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Some items undated.
Some items undated.
A classic autobiography right up there with St Augustine and Rousseau New paperback backed by publicity and promotion - tied in with new edition of History of Western Philosophy and 'giveaway' of 'What I Believe' Ideal companion to Ray Monk's biography Introduction by the Right Hon Michael Foot *Publicity Title* - major coverage in national press expected!
Excerpt from Records of the English Province of the Society of Jesus: Historic Facts Illustrative of the Labours and Sufferings of Its Members in the Sixteenth and Seventeenth Centuries The following pages were already in print when it came to the knowledge of the Editor, that Canon F. R. Raines, the well known and learned antiquarian, had been furnished by the lateright Rev. Dr. Goss, Bishop of Liverpool, with a copy Of the narrative Of Father Cuthbert Clifton (alias Norris), relating to'the conversion Of James, Earl Of Derby, on his way to the scaffold, and which must have been given to the Bishop by the late Dr. Oliver. The Canon publishes this narrative in his appendix to the life of that noble man1 as a literary curiosity, without admitting that it affects in any way the fidelity Of the Earl to the faith he had heretofore held. He lays great stress on its want of publication, at, or near the period in question, and on the inherent improbability of such an event happening at such a time and place, in opposition to all the Earl's antecedent convictions. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Betragtninger over muligheden for at undgå en atomkrig
THE SUNDAY TIMES BESTSELLER AS SEEN ON SUNDAY BRUNCH "GENIUS ... CHANGED THE WAY I'M GOING TO EAT FROM NOW ON ... THESE SANDWICHES ARE EPIC!" THE HAIRY BIKERS Max's Sandwich Book is the ultimate guide to creating perfection between two slices of bread. Max Halley owns Britain's most amazing sandwich shop. After working in some of the country's best restaurants, he realised that the sandwich, humanity's greatest invention, was due a renaissance. So Max decided to open his own place and reinvent the sandwich forever. Inside this book you will find: · Award-winning creations from his shop · Inspired variations on classic sandwiches · Brilliant, delicious ways to use your leftovers · Sandwiches for breakfast · Sandwiches for dinner · Sandwiches for dessert · And more than 100 recipes for making your own ingenious creations at home. Ham, Egg & Chips never tasted so good. Max is the owner of Max's Sandwich Shop in Crouch End, winner of the Observer Food Monthly Award for Best Cheap Eat in 2015. "Amazing" Russell Norman, author of Polpo "Max is a sensation!" Meera Sodha "The Ham, Egg & Chips is the best sandwich I've ever eaten in my life" Simon Rimmer, Sunday Brunch "Very, very good" Evening Standard
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.