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In this powerful and “engrossing” memoir, identity theft expert Axton Betz-Hamilton tells the shocking story of how her family was destroyed by the actions of an anonymous criminal (The New York Times). When Axton Betz-Hamilton was 11 years old, her parents both had their identities stolen. This was before the age of the Internet—authorities and banks were clueless and reluctant to help Axton's parents. Convinced that the thief had to be someone they knew, Axton and her parents completely cut off the outside world. As a result, Axton spent her formative years crippled by anxiety, quarantined behind the closed curtains in her childhood home. Years later, Axton discovered that she, too, had fallen prey to the identity thief. The Less People Know About Us is a cautionary tale, but not one without hope as Axton looks back on the dysfunctional childhood that led to her desire to help this from happening to others. AN EDGAR AWARDS 2020 WINNER AND WALL STREET JOURNAL BESTSELLER
In the winter of 1858, disease and death stalk the lumberjacks in the logging camp at Axton Landing. Facing the harsh conditions, Cyrus Carter and Jared Mason forge a lasting friendship despite disagreeing on how the plight of the jacks can be improved. An unusual love triangle, the kidnapping of a fugitive slave, and a desperate attempt to break a logjam add to the suspense of Axton Landing.
A mesmerizing novel...what begins as a gothic ghost story soon evolves into a wickedly twisted treasure hunt in The Supernatural Enhancements, Edgar Cantero's wholly original, modern-day adventure. When twentysomething A., the European relative of the Wells family, inherits a beautiful, yet eerie, estate set deep in the woods of Point Bless, Virginia, it comes as a surprise to everyone—including A. himself. After all, he never knew he had a "second cousin, twice removed" in America, much less that his eccentric relative had recently committed suicide by jumping out of the third floor bedroom window—at the same age and in the same way as his father had before him . . . Together with A.’s companion, Niamh, a mute teenage punk girl from Ireland, they arrive in Virginia and quickly come to feel as if they have inherited much more than just a rambling home and an opulent lifestyle. Axton House is haunted... they know it...but the presence of a ghost is just the first of a series of disturbing secrets they slowly uncover. What led to the suicides? What became of the Axton House butler who fled shortly after his master died? What lurks in the garden maze – and what does the basement vault keep? Even more troubling, what of the rumors in town about a mysterious yearly gathering at Axton House on the night of the winter solstice? Told vividly through a series of journal entries, cryptic ciphers, recovered security footage, and letters to a distant Aunt Liza, Edgar Cantero has written an absorbing, kinetic and highly original supernatural adventure with classic horror elements that introduces readers to a deviously sly and powerful new voice.
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Many people consider the novella form -- 17,500 words to 40,000 words -- the perfect length. It’s long enough to flesh out characters, but short enough to read in one sitting while still having plenty of plot. This volume collects 8 crime and suspense stories: AS I LIE DEAD, by Fletcher Flora RENDEZVOUS, by H. Bedford-Jones DEATH BY TELEPHONE, by James W. Marvin THE SCARLET THREAD, by Jacques Futrelle TALISMAN OF DOOM, by James W. Marvin CINDERELLA’S SLIPPER, by Hugh C. Weir TERROR PANICS THE CRIME QUIZ, by David X. Manners THE ACHIEVEMENTS OF LUTHER TRANT, by Edwin Balmer & William MacHarg If you enjoy this ebook, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see more of the 300+ volumes in this series, covering adventure, historical fiction, mysteries, westerns, ghost stories, science fiction -- and much, much more!
This book presents an ecocritical reading of DeLillo’s novels in an attempt to mediate between the seemingly incompatible influences of postmodernism and environmentalism. Martucci argues that although DeLillo is responding to and engaging with a postmodern culture of simulacra and simulation, his novels do not reflect a postmodernist theory of the "end of nature." Rather, his fiction emphasizes the lasting significance of the natural world and alerts us to the dangers of destroying it. In order to support this argument, Martucci examines DeLillo’s novels in the context of traditional American literary representations of the environment, especially through the lens of Leo Marx’s discussion of the conflict between technology and nature found in traditional American literature. She demonstrate that DeLillo’s fiction explores the way in which new technologies alter perceptions and mediate reality to a further extent than earlier technologies; however, she argues that he keeps the material world at the forefront of his novels, thereby illuminating the environmental implications of these technologies. Through close readings of Americana, The Names, White Noise, and Underworld, and discussions of postmodernist and ecocritical theories, this project engages with current criticism of DeLillo, postmodernist fiction, and environmental criticism.