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(1-2) refer to Poel's production of Hamlet, which used the first quarto text. (2) also includes some of Poel's ideas about how Hamlet should be performed and references a paper he presented to the New Shakspere Society. (3) mentions the dramatization of Baring-Gould's Mehala. Letters all written from 9 Stanhope Place.
Recipient is possibly William Moy Thomas. (1) Dated 1875 October 25 Monday, Marshall writes that he is sending A study of Hamlet, which he hopes Thomas will find time to read. (2) Dated 1877 May 9, Marshall responds to Thomas' ideas and suggestions regarding Hamlet.
Thanking him for his comments on Deacon Brodie and announcing that the play is to have a public production.
Praises Douglas' performance as Caratach in Fletcher's Bonduca.
Discussing details and arrangements, including candidates for Chair, of Poel's lecture on "Shakespeare's Profession" at the upcoming tercentenary celebration. Poel suggests Sir Sidney Lee or Sir Squire Bancroft, even though they "would not be wholly in agreement with what he says," or else "Israel Zangwill, Frederick Whelen (Stage Society), H.A. Jones, or Bernard Shaw." On letterhead of Wm. Poel, 5 Amersham Road, Putney, SW. Purple ink stamp of Royal Society of Arts, Adelphi, London 25 Jan. 1915 on front page.
Refers to J.P. Collier.
The William Moy Thomas Papers are comprised of one box containing letters written to Moy Thomas concerning drama, the copyright laws, and frequently contain requests for favors from him in his position as theatre critic. The greatest concentration of letters falls in the years between 1880-1893.