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A comprehensive volume on the life and work of renowned Chicana author Sandra Cisneros. Sandra Cisneros (b. 1954), author of the acclaimed novel The House on Mango Street and a recipient of the National Medal of the Arts, a MacArthur “Genius Grant” and the PEN/Nabokov Award for International Literature, was the first Chicana to be published by a major publishing house. ¡Ay Tú! is the first book to offer a comprehensive, critical examination of her life and work as a whole. Edited by scholars Sonia Saldívar-Hull and Geneva M. Gano, this volume addresses themes that pervade Cisneros’s oeuvre, like romantic and erotic love, female friendship, sexual abuse and harassment, the exoticization of the racial and ethnic “other,” and the role of visual arts in the lives of everyday people. Essays draw extensively on the newly opened Cisneros Papers, housed in the Wittliff Collections at Texas State University, and the volume concludes with a new long-form interview with Cisneros by the award-winning journalist Macarena Hernández. As these essays reveal, Cisneros’s success in the literary field was integrally connected to the emergent Chicana feminist movement and the rapidly expanding Chicanx literary field of the late twentieth century. This collection shows that Cisneros didn’t achieve her groundbreaking successes in isolation and situates her as a vital Chicana feminist writer and artist.
This volume is about the Anglophone creoles to be found on the Caribbean coast of Central America (Belize, Honduras, Nicaragua, Costa Rica, Panama), and its offshore islands (Providencia, San Andrés and the Caymans) . The study of these Anglophone varieties is comparatively recent and based on current field work from Belize to Panama. One of the interesting features that emerges is the tentative map of diachronic and synchronic relationsships among the Anglophone creoles of the Caribbean, as illustrated partly by the lexicon and partly by grammatical constructions. The studies in this book are based on phonetic transcriptions of speech acts in their social and linguistic context.
In search of work, Triclinio takes up the violin and migrates to Buenos Aires. There he finds political convulsions, coups, tanks and tear-gas: sounds that threaten to drown any music he might make. A chance encounter with a tottering president raises Triclinio?s hopes that once more music might be heard. But the thunderous noise of the rebels? tanks grows to a crescendo and the presidential guard is overcome. Silence descends on the country - a silence that paradoxically affects the torturers more than the tortured.
This volume is about the Anglophone creoles to be found on the Caribbean coast of Central America (Belize, Honduras, Nicaragua, Costa Rica, Panama), and its offshore islands (Providencia, San Andrés and the Caymans) . The study of these Anglophone varieties is comparatively recent and based on current field work from Belize to Panama. One of the interesting features that emerges is the tentative map of diachronic and synchronic relationsships among the Anglophone creoles of the Caribbean, as illustrated partly by the lexicon and partly by grammatical constructions. The studies in this book are based on phonetic transcriptions of speech acts in their social and linguistic context.
Around the year 1400, the poet Christine de Pizan initiated a public debate in France over the literary "truth" and merit of the Roman of the Rose, perhaps the most renowned work of the French Middle Ages. This is the first dual-language version of the "Quarrel" documents.