of the city of Los Angeles, literally burning to the ground.