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The plot follows a celebrated classical pianist and her neglected daughter who meet for the first time in years, and chronicles their painful discussions of how they have hurt one another.
Georg Trakl's poems are considered some of the most difficult for any translator to tackle; his German is dense and sometimes almost impenetrable. Daniel Simko's collection Autumn Sonata, has been lauded for the 'simplicity and directness' of its translations, accomplished with out sacrificing the drama of Trakl's rich imagery.Suffering from manic depressive episodes and haunted by his experiences tending the wounded and dying during World War One, Trakl's poems reflect a sense of lostness: nightmare visions and disembodied voices provide an often eccentric perspective of reality. Though he yearns for deliverance, there poems do not anticipate it. Instead, they map the interior landscape of a brilliant, though troubled, spirit.
This unique collection focuses on the work of legendary Swedish filmmaker Ingmar Bergman. Written in the wake of the centenary of Bergman’s birth in 2018, the volume aims to combine new approaches to Bergman’s films and writings with more traditional analyses. Established themes such as Bergman’s interest in philosophy and psychology are addressed, but also less familiar topics, notably his relationship with Hollywood and his elaborate use of film music and autobiographical writing that characterised his later work. There are new analyses of aspects of Bergman’s most famous films, including Smiles of a Summer Night and Fanny and Alexander, but also insightful readings of lesser-known works, such as Saraband and Sawdust and Tinsel.
Presents a collection of the critic's most positive film reviews of the last four decades, arranged alphabetically from "About Last Night" to "Zodiac."
This book contains a posthumous collection of poetry by Czech born, New York City poet, writer, and translator Daniel Simko.
Ingmar Bergman is worldwide known as a film and stage director. Yet no-one has attempted to compare his stage and screen activities. In Between Stage and Screen Egil Törnqvist examines formal and thematical correspondences and differences between a number of Bergman's stage, screen, and radio productions. In the prologue Bergman's spiritual and aesthetic heritage and his position in the twentieth century media landscape is outlined. In the epilogue the question is answered to what extent one can speak of Bergman's directorial 'method' irrespective of the chosen medium.
In this “exquisite personal blend of philosophy and engagement, inner quiet and worldly life" (Los Angeles Times), an acclaimed author returns to his longtime home in Japan after his father-in-law’s sudden death and picks up the steadying patterns of his everyday rites, reminding us to take nothing for granted. In a country whose calendar is marked with occasions honoring the dead, Pico Iyer comes to reflect on changelessness in ways that anyone can relate to: parents age, children scatter, and Iyer and his wife turn to whatever can sustain them as everything falls away. As the maple leaves begin to turn and the heat begins to soften, Iyer shows us a Japan we have seldom seen before, where the transparent and the mysterious are held in a delicate balance.
LOUIS L’AMOUR’S FIGHTERS IN THE SKY They’re freelance pilots and full-time troubleshooters for democracy. They’re men like Steven Cowan, Mike Thorne, and Turk Madden who face danger every day of their lives and fight like tigers for what they believe in. With the world on the brink of war, they’re on the front lines or wherever there’s action. From the dangerous South Sea islands, to steaming South American jungles, to the islands of Japan, you’ll find these men ready to fight the enemies of freedom—in a battle to the death.
Ingmar Bergman, an undisputed giant of modern cinematic art, here talks frankly and extensively about himself and his films. This discussion with the great Swedish director ranges from Bergman's childhood memories to his admiration for Strindberg to his relationship with the stars whom he made famous - Liv Ullmann, Harriet Andersson, Max von Sydow and Bibi Andersson, among others. Originally published in 1973, this work covers Bergman's career from his early films through the works: The Seventh Seal, Wild Strawberries, Persona, The Passion of Anna.