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Azuma Old Japanese is an areal term for the two major dialects of Eastern (‘Azuma’) Japan during the eighth century: Eastern Old Japanese and Töpo-Suruga Old Japanese. This volume is an exhaustive, comparative reference grammar based on the linguistic data contained in the Man’yōshū poetic anthology (759 CE). It contains chapters dedicated to the different lexical categories, the lexicon, the phonology, and the historical development. This volume serves to fill the last remaining gap in English language scholarship on the grammar of premodern Japanese dialects, and significantly contributes to our understanding of the historical development of the earliest attested Japanese dialects. It also contains an extensive reconstruction of Proto-Japanese.
Azuma Old Japanese is an areal term for the two major dialects of Eastern (‘Azuma’) Japan during the eighth century: Eastern Old Japanese and Töpo-Suruga Old Japanese. This volume is an exhaustive, comparative reference grammar based on the linguistic data contained in the Man’yōshū poetic anthology (759 CE). It contains chapters dedicated to the different lexical categories, the lexicon, the phonology, and the historical development. This volume serves to fill the last remaining gap in English language scholarship on the grammar of premodern Japanese dialects, and significantly contributes to our understanding of the historical development of the earliest attested Japanese dialects. It also contains an extensive reconstruction of Proto-Japanese.
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What did eighth-century Japanese sound like? How does one decode its complex script? This book provides the definitive answers to these questions using an unprecedented range of data from the past and the present.
This book presents for the first time all texts constituting the Eastern Old Japanese corpus as well as the dictionary including all lexical items found. Unlike its relative Western Old Japanese, Eastern Old Japanese is not based on the language of just two geographic localities, but is stretched along several provinces of Ancient Japan along the Pacific Seaboard (modern Aichi to Ibaraki) and across the island of Honshū from Etchū (Modern Toyama and parts of Ishikawa) province to Shinano and Kai provinces (modern Nagano and Yamanashi). Therefore, references to places of attestation are included into our dictionary, too.
This is the revised, updated and enlarged second edition of the first detailed descriptive grammar in English dedicated to the Western Old Japanese. The grammar is divided into two volumes, with the first volume dealing with sources, script, phonology, lexicon, nominals and adjectives. The second volume focuses on verbs, adverbs, particles, conjunctions and interjections.
A remaking of Emily Brontë’s Wuthering Heights set in postwar Japan A True Novel begins in New York in the 1960s, where we meet Taro, a relentlessly ambitious Japanese immigrant trying to make his fortune. Flashbacks and multilayered stories reveal his life: an impoverished upbringing as an orphan, his eventual rise to wealth and success—despite racial and class prejudice—and an obsession with a girl from an affluent family that has haunted him all his life. A True Novel then widens into an examination of Japan’s westernization and the emergence of a middle class. The winner of Japan’s prestigious Yomiuri Literature Prize, Mizumura has written a beautiful novel, with love at its core, that reveals, above all, the power of storytelling.
Stay informed. Talk about the issues. Always be engaged. Liberal societies have encouraged their members to take part—or at least interest—in politics. Yet, even in developed nations where it is said to work, the democratic process as we know it routinely fails to give voice, on the one hand, and to appeal at all, on the other hand, to a good number of citizens. Whatever countervailing hopes the worldwide web gave rise to in its dawning years, far from restoring the “public sphere” of yore, the internet has completed its fragmentation. According to Japanese thinker Hiroki Azuma, the way forward must be sought through what network technology is actually good at: aggregating and processing the traces we leave (without always meaning to) every time we wade into the world of connectivity. Harking back to Rousseau and his idea of the general will, dropping by Freud and his discovery of the unconscious, taking inspiration from Google and the tenor of its innovations, revisiting Christopher Alexander and his highway planning, and making curious bedfellows of Twitter, Rorty, and Nozick, General Will 2.0 is a wild ride bound to delight not just citizens who “care” but those who find doing so to be increasingly difficult and false.
From Nausicaä to Sailor Moon, understanding girl heroines of manga and anime within otaku culture.
Two brilliant, multi-layered stories from the winner of the Kenzaburo Oe Prize: part of our Japanese novella series, showcasing the best contemporary Japanese writing. On the eve of the Iraq War, a man and a woman meet in a nightclub in Tokyo. They go to a love hotel, and spend the next five days in a torrid affair. Written in a stream of consciousness, with the reader's perceptions shifting and melting into one another, what is remarkable in this story is not what happens, but the ability of the writer to enter the minds and memories of the protagonists. In the second story, a woman living in a damp flat obsesses on the filthy state of her dwelling. She remains in bed for the duration of the narrative, but the drama and tension of her inner life - spiralling further and further into her memories and anxieties - keep the reader engrossed to the very end. The End of the Moment We Had demonstrates the fluidity and richness of this extraordinarily gifted writer's language and ideas.