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In the 1970s, Annie Chappell dreams of a homesteading life—a life like the one depicted in Laura Ingalls Wilder’s Little House in the Big Woods, where the world is uncomplicated. If she can get to that place, she thinks, the trouble she faces at home—alcohol use, sexual abuse, and the sorrows of modern-day issues—will disappear. Home in Denver during a break from boarding school in the spring of 1973, she meets Bill, a mountain man Vietnam vet who’s traveling through town on his way back to his cabin on the Canadian border in Montana, and she falls in love with the life he describes. In October, after months of imagining a life with Bill, she runs away from boarding school in the East to find him so he can teach her the wild ways. When Annie’s plan fails, she goes back to school to graduate, but she continues to exchange letters with Bill for the rest of the school year—and after graduation, with her parents’ blessing, she makes her way to Montana to live with him. Homesteading with an older man in the wilderness, however, presents challenges she hasn’t anticipated. Ultimately, Annie’s experiences with Bill push her to face her own strengths and fears, as well as her relationship with her parents and home—and to begin to figure out who she really wants to be.
Dreams of escape from her privileged but empty life are only fantasies until Kristen finds a Canadian birth certificate under her mother's jewelry box. Kristen has no memories of her early childhood or her biological father. Her stepdad controls her secretive mother, and Kristen cuts on herself. Even her best friend, Natalie, doesn't know she is haunted by thoughts of suicide. The questions raised by the birth certificate are so unsettling that Kristen decides to run away. Corey was alone the night that Kristen ran away. He has a past and he is known as a trouble maker. He is blamed by both the authorities and kids in school for having murdered Kristen, though her body has not been found. Even his mother believes he is guilty. Natalie, who has her own reasons to despise Corey, grieves for Kristen and also blames Corey. But Kristen has crossed into Canada and is making a new life for herself, unaware what is happening in her absence back in Washington state. She finds a kind of peace she's never experienced, until what started as an innocent relationship with an older man becomes dangerous. Now, stalked by a real predator, she must decide whether to stay and resolve her new problem or return home and confront her former life. The three main characters tell their stories separately as first-person written responses to an English class assignment to keep a personal journal. Each struggles to face life with integrity while entangled in a web of difficult situations. To triumph, each must confront the challenge of forgiveness.
Some killers are born. Others are made. As a rookie tabloid reporter, Jenna Sinclair made a tragic mistake when she outed Denny Dennison, the illegitimate son of an executed serial killer. So she hid behind her marriage and motherhood. Now, decades later, betrayed by her husband and resented by her teenage daughter, Jenna decides to resurrect her career—and returns to the city she loves. When her former lover is brutally assaulted outside Jenna’s NYC apartment building, Jenna suspects that Denny has inherited his father’s psychopath gene and is out for revenge. She knows she must track him down before he can harm his next target, her daughter. Meanwhile, her estranged husband, Zack, fears that her investigative reporting skills will unearth his own devastating secret he’d kept buried in the past. From New York City to the remote North Fork of Long Island and the murky waters surrounding it, Jenna rushes to uncover the terrible truth about a psychopath and realizes her own investigation may save or destroy her family.
Celebrating a vanishing way of American life in text and photographs, a moving elegy chronicles the lives of the farmers of the North Fork of Long Island, individuals whose families have worked the land since the mid-seventeenth century and who face a difficult struggle to preserve their way of life.
A USA TODAY BEST BOOK OF THE YEAR (★★★★) “Little and Often is a beautiful memoir of grief, love, the shattered bond between a father and son, and the resurrection of a broken heart. Trent Preszler tells his story with the same level of art and craftsmanship that he brings to his boat making, and he reminds us of creativity’s power to transform and heal our lives. This is a powerful and deeply moving book. I won’t soon forget it.” —Elizabeth Gilbert Trent Preszler thought he was living the life he always wanted, with a job at a winery and a seaside Long Island home, when he was called back to the life he left behind. After years of estrangement, his cancer-stricken father had invited him to South Dakota for Thanksgiving. It would be the last time he saw his father alive. Preszler’s only inheritance was a beat-up wooden toolbox that had belonged to his father, who was a cattle rancher, rodeo champion, and Vietnam War Bronze Star Medal recipient. This family heirloom befuddled Preszler. He did not work with his hands—but maybe that was the point. In his grief, he wondered if there was still a way to understand his father, and with that came an epiphany: he would make something with his inheritance. Having no experience or training in woodcraft, driven only by blind will, he decided to build a wooden canoe, and he would aim to paddle it on the first anniversary of his father’s death. While Preszler taught himself how to use his father’s tools, he confronted unexpected revelations about his father’s secret history and his own struggle for self-respect. The grueling challenges of boatbuilding tested his limits, but the canoe became his sole consolation. Gradually, Preszler learned what working with his hands offered: a different perspective on life, and the means to change it. Little and Often is an unflinching account of bereavement and a stirring reflection on the complexities of inheritance. Between his past and his present, and between America’s heartland and its coasts, Preszler shows how one can achieve reconciliation through the healing power of creativity. “Insightful, lyrical…Little and Often proves to be a rich tale of self-discovery and reconciliation. Resonating with Robert Pirsig’s classic Zen and the Art of Motorcycle Maintenance, it is a profound father-and-son odyssey that discovers the importance of the beauty of imperfection and small triumphs that make extraordinary happen.” —USA Today (★★★★)
"Part cookbook, part memoir about a transplanted New Yorker learning to cook, live, and even enjoy herself on a ranch in Colorado"--
Includes the Proceedings of the Royal geographical society, formerly pub. separately.