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The lives of many lesbians who grew up before 1965 remain cloaked in mystery. Historians have turned the spotlight on upper-middle-class “romantic friendships” and on working-class lesbian bars, but the lives of the lower-middle-class majority remain in the shadows. Drawing on a rich collection of archival sources and interviews, Awfully Devoted Women offers a nuanced portrait of middle-class lesbianism in English Canada in the decades before the gay rights movement. Accounts and explorations of these women’s sexual practices, thoughts on same-sex desire, and relations with friends and family unveil a world of private relationships, house parties, and discreet social networks. This intimate study of the lives of women forced to love in secret not only challenges the idea that lesbian relationships in the past were asexual, it also reveals the courage it took for women to explore desire in an era when they were supposed to know little about sexuality.
The lives of many lesbians prior to 1965 remain cloaked in mystery. Historians have turned the spotlight on upper-middle-class “romantic friends” and on working-class butch and femme women, but the lives of the lower-middle-class majority remain in the shadows. Awfully Devoted Women offers a portrait of middle-class lesbianism in the decades before the gay rights movement in English Canada. This intimate study of the lives of women who were forced to love in secret not only challenges the idea that lesbian relationships in the past were asexual, it also reveals the courage it took to explore desire in an era when women were supposed to know little about sexuality.
Evangelical pastor, talk-show host, politician. Pentecostal Preacher Woman explores the life of the Reverend Bernice Gerard (1923–2008), one of the most influential spiritual figures of twentieth-century British Columbia, whose complicated blend of social conservatism and social compassion has lessons for our polarized times. Coming out of a difficult childhood, Gerard was attracted to Pentecostalism’s emphasis on direct personal experience of God and the use of spiritual gifts, and she became a widely travelled international evangelist. As a pastor, radio personality, and alderman, she was a compelling communicator for the Christian right and an ardent critic of liberal social mores, yet she supported social justice for refugees, Indigenous people, and Vancouver’s homeless population. She remained rooted in patriarchal religious institutions but practised a kind of feminism and shared her life with a female partner. Based on Reverend Gerard’s personal archives and writings, Pentecostal Preacher Woman traces the complex evolution of a conservative woman’s ideas about faith and society.
Inspired by the question of "what’s next?" in the field of Canadian women’s and gender history, this broadly historiographical volume represents a conversation among established and emerging scholars who share a commitment to understanding the past from intersectional feminist perspectives. It includes original essays on Quebecois, Indigenous, Black, and immigrant women’s histories and tackles such diverse topics as colonialism, religion, labour, warfare, sexuality, and reproductive labour and justice. Intended as a regenerative retrospective of a critically important field, this collection both engages analytically with the current state of women’s and gender historiography in Canada and draws on its rich past to generate new knowledge and areas for inquiry.
Starting in the mid-1960s, Canadian lesbians started leaving their closets en masse to find each other and build community. After decades of being pathologized or erased from public view, lesbians were ready to make a scene – both by bringing attention to themselves and by creating physical spaces and opportunities where they could meet to form relationships, debate politics, and forge their own culture. Making a Scene documents the lesbian movement that emerged in Canada between 1964 and 1984. Not just a story of big-city life, it chronicles the range of spaces lesbians created across rural and urban Canada, from physical locations, such as lesbian and gay centres, bookstores, and private members’ clubs, to ephemeral sites of encounter, such as conferences, festivals, and Dykes in the Streets marches. Enriched by interviews and excerpts from letters, club meeting minutes, diaries, and more, Making a Scene brings to life the exuberance and determination of these young women.
Prairie Fairies draws upon a wealth of oral, archival, and cultural histories to recover the experiences of queer urban and rural people in the prairies. Focusing on five major urban centres, Winnipeg, Saskatoon, Regina, Edmonton, and Calgary, Prairie Fairies explores the regional experiences and activism of queer men and women by looking at the community centres, newsletters, magazines, and organizations that they created from 1930 to 1985. Challenging the preconceived narratives of queer history, Valerie J. Korinek argues that the LGBTTQ community has a long history in the prairie west, and that its history, previously marginalized or omitted, deserves attention. Korinek pays tribute to the prairie activists and actors who were responsible for creating spaces for socializing, politicizing, and organizing this community, both in cities and rural areas. Far from the stereotype of the isolated, insular Canadian prairies of small towns and farming communities populated by faithful farm families, Prairie Fairies historicizes the transformation of prairie cities, and ultimately the region itself, into a predominantly urban and diverse place.
Après avoir cofondé la première revue homosexuelle canadienne, la poète Elsa Gidlow, 21 ans, décide de quitter Montréal en 1920, déçue par le manque de possibilités amoureuses que lui offre alors la ville. Le réseau d'amis masculins homosexuels qu'elle a intégré au cours des années précédentes ne manque toutefois pas d'occasions de trouver des partenaires. En effet, même si l'homosexualité est considérée comme un crime depuis l'époque coloniale, une culture gaie masculine, qui était pratiquement inexistante avant 1880, s'est largement épanouie depuis le début du siècle. Grossières indécences retrace les origines de cette culture clandestine complexe et fascinante. Dominic Dagenais a consulté à rebours des archives produites en grande partie par la surveillance et la persécution, soit des dossiers judiciaires, des articles de journaux, de la correspondance, des archives personnelles, des publications médicales et des dossiers d'enquêtes publiques pour mettre au jour le contexte répressif dans lequel les identités homosexuelles contemporaines se sont construites et pour découvrir les espaces publics investis par le monde homosexuel montréalais au tournant du XXe siècle. Dans une ville marquée par le fleurissement des loisirs commerciaux et les trépidations de son quartier chaud, des hommes, mais aussi quelques femmes, ont déployé diverses stratégies pour se rencontrer et pour nouer des relations. Des rencontres risquées surviennent ainsi dans les rues, ruelles, magasins, parcs, théâtres et toilettes publiques de la ville. Un monde homosexuel riche et diversifié prend forme à Montréal au tournant du XXe siècle, en dépit d'une surveillance policière de plus en plus élaborée et des lourdes sanctions pénales auxquelles s'exposent les individus se livrant à des rapports homosexuels, considérés alors comme une grossière indécence et comme le pire des vices. Ce livre documente son histoire inédite.
Tourism and Wellness: Travel for the Good of All? enhances academic understandings and analyses of tourism as a social and worldmaking force by situating broad questions of well-being, health, and equity within the scaffolds of critical tourism studies. Contributors touch on power and politics, space and place, reflexivity and relationships, values and affect, and inequality and equity as viewed through critically informed and social justice perspectives. This collection of cutting-edge, critical tourism analyses contextualizes and disrupts how wellness is understood in tourism. For more information, check out A Conversation with the Editors of Tourism and Wellness: Travel for the Good of All?
Sex – who was having it, who shouldn’t have it, and who was supposed to be having it but wasn’t – was a major concern to social authorities in the immediate postwar era. Though they are often remembered with nostalgia as a sexually simpler time, the 1950s and early 1960s were incredibly sexually productive years. Sex and the Married Girl examines how two interrelated and dominant groups in Canada – medical professionals and church leaders – used married heterosexual female sexuality as a lever to rebuild the Canadian family and the state itself. Using embodied historical methodologies, the book examines not only discourses around sex but also how those discourses could influence the actual experience of sex for married women. Heather Stanley draws upon extensive oral life histories of women who lived, married, and had sex during this liminal social period to demonstrate that this was a time of simultaneous sexual and gender quiescence and change.
In the late 1970s, feminist historians urged us to “rethink” Canada by placing women’s experiences at the centre of historical analysis. Forty years later, feminism continues to inform history writing and has inspired historians to look beyond the nation and adopt a more global perspective. This exciting new volume of original essays opens with a discussion of the themes and methodological approaches that have preoccupied historians over the past twenty years. The chapters that follow showcase the work of new and established scholars who draw on critical race theory, postcolonial theory, and transnational history to re-examine familiar topics such as biography and oral history, paid and unpaid work, marriage and family, and women’s political action. Whether they focus on the marriage of Governor James Douglas and his Metis wife, Amelia, or on the experiences of Québécois domestic workers in the 1970s, the contributors demonstrate the continued relevance of history informed by feminist perspectives and open a much-needed dialogue between francophone and anglophone historians in Canada.