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Public Radio personality Tom Schnabel spotlights giants of the global genre like the late Sufi singer Nusrat Feteh Ali Kahn and this year's Grammy winner Milton Nascimiento, making "Rhythm Planet" both an antidote to the latest flavor of pop and an affirmation of music's power. 125 illustrations, 25 in color.
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
In the twenties, thirties, and forties, now-legendary American songwriters and lyricists created a repertoire of popular songs, songs that have captured the hearts of generations of music lovers. George Gershwin, Richard Rodgers, Cole Porter, Jerome Kern, Harold Arlen, Hoagy Carmichael and many others, along with such lyricists as Ira Gershwin, Lorenz Hart, and Dorothy Fields, produced extraordinary songs of signal importance to the American musical heritage. In this book Allen Forte shares his love of American popular song. He discusses in detail twenty-three songs, ranging from Gershwin’s “Fascinating Rhythm” (1924) to Irving Berlin’s “Steppin’ Out with My Baby” (1947), guiding readers and listeners toward a deeper appreciation of this vital and engaging music. Forte writes for the general reader, assuming no background other than a familiarity with basic music notation. Each song is discussed individually and includes complete lyrics and simple leadsheet notation. Forte discusses the songs’ distinctive musical features and their sophisticated, often touching and witty lyrics. Readers can follow the music while they listen to the accompanying compact disc, which was specially recorded for this volume by baritone Richard Lalli and pianist-arranger Gary Chapman, with Allen Forte, pianist-arranger for “Embraceable You” and “Come Rain or Come Shine”. Learn about these favorite songs and more: “How Long Has This Been Going On?” “What Is This Thing Called Love?” “Embraceable You” “Autumn in New York” “I’ve Got You Under My Skin” “The Nearness of You” “That Old Black Magic” “Come Rain or Come Shine”
All the poems of a great 20th-century poet.
For many years Daisaku Ikeda has used poetry to express his innermost observations and sensations. He has given poetic voice to feelings that have emerged from real life, and from the activities of an internationally known champion of peace and education and the leader of a worldwide lay Buddhist movement. With a vigour and simplicity that derive from a style rooted in classical rather than colloquial traditions, his poems celebrate the themes of youth and of progress, and the mysteries of the natural world: whether a wind that sighs 'with its melancholy chant to the traveller', or a 'great sky with its transcendent beauty and stillness', or a moon that shines with the light of the 'silver monarch'. These are poignant meditations above all on time, transience and the eternal - rendered visible through a palette of diverse poetic colour, and framed within a universe where all people are called to strive for a better world. Such a world is characterized not by division, but by peace and love. In that sense, these are verses expressive of the author's deepest hopes and sentiments: not merely poems, but keenly felt songs from his heart.
The next stop along a poetic journey, which began with ""Shattered Images,"" and continued with ""The Problem With Revolution""; the overarching theme of ""Sooner or Later, They'll Turn on You!"" is one of betrayal. We betray our family, we betray our so-called 'friends', we betray those, who care about us, we betray our community, our society, and our nation, but most of all, we betray our own ethics and beliefs. Worst of all, is that betrayal doesn't always go to the highest bidder. Sometimes the greatest betrayals are bought and sold for worthless trinkets, and empty promises...
Who is the Bill Bailey whose exploits were chronicled in song? How many popular songs have titles containing the words “moon,” “heart,” or “baby”? Where is the road to Mandalay? How many female names can you think of that have been mentioned in song titles? Discover this fascinating information and more about some of America's most known and loved popular songs in this delightful sampler. The Popular Song Reader contains over 200 short essays on the backgrounds of a wide variety of twentieth-century American popular songs. The witty and knowledgeable essays touch upon several hundred traditional-style pop songs as well as early rock compositions. The essays are filled with anecdotes, humor, irony, and even poetry that reflect the author's offbeat and somewhat irreverent manner, while also presenting a broad spectrum of American popular songs in their historical and cultural contexts. In addition to information about each song and its composer, the author also discusses how the song reflected society at the time and also how the song itself has influenced popular culture. Pop music fans will find this a highly entertaining and readable guide to the best American popular music of the twentieth century. Divided into five sections, the book covers popular songs from the Tin Pan Alley era (By the Light of the Silvery Moon, California, Here I Come, Let Me Call You Sweetheart, She'll Be Comin’Round the Mountain, and When Irish Eyes are Smiling), the swing/big band era (Don't Get Around Much Anymore, Heart and Soul, In the Mood, Stardust, and Stormy Weather), and the rock era (Chances Are, Good Vibrations, Love Me Tender, Misty, Rock Around the Clock, Stop! In the Name of Love, and The Twist). The Popular Song Reader provides new insights on all-time favorites from Broadway musicals, movies, and television including Ain't Misbehavin', Give My Regards to Broadway, My Funny Valentine, Aquarius, Cabaret, Luck Be a Lady, Mack the Knife, Don't Fence Me In, Over the Rainbow, Singin’in the Rain, and the theme songs from Star Wars , All in the Family, Cheers, and M*A*S*H.