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Z-bruh has controlled his D.C. neighborhood and crew with and iron fist for over 10 years. He's finally ready to leave the streets and invest in legitimate business which is met by disbelief from friends and family. When something goes wrong at his last re-up it begins a domino effect of bad events for Z-bruh and his crew which could prove to be costly. Will Z-bruh be able to pick up the pieces and still retire or will his exit from the game lead him to jail or even worse the grave.
The following pages lend insight and inspiration into this philosophy, as these illustrations break down exactly what BRUH means: Black Renditions of Universal Heroes. You'll probably notice that all of them are women. I could've said heroine and you may ask why I don't use this word, but then I'd have some questions for you.
What you and I have experienced in life began before we came into existence. One of the greatest enemies of the present is the ability not to understand the historical foundation that is the structure of our lives. Have you ever heard the words, “what you don’t know won’t hurt you” or “what goes on in this house stays in this house”? Many of us have spent years living behind these words. We have allowed these words to stunt our growth. The author expresses to his readers the importance of understanding the quote; “the past holds the key to the present, and the present holds access to future.” The author explores some historical implications that have had an effect on the current lifestyle of many individuals. He elaborates to women the importance of knowing what your name means. Leaving women with the quote; “I was Responsible for waiting on you, I was Accountable in my search for you, I was Consistent in finding you, and now I have to be Persistent that I don’t lose you.” He helps women/men to understand the difference between Bruh and Men. Leaving men with the quote; “When the man is out of place, the woman becomes displaced, and the children become misplaced.” He goes on to express to parents and educators that the key to saving our children is through communication. We must learn to meet our children where they are by understanding the language they speak. He leaves parents and educators with the Cherokee proverb; “If you listen to the whispers, you won’t have to hear the screams.” The author leaves his readers with the words: “If you leave and grow, you can come back and plant.”
Celebrate the richness and diversity of the United States of America in this exciting series.
The Igbo are one of the most populous ethnic groups in Nigeria and are perhaps best known and celebrated in the work of Chinua Achebe. In this landmark collection on Igbo society and arts, Toyin Falola and Raphael Chijioke Njoku have compiled a detailed and innovative examination of the Igbo experience in Africa and in the diaspora. Focusing on institutions and cultural practices, the volume covers the enslavement, middle passage, and American experience of the Igbo as well as their return to Africa and aspects of Igbo language, society, and cultural arts. By employing a variety of disciplinary perspectives, this volume presents a comprehensive view of how the Igbo were integrated into the Atlantic world through the slave trade and slavery, the transformations of Igbo identities and culture, and the strategies for resistance employed by the Igbo in the New World. Moving beyond descriptions of generic African experiences, this collection includes 21 essays by prominent scholars throughout the world.
Despite a current trend toward individuality and cultural disparity, the fact remains that we have powerful tools that unite us all — our collective imagination, hunger for explanations, and the artistic images that they inspire. Irrespective of geographical location or industrial advancement, people from every corner of the globe cling to the myths, legends and stories that have organized and continue to organize whole societies, dictated religious and moral ideologies, and explained the mysteries of the universe. Museographs' Art, Myth, Legend and Story invites you to indulge your mythic side! Develop a better understanding of the origins and purposes of these beloved creations, and familiarize yourself with the themes and characters that make them possible. Meet Tiddalik, the Australian frog who was so thirsty he drank all the water in the land, leaving nothing for his creature friends. The White Serpent, one of the most popular surviving Chinese legends, or taste Forbidden Fruit with an African tale that explains the origin of the serpent found in creation accounts. Peruse bold images such as Herakles on a Greek vase, the life-giving Toltec rain god, Tlaloc, and Benjamin West's painting, Noah Sacrificing After the Deluge. This issue is as visually striking as it is textually informative. It consolidates and impressive selection of cross-cultural myths, legends and stories accompanied by relevant and powerful images. As an integral reference tool or as a beautiful compendium for the art and story enthusiast, it supplies a list of additional myths, legends, stories, and artistic renderings found in other volumes of the Museographs collection.
Fooled you! Bruh Rabbit is always playing tricks. He tricks Bruh Bear out of bed and eats his fish. He tricks Bruh Wolf out of the butter from his butter tree--then he proves that it was Wolf who ate it. He even serves oven-fried wolf to his children. But sometimes Bruh Rabbit gets fooled too. Retelling six authentic Bruh Rabbit stories that were recorded in Beaufort County and Murrells Inlet in South Carolina, author Mary Lyons has captured their madcap spirit. A longtime reading teacher and librarian, she uses simple, strong words that allow first readers to make their own way through Bruh Rabbit's (mis)adventures. Mireille Vautier's explosion of primary colors, and her sly, knowing rabbit, add a second smile to every story.
"In this book, Nancy Witherell and Mary McMackin share easy-to-follow lesson plans that address key reading skills for students in grades 3-5"--