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Babar explains how yoga was introduced to Celesteville and how he and Queen Celeste keep fit doing yoga on their many travels. Full color. Consumable.
Babar's family is off on a world tour! First stop is Italy where they learn to say "Buon giorno! Hello!" After that, it's off to Germany, Spain, Russia, India, Japan and Thailand. Then Mexico, the Southwest United States, Egypt, Antarctica, and, of course, France.
"When Babar's youngest daughter Isabelle heads to Paris on her own for the first time, he tells her how to enjoy the iconic city to the fullest"--
While vacationing at Celesteville-on-the-Sea, the Babar family matches wits with a bold gang of thieves.
An eagle soaring among the clouds or a star twinkling in the night sky . . . a camel in the desert or a boat sailing across the sea—yoga has the power of transformation. Not only does it strengthen bodies and calm minds, but with a little imagination, it can show us that anything is possible. New York Times bestselling illustrator Peter H. Reynolds and author and certified yoga instructor Susan Verde team up again in this book about creativity and the power of self-expression. I Am Yoga encourages children to explore the world of yoga and make room in their hearts for the world beyond it. A kid-friendly guide to 17 yoga poses is included.
Teaches 50 yoga poses and related activities adapted and designed especially for children.
“Enchanting . . . a strange tour of late eighteenth-century England, a natural history of elephants and the story of a most unusual friendship.” —The Washington Post A poignant and magical story set in eighteenth-century England, The Elephant Keeper by Christopher Nicholson is the tale of two baby elephants and the young man who accidentally finds himself their guardian. Every reader who was enchanted by Sara Gruen’s Water for Elephants or enthralled by When Elephants Weep will adore Nicholson’s The Elephant Keeper—a masterful blending of historical novel, coming-of-age tale, animal adventure, and love story. “Intensely moving . . . an exceptional novel.” —The Boston Globe “Endearing . . . Like the elephant at its centre, Nicholson’s book is gentle, profound and sweet-natured.” —The Guardian “Bighearted and warm, with a slow-moving kind of grace, the book is very much like the two elephants that inhabit the world of the novel. Elegant and beautiful, the writing is precise and well-paced. The Elephant Keeper is a book that will stay with you long after you have read the last page.” —Raleigh News & Observer “An extended meditation on human needs and how our choices shape a better or lesser existence . . . [A] poignant, heartfelt novel.” —St. Louis Post Dispatch “Christopher Nicholson traces the arc of Tom and Jenny’s surprising journey with delicate empathy. He confronts sex, violence and power, but he does not shy away from less dramatic themes, such as gentleness and companionship, which help to make The Elephant Keeper such a rewarding book.” —Times Literary Supplement “The Elephant Keeper is the best book I’ve read in the past twenty years or so.” —Nikki Giovanni, poet
The red suitcase in which Babar has his crown is exchanged for one with a flute, and since he can't wear a flute, he and his family chase wildly across Paris after the man they think has the crown.
Buddhism, often described as an austere religion that condemns desire, promotes denial, and idealizes the contemplative life, actually has a thriving leisure culture in Asia. Creative religious improvisations designed by Buddhists have been produced both within and outside of monasteries across the region—in Nepal, Japan, Korea, Macau, Hong Kong, Singapore, Laos, Thailand, and Vietnam. Justin McDaniel looks at the growth of Asia’s culture of Buddhist leisure—what he calls “socially disengaged Buddhism”—through a study of architects responsible for monuments, museums, amusement parks, and other sites. In conversation with noted theorists of material and visual culture and anthropologists of art, McDaniel argues that such sites highlight the importance of public, leisure, and spectacle culture from a Buddhist perspective and illustrate how “secular” and “religious,” “public” and “private,” are in many ways false binaries. Moreover, places like Lek Wiriyaphan’s Sanctuary of Truth in Thailand, Suối Tiên Amusement Park in Saigon, and Shi Fa Zhao’s multilevel museum/ritual space/tea house in Singapore reflect a growing Buddhist ecumenism built through repetitive affective encounters instead of didactic sermons and sectarian developments. They present different Buddhist traditions, images, and aesthetic expressions as united but not uniform, collected but not concise: Together they form a gathering, not a movement. Despite the ingenuity of lay and ordained visionaries like Wiriyaphan and Zhao and their colleagues Kenzo Tange, Chan-soo Park, Tadao Ando, and others discussed in this book, creators of Buddhist leisure sites often face problems along the way. Parks and museums are complex adaptive systems that are changed and influenced by budgets, available materials, local and global economic conditions, and visitors. Architects must often compromise and settle at local optima, and no matter what they intend, their buildings will develop lives of their own. Provocative and theoretically innovative, Architects of Buddhist Leisure asks readers to question the very category of “religious” architecture. It challenges current methodological approaches in religious studies and speaks to a broad audience interested in modern art, architecture, religion, anthropology, and material culture.