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There are the acknowledged classics of world literature: the canonical works assigned in schools, topping every must-read list . . . and then there are the B-Sides. These are the books that slipped through the cracks, went unread, missed their rightful appointment with posterity. They were ahead of their times or behind their times or on a whole different schedule than the rest of the universe. What do you do when a book that you love has been neglected or dismissed by everyone else? In B-Side Books, leading writers, critics, and scholars show why their favorite forgotten books deserve a new audience. From dusty westerns and far-out science fiction to obscure Czech novelists and romance-novel precursors, the contributors advocate for the unsung virtues of overlooked books. They write about unheralded novels, poetry collections, memoirs, and more with understanding, respect, passion, and love. In these thoughtful, often personal essays, contributors—including Stephanie Burt, Caleb Crain, Merve Emre, Ursula K. Le Guin, Carlo Rotella, and Namwali Serpell—read books by writers such as Helen DeWitt, Shirley Jackson, Stanislaw Lem, Dambudzo Marechera, Paule Marshall, and Charles Portis.
An acclaimed cultural historian--drawing on previously untapped archival sources and interviews with such voices as Randy Newman, Jimmy Webb, Linda Ronstadt, and Herb Alpert--presents a social history of the great American songwriting era.
Finally back in print, a frighteningly lucid feminist horror story about marriage The Dry Heart begins and ends with the matter-of-fact pronouncement: “I shot him between the eyes.” As the tale—a plunge into the chilly waters of loneliness, desperation, and bitterness—proceeds, the narrator's murder of her flighty husband takes on a certain logical inevitability. Stripped of any preciousness or sentimentality, Natalia Ginzburg's writing here is white-hot, tempered by rage. She transforms the unhappy tale of an ordinary dull marriage into a rich psychological thriller that seems to beg the question: why don't more wives kill their husbands?
"An American Childhood more than takes the reader's breath away. It consumes you as you consume it, so that, when you have put down this book, you're a different person, one who has virtually experienced another childhood." — Chicago Tribune A book that instantly captured the hearts of readers across the country, An American Childhood is Pulitzer Prize-winning author Annie Dillard's poignant, vivid memoir of growing up in Pittsburgh in the 1950s and 60s. Dedicated to her parents—from whom she learned a love of language and the importance of following your deepest passions—Dillard's brilliant memoir will resonate with anyone who has ever recalled with longing playing baseball on an endless summer afternoon, caring for a pristine rock collection, or knowing in your heart that a book was written just for you.
This autobiography describes a woman's attainment of enlightenment in modern Japan. Satomi Myōdō rejected the traditional roles of good wife and wise mother, broke with her unhappy past, and followed her spiritual path beginning as the disciple of a Shinto priest. At midlife she turned to Zen Buddhism encouraged by a female dharma friend and by various teachers. Under the guidance of Yasutani Rōshi she attained Kenshō, the goal of her lifetime's search.
Poetry happens, just like life, when you are making plans. The poems of B-Sides were written in the ten years between ‘For You Or Someone Like You’ and ‘With All Of You.’ My previous two collections have been time-related projects… one launched on Facebook, and one on Patreon. ‘B-Sides’ is completely the opposite. It is a selection of all the poems I wrote in between those two projects. The everyday poetry that gets stashed in the bottom draw and almost forgotten. The words tracking a changing life, an evolving perspective. As such it is thematically and stylistically more diverse whilst remaining recognisably my voice. The idea for the title was born in conversation with Jason Curtis, who suggested the play on words from ‘Besides’ to ‘B-Sides’ as a way of grouping such a diverse collection. Just as bands used to always have a quirky, less commercial B-side to every single released, this is another side of my writing. Or rather, this is the face of my writing outside of well-defined projects! I’ll let you decide which is the ‘real’ voice… whatever that may mean.
Peterson, a moderately successful artist, is finally given a chance to shine at the Beerpoele biennial festival. However, upon arrving in the village, he realises the festival is a little more amateur and its organisers a little more laid-back than he had expected. Still hoping for his fifteen minutes of fame, Peterson takes matters into his own hands and tries to rally the other participants with a grandiose project. It will not go to plan. The Making Of is a graphic novel like no other. It explodes from the confines of the page with the unique and unmistakable style that has made Brecht Evens an international sensation.
Set in Brooklyn during the Depression and World War II, this 1953 coming-of-age novel centers on the daughter of Barbadian immigrants. "Passionate, compelling." — Saturday Review. "Remarkable for its courage." — The New Yorker.
B-Sides, by Brandon Leake, is a collection of poems created over the course of the past 5 years. Poems written with no intent to be performed or rehearsed, but for cathartic purposes. However, after seeing the need in his community for certain unreleased pieces, Brandon has elected to release some of these poems into a book. Brandon Leake, is a Spoken Word Poet and Artistic Educator from Stockton, CA. He is also the founder and CEO of Called To Move - CTM.