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Buffalo, New York is known for its remarkable architecture. Masterpieces by world-renowned architects dot the city. From the ground, these structures are impressive. From the sky, they are breathtaking. Soar high over the Queen City via beautiful drone photography and see the city like you've never seen it before. From the sweeping grandeur of the Albright-Knox Art Gallery to the immense scalloped walls of Temple Beth Zion, discover Buffalo from A to Z.
“Education is the new buffalo” is a metaphor widely used among Indigenous peoples in Canada to signify the importance of education to their survival and ability to support themselves, as once Plains nations supported themselves as buffalo peoples. The assumption is that many of the pre-Contact ways of living are forever gone, so adaptation is necessary. But Chelsea Vowel asks, “Instead of accepting that the buffalo, and our ancestral ways, will never come back, what if we simply ensure that they do?” Inspired by classic and contemporary speculative fiction, Buffalo Is the New Buffalo explores science fiction tropes through a Métis lens: a Two-Spirit rougarou (shapeshifter) in the nineteenth century tries to solve a murder in her community and joins the nêhiyaw-pwat (Iron Confederacy) in order to successfully stop Canadian colonial expansion into the West. A Métis man is gored by a radioactive bison, gaining super strength, but losing the ability to be remembered by anyone not related to him by blood. Nanites babble to babies in Cree, virtual reality teaches transformation, foxes take human form and wreak havoc on hearts, buffalo roam free, and beings grapple with the thorny problem of healing from colonialism. Indigenous futurisms seek to discover the impact of colonization, remove its psychological baggage, and recover ancestral traditions. These eight short stories of “Métis futurism” explore Indigenous existence and resistance through the specific lens of being Métis. Expansive and eye-opening, Buffalo Is the New Buffalo rewrites our shared history in provocative and exciting ways.
“A satisfying ending ensures this nighttime adventure will soothe even the wildest child.” Kirkus Reviews An exuberant celebration of the Buffalo’s return to the wild. Since Declan was born, his kokum has shared her love of Buffalo through stories and art. But Declan longs to see real Buffalo. Then one magical night, herds of the majestic creatures stampede down from the sky. That’s when things really get wild! Azby Whitecalf’s playful illustrations add to the joy and reverence in Deidre Havrelock’s picture book debut. A reprinting of the Buffalo Treaty and an author’s note describe the importance of Buffalo to Indigenous Peoples and efforts to revitalize the species.
A study of African-American workers empowered and partly liberated by their skills. At Buffalo Forge, an extensive ironmaking and farming enterprise in Virginia before the Civil War, a unique treasury of materials yields an "engrossing, often surprising record of everyday life on an estate in the antebellum South" (Kirkus Reviews).
Make goodbyes fun with animal rhymes and colorful lift-the-flap illustrations! “So long!” “See you later!” There are so many ways to say goodbye! Lift the flaps in this colorful book to discover favorite animals (and maybe a few new ones, too) and fun goodbyes. Children and grown-ups alike will be giggling before you can say, “Toodle-Loo, Kangaroo!”
When it comes to the production and distribution of mass culture, no country in modern times has come close to rivaling the success of America. From blue jeans in central Europe to Elvis Presley's face on a Republic of Chad postage stamp, the reach of American mass culture extends into every corner of the globe. Most believe this is a twentieth-century phenomenon, but here Robert W. Rydell and Rob Kroes prove that its roots are far deeper. Buffalo Bill in Bologna reveals that the process of globalizing American mass culture began as early as the mid-nineteenth century. In fact, by the end of World War I, the United States already boasted an advanced network of culture industries that served to promote American values. Rydell and Kroes narrate how the circuses, amusement parks, vaudeville, mail-order catalogs, dime novels, and movies developed after the Civil War—tools central to hastening the reconstruction of the country—actually doubled as agents of American cultural diplomacy abroad. As symbols of America's version of the "good life," cultural products became a primary means for people around the world, especially in Europe, to reimagine both America and themselves in the context of America's growing global sphere of influence. Paying special attention to the role of the world's fairs, the exporting of Buffalo Bill's Wild West show to Europe, the release of The Birth of a Nation, and Woodrow Wilson's creation of the Committee on Public Information, Rydell and Kroes offer an absorbing tour through America's cultural expansion at the turn of the century. Buffalo Bill in Bologna is thus a tour de force that recasts what has been popularly understood about this period of American and global history.
The 92nd Infantry ("Buffalo") Division was the last segregated (all-black) U.S. Army division and the only black division to fight in World War II in Europe. The few media references to the division have reflected generally unfavorable contemporary evaluations by white commanders. The present work reflects an analysis of numerous records and interviews that refute the negative impressions and demonstrate that these 13,500 soldiers gained their share of victories under hardships no others were expected to meet.
Your buffalo is growing up. He plays with friends. He shares his toys. He's smart! But is he ready for kindergarten? (And is kindergarten ready for him?) Is Your Buffalo Ready for Kindergarten? is a hilarious look at first-day-of-school jitters from author Audrey Vernick and illustrator Daniel Jennewein.
The Seasons of Buffalo Baseball 1857-2020 is a collaborative efforts that draws from the 1985 book, The Seasons of Buffalo Baseball by Joseph M. Overfield. His son, Jim, updated and revised his dad's book into a richly illustrated, 400-page 8x10-inch book that updates the history of professional baseball in Buffalo through the 2020 season, which was cancelled for the Triple A Bisons because of the COVID-19 but includes a summary of the Toronto Blue Jays' home away from home in Buffalo during the summer because of the pandemic. That marked the return of major league baseball to Buffalo since the city had a franchise in the Federal League in 1905. Part One of the book is a year-by-year summary of each season from 1857 through 2020, complete with the team's manager, league, record, leading hitter, home run hitter and pitcher. Part Two is a collection of stories from Joe and Jim Overfield, Brian M. Frank and Michael J. Billoni, Assistant Editors of the book, along with Paul Langendorfer, Budd Bailey, Mike Harrington of the Buffalo News, Sal Maiorana of Rochester's Democrat and Chronicle and former WGRZ-TV sportscaster Jonah Javad, a sportscaster at WFAA-TV in Dallas, Texas. There are also cartoons illustrated by Mike "Ricig" Ricigliano and more than 200 black and white and color photos. The book honors the memory of Joe Overfield, the former historian of the Buffalo Bisons and a member of the Greater Buffalo and Buffalo Baseball Halls of Fame. It is also a tribute to the resilience of the City of Buffalo and that game that has been part of the city's fabric for more than 160 years. Among those who have written testimonials are John Thorn, official historian of Major League Baseball; Chris Berman, ESPN Sports Broadcaster; Bob Costas, multiple Emmy award-winning sports broadcaster; Ken Rosenthal, baseball writer for The Athletic and Fox Sports and Pete Weber, the Voice of the Nashville Preditors of the NHL and the former Voice of the Bisons and Greg Brown, the Voice of the Pittsburgh Pirates and the former Bisons broadcaster.
Before his mysterious disappearance and probable death in 1971, Oscar Zeta Acosta was famous as a Robin Hood Chicano lawyer and notorious as the real-life model for Hunter S. Thompson's "Dr. Gonzo," a fat, pugnacious attorney with a gargantuan appetite for food, drugs, and life on the edge. Written with uninhibited candor and manic energy, this book is Acosta's own account of coming of age as a Chicano in the psychedelic sixties, of taking on impossible cases while breaking all tile rules of courtroom conduct, and of scrambling headlong in search of a personal and cultural identity. It is a landmark of contemporary Hispanic-American literature, at once ribald, surreal, and unmistakably authentic.