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Many concern his various roles, especially Hamlet. (61) is an autographed menu for a supper given in honor of Forbes-Robertson, April 2, 1913; (6) is a letter from Frederic K.W. Girdlestone to E.H. Lyon asking that Lyon be a host for that supper.
(2) is a summary of his career since his debut in 1875.
An invitation to a supper for J. Forbes Robertson on Saturday, April 2. On letterhead of the Lotos club, New York. Signed from Alexander C. Humphreys, Secretary.
Writes about a performance of Romeo and Juliet she gave at the Gaiety Theatre under the name "Miss Fanny Lumsden." She thanks the recipient for his judicious criticism and words of encouragement. She has been playing Juliet to Kyrle Bellew's Romeo for five months. Reid mentions an upcoming performance as Juliet to Mr. Forbes Robertson's Romeo. Addressed from Bedford Hotel, Covent Garden. Letter is addressed "Dear Sir" and dated July 23.
A compilation of 3M voices, memories, facts and experiences from the company's first 100 years.
The author reflects on the notable people he met during his career as a caricaturist and portrait artist, including his work for Vanity Fair. Using the pseudonym "Spy," he published over 1300 portraits in the magazine.
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.