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In April 1966, thousands of artists, musicians, performers and writers from across Africa and its diaspora gathered in the Senegalese capital, Dakar, to take part in the First World Festival of Negro Arts (Premier Festival Mondial des arts nègres). The international forum provided by the Dakar Festival showcased a wide array of arts and was attended by such celebrated luminaries as Duke Ellington, Josephine Baker, Aimé Césaire, André Malraux and Wole Soyinka. Described by Senegalese President Léopold Sédar Senghor, as 'the elaboration of a new humanism which this time will include all of humanity on the whole of our planet earth', the festival constituted a highly symbolic moment in the era of decolonization and the push for civil rights for black people in the United States. In essence, the festival sought to perform an emerging Pan-African culture, that is, to give concrete cultural expression to the ties that would bind the newly liberated African 'homeland' to black people in the diaspora. This volume is the first sustained attempt to provide not only an overview of the festival itself but also of its multiple legacies, which will help us better to understand the 'festivalization' of Africa that has occurred in recent decades with most African countries now hosting a number of festivals as part of a national tourism and cultural development strategy.
About the Book This memoir is composed of letters sent between a mother living on a farm in Nebraska and her daughter, away from home as she pursued degrees in Nursing, English and Art (sculpture). Separated by five hundred miles, they began a weekly exchange of letters — a dialogue they maintained until the mother died. The education of the artist occurred during tumultuous times (the 1960s), and was in distinct contrast with her mother’s life. The letters share an intense interest in history, Jungian psychology, philosophy, Eastern religions, and Zen Buddhism. They describe the development and training of a sculptor as well as the divergence of lives between generations as the mother and artist-daughter interpret the realities of a world in flux and accelerating around them. The parents are magnanimous in support of the daughter despite their own hardships and political differences with her. They remain steadfast in their love for each other, family and the land to which they are rooted. About the Author Nancy Myers Leiserowitz was born and raised in Nebraska. Holding both a bachelor’s degree in English and a master of fine arts degree in Sculpture, Leiserowitz has enjoyed a career as a registered nurse, artist and teacher. She has taught sculpture, drawing and Renaissance art history at Connecticut College for Women, Michigan State University and Lansing Community College. Leiserowitz is also a founding member of Hospice of Lansing and volunteers with Women’s Action for Nuclear Disarmament and the Big Brother/Big Sister program.
The summer of 1967 was Scottish football's finest hour. Celtic won the European Cup. Rangers reached the final of the European Cup Winners' Cup. Kilmarnock got to the semis of the Inter-Cities Fairs Cup. Scotland defeated world champions England at Wembley. It was the best of times. With one exception. Third Lanark Athletic Club, one of the country's oldest and most successful football teams, a founder member of the Scottish Football Association, and to date one of only four teams to defeat both Rangers and Celtic in the Scottish Cup Final, played its final game. And hardly anybody seemed to notice. Why? Michael McEwan brings rich archival research together with interviews with the key surviving players in the Third Lanark squad from that final season, as well as opposition players and other relevant figures from the era. Over 50 years on, the demise of Third Lanark remains one of Scottish football's darkest hours – and, by ludicrous coincidence, it occurred in the midst of one of its brightest.
While eyewitness accounts of the Civil War by enlisted men are uncommon, even scarcer are personal narratives from the Civil War in the West. These journals and letters were written by Lewis Roe, an Illinois farm boy who served in the 7th U.S. Infantry and the 50th Illinois Volunteer Infantry between 1860 and 1865. They offer details of an epic march from Fort Bridger, Wyoming, to New Mexico, a firsthand account of the Battle of Valverde (1862), and Roe’s efforts to understand ongoing events as the country rushed toward the outbreak of hostilities. Later in the war, Roe documented the Union occupation of Rome, Georgia, and the battle of Allatoona, and left us a candid account of an enlisted man’s experiences with Sherman’s army on its March to the Sea and in the Carolinas Campaign. His relative objectivity and attention to everyday details make this valuable record a lively read.
Personal diary of a researcher at the frontiers of science.

Hearings

United States. Congress. Senate. Committee on Labor and Public Welfare

Published: 1967

Total Pages: 1742


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'. . . it is now!' With these legendary three words the 1966 World Cup final came to an end. England had won, and at 5.15 p.m. on 30 July 1966, Bobby Moore wiped his hands on his shorts, shook hands with the Queen, and took delivery of the Jules Rimet trophy before a worldwide television audience of 600 million. It was, and remains, the single greatest British sporting achievement. Alf Ramsey had taken a national team whose fortunes and confidence were at their lowest ebb, and made them World Champions. In doing so he was accused of changing the face of soccer, of turning a 'noble game' into a sport which was dominated by fitness, defences and the training park. Ramsey's 'wingless wonders', it was said, 'put football back 100 years.' How far did he and his squad set out to win sport's greatest trophy by any means possible, and how much did accident and circumstance dictate their victory? How good were Ramsey's England? Award-winning sportswriter and historian Roger Hutchinson tells a story which sparkles with wit and with sporting brilliance. '66 is the story of the greatest sporting tournament ever to take place in Britain, one that marked the birth of the modern game. It is the story of a sporting adventure which, far from putting football back 100 years, catapulted it unwillingly into the future. It is a tragedy told with a smile on its face. It is a tale that no sports fan will want to miss.