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Fierce, raw, and unapologetic, Janice Mirikitani's poetry and prose are as vibrant and resonant today as when these two collections were first published in 1978 and 1987. Now back in print in one volume, Awake in the River and Shedding Silence epitomizes Mirikitani's singular voice--one that is brash, sexual, politically outspoken, and unconcerned with pandering to mainstream audiences. An influential artist and activist, Mirikitani has advanced the causes of women of color feminisms, global anti-imperialism, and Afro-Asian solidarity for more than fifty years. Her writings confront sexualized violence, anti-Asian racism, the intergenerational trauma of incarceration, the dangers of passivity, and internalized oppression, while also illuminating the power of awakening from silence and fighting for justice. Connecting Japanese American discrimination with broader struggles from the local to the global, Awake in the River and Shedding Silence showcases how the renowned poet found power in speaking out.
Groundbreaking poems in Asian American feminist literature Fierce, raw, and unapologetic, Janice Mirikitani’s poetry and prose are as vibrant and resonant today as when these two collections were first published in 1978 and 1987. Now back in print in one volume, Awake in the River and Shedding Silence epitomizes Mirikitani’s singular voice—one that is brash, sexual, politically outspoken, and unconcerned with pandering to mainstream audiences. An influential artist and activist, Mirikitani has advanced the causes of women of color feminisms, global anti-imperialism, and Afro-Asian solidarity for more than fifty years. Her writings confront sexualized violence, anti-Asian racism, the intergenerational trauma of incarceration, the dangers of passivity, and internalized oppression, while also illuminating the power of awakening from silence and fighting for justice. Connecting Japanese American discrimination with broader struggles from the local to the global, Awake in the River and Shedding Silence showcases how the renowned poet found power in speaking out.
Out of the Dust is a collection of new poems by activist, leader, poet, and editor Janice Mirikitani. After being named San Francisco’s second Poet Laureate in 2000, this fifth book of poems from Mirikitani was written in response to the terrorist attacks on September 11, 2001. Drawing from her own background as a Sansei (third generation) Japanese American, Mirikitani reflects on the many ways we connect through the dust and our ability to rise and renew ourselves from this place. From the dust of the World Trade Center in New York to the retaliatory ashes of the dead in America’s war in Afghanistan, the poems in this volume seek to explicate the connections of our humanity to the reactionary profiling of people of Middle Eastern descent and different ethnicities, comparing these choices to the incarceration of Japanese Americans during World War II. Mirikitani’s poems cover topics about rape, incest, the continued struggle for justice and economic equality, and the poet’s experiences throughout her 50-year career at Glide Foundation and Church in San Francisco, where she has helped to create groundbreaking programs for the poor, women and children, and those who are healing from sexual assault, violence and abuse. Though constructed from a depth of experiences with struggle, these poems also erupt in celebration of marriage, daughters, and the discovery of self through diversity.
Poetry and prose explores the author's experiences growing up as an Asian-American and examines the themes of love, war, and family.
The poems in Plume are nuclear-age songs of innocence and experience set in the "empty" desert West. Award-winning poet Kathleen Flenniken grew up in Richland, Washington, at the height of the Cold War, next door to the Hanford Nuclear Reservation, where "every father I knew disappeared to fuel the bomb," and worked at Hanford herself as a civil engineer and hydrologist. By the late 1980s, declassified documents revealed decades of environmental contamination and deception at the plutonium production facility, contradicting a lifetime of official assurances to workers and their families that their community was and always had been safe. At the same time, her childhood friend Carolyn's own father was dying of radiation-induced illness: "blood cells began to err one moment efficient the next / a few gone wrong stunned by exposure to radiation / as [he] milled uranium into slugs or swabbed down / train cars or reported to B Reactor for a quick run-in / run-out." Plume, written twenty years later, traces this American betrayal and explores the human capacity to hold truth at bay when it threatens one's fundamental identity. Flenniken observes her own resistance to facts: "one box contains my childhood / the other contains his death / if one is true / how can the other be true?" The book's personal story and its historical one converge with enriching interplay and wide technical variety, introducing characters that range from Carolyn and her father to Italian physicist Enrico Fermi and Manhattan Project health physicist Herbert Parker. As a child of "Atomic City," Kathleen Flenniken brings to this tragedy the knowing perspective of an insider coupled with the art of a precise, unflinching, gifted poet. Watch the book trailer: https://www.youtube.com/watch?v=3iSaR9mfeeM
In Beyond the Possible, Reverend Cecil Williams, one of the most well-known and provocative ministers in the United States, reflects on his fifty years creating radical social change as the head of San Francisco's Memorial Glide Church. Williams' innovations, such as HIV testing during services, have drawn protest from more conservative factions within the Methodist Church, but his work in the community has drawn praise from the likes of Bill Clinton, Oprah Winfrey, and Warren Buffett. Written with Glide Church founding pastor Janice Mirikitani, and with a foreword by Dave Eggers, Beyond the Possible is a book of wisdom, providing lessons that Reverend Williams has learned so that readers can learn to embrace their true selves, accept all those around them, and fully live day to day through social change as worship.
In this extraordinary new collection by distinguished poet Christopher Howell, the opening poem presents us with a spiritual paradox that will echo throughout its pages. The speaker remembers an earlier time of happiness, freedom, and a certain innocence. The poem closes with: And if he remembers now he is in love, which is the soul’s condition, and alone because that is how we live. "How we live" is the book's major inquiry; its illustration, the poems' major achievement. How do we live, in our dailiness, in our loves, our private and global wars? And, in the face of unbearable grief, how can we live? Keats When Keats, at last beyond the curtain of love’s distraction, lay dying in his room on the Piazza di Spagna, the melody of the Bernini Fountain “filling him like flowers,” he held his breath like a coin, looked out into the moonlight and thought he saw snow. He did not suppose it was fever or the body’s weakness turning the mind. He thought, “England!” and there he was, secretly, for the rest of his improvidently short life: up to his neck in sleigh bells and the impossibly English cries of street venders, perfect and affectionate as his soul. For days the snow and statuary sang him so far beyond regret that if now you walk rancorless and alone there, in the piazza, the white shadow of his last words to Severn, “Don’t be frightened,” may enter you.
BOOKER PRIZE WINNER • NATIONAL BESTSELLER • A novel that follows a middle-aged man as he contends with a past he never much thought about—until his closest childhood friends return with a vengeance: one of them from the grave, another maddeningly present. A novel so compelling that it begs to be read in a single setting, The Sense of an Ending has the psychological and emotional depth and sophistication of Henry James at his best, and is a stunning achievement in Julian Barnes's oeuvre. Tony Webster thought he left his past behind as he built a life for himself, and his career has provided him with a secure retirement and an amicable relationship with his ex-wife and daughter, who now has a family of her own. But when he is presented with a mysterious legacy, he is forced to revise his estimation of his own nature and place in the world.
Kings in Love: Lilit Phra Lo and Twelve Months (Thawathotsamat) are among the earliest works of Thai literature. These translations by an award-winning team aim to convey not only the meaning of the Thai originals but also their beauty and emotional power. Lilit Phra Lo is a long narrative poem with an unusual romance, a contest of rival magic, an erotic climax, and a blood-soaked ending. It has been condemned as feudal and indulgent, but celebrated for its flowing poetry and emotional power. Twelve Months, a passionate lament for a lost lover, was once greatly acclaimed but has been quietly sidelined for being "too erotic." Each poem has an afterword tracing the work's origins, structure, publication history, and critical reception. Though rooted in Thai culture, both poems speak to universal themes and have echoes in world literature.