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Constraints allow developers to specify desired properties of systems in a number of domains, and have those properties be maintained automatically. This results in compact, declarative code, avoiding scattered code to check and imperatively re-satisfy invariants. Despite these advantages, constraint programming is not yet widespread, with standard imperative programming still the norm. There is a long history of research on integrating constraint programming with the imperative paradigm. However, this integration typically does not unify the constructs for encapsulation and abstraction from both paradigms. This impedes re-use of modules, as client code written in one paradigm can only use modules written to support that paradigm. Modules require redundant definitions if they are to be used in both paradigms. We present a language – Babelsberg – that unifies the constructs for en- capsulation and abstraction by using only object-oriented method definitions for both declarative and imperative code. Our prototype – Babelsberg/R – is an extension to Ruby, and continues to support Ruby’s object-oriented se- mantics. It allows programmers to add constraints to existing Ruby programs in incremental steps by placing them on the results of normal object-oriented message sends. It is implemented by modifying a state-of-the-art Ruby virtual machine. The performance of standard object-oriented code without con- straints is only modestly impacted, with typically less than 10% overhead compared with the unmodified virtual machine. Furthermore, our architec- ture for adding multiple constraint solvers allows Babelsberg to deal with constraints in a variety of domains. We argue that our approach provides a useful step toward making con- straint solving a generic tool for object-oriented programmers. We also provide example applications, written in our Ruby-based implementation, which use constraints in a variety of application domains, including interactive graphics, circuit simulations, data streaming with both hard and soft constraints on performance, and configuration file Management.
New programming language designs are often evaluated on concrete implementations. However, in order to draw conclusions about the language design from the evaluation of concrete programming languages, these implementations need to be verified against the formalism of the design. To that end, we also have to ensure that the design actually meets its stated goals. A useful tool for the latter has been to create an executable semantics from a formalism that can execute a test suite of examples. However, this mechanism so far did not allow to verify an implementation against the design. Babelsberg is a new design for a family of object-constraint languages. Recently, we have developed a formal semantics to clarify some issues in the design of those languages. Supplementing this work, we report here on how this formalism is turned into an executable operational semantics using the RML system. Furthermore, we show how we extended the executable semantics to create a framework that can generate test suites for the concrete Babelsberg implementations that provide traceability from the design to the language. Finally, we discuss how these test suites helped us find and correct mistakes in the Babelsberg implementation for JavaScript.
The Film Studio sheds new light on the evolution of global film production, highlighting the role of film studios worldwide. The authors explore the contemporary international production environment, identifying various types of film studios and investigating the consequences for Hollywood, international film production, and the studio locations. Visit our website for sample chapters!
This volume consists of a series of essays, written by leading scholars within the field, demonstrating the types of inquiry that can be pursued into the transnational realities underpinning German-language culture and history as these travel right around the globe. Contributions discuss the inherent cross-pollination of different languages, times, places and notions of identity within German-language cultures and the ways in which their construction and circulation cannot be contained by national or linguistic borders. In doing so, it is not the aim of the volume to provide a compendium of existing transnational approaches to German Studies or to offer its readers a series of survey chapters on different fields of study to date. Instead, it offers novel research-led chapters that pose a question, a problem or an issue through which contemporary and historical transcultural and transnational processes can be seen at work. Accordingly, each essay isolates a specific area of study and opens it up for exploration, providing readers, especially student readers, not just with examples of transnational phenomena in German language cultures but also with models of how research in these areas can be configured and pursued. Contributors: Angus Nicholls, Anne Fuchs, Benedict Schofield, Birgit Lang, Charlotte Ryland, Claire Baldwin, Dirk Weissmann, Elizabeth Anderson, James Hodkinson, Nicholas Baer, Paulo Soethe, Rebecca Braun, Sara Jones, Sebastian Heiduschke, Stuart Taberner and Ulrike Draesner.
The Cold War was not only about the imperial ambitions of the super powers, their military strategies, and antagonistic ideologies. It was also about conflicting worldviews and their correlates in the daily life of the societies involved. The term “Cold War Culture” is often used in a broad sense to describe media influences, social practices, and symbolic representations as they shape, and are shaped by, international relations. Yet, it remains in question whether — or to what extent — the Cold War Culture model can be applied to European societies, both in the East and the West. While every European country had to adapt to the constraints imposed by the Cold War, individual development was affected by specific conditions as detailed in these chapters. This volume offers an important contribution to the international debate on this issue of the Cold War impact on everyday life by providing a better understanding of its history and legacy in Eastern and Western Europe.
An illuminating exploration of the cultural politics of the East-West unification and its subsequent impact upon German filmmaking