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”So many memoirs make you feel that you’ve been sealed up inside a wall with a monomaniac. A really good one, like Autobiography of a Face, makes you feel there is more to ask and learn. You are not just seeing the writer; you are not trying to see yourself. You are seeing the world in a different way.”—Margo Jefferson Foreword by Suleika Jaouad, author of the New York Times bestseller Between Two Kingdoms A thirtieth-anniversary edition of Lucy Grealy’s celebrated memoir, a timeless exploration of identity, loneliness, the nature of beauty, and strength. Thirty years ago, Lucy Grealy’s Autobiography of a Face launched the young writer into the top echelons of contemporary literature, winning her both acclaim and fame. An incandescent tale of perseverance, humor, and deep introspection in the face of emotional and physical pain, her powerful memoir—as evocative and resonant today as it was in 1994—speaks to us across time. At age nine, Lucy Grealy was diagnosed with Ewing’s sarcoma, a potentially terminal cancer, undergoing years of chemotherapy that destroyed a third of her jawbone. When she eventually returned to school, she faced the cruel taunts of classmates. It took her twenty years of living with a distorted self-image and more than thirty years of reconstructive procedures before she began to come to terms with her appearance. This beautiful and timeless memoir is a tale of great suffering and remarkable strength told without sentimentality and with considerable wit. Grealy reflects on how cancer transformed her face and her life, and captures what it was like as a child and a young adult to be torn between wanting to be loved for who we are and desperately wishing to be perfect.
The world's preeminent word-of-mouth marketing experts demonstrate how in-person social networking, not online marketing, is the secret to soaring revenues.
The author shares the saga of an African American family that extends from his ancestor Kunta Kinte, an African brought to mid-eighteenth-century America as a slave, to himself.
Help your children develop moral character with this updated, 30th anniversary edition of the perennial classic The Book of Virtues. Almost 3 million copies of the Book of Virtues have been sold since it was published in 1993. It is one of the most popular moral primers ever written, an inspiring anthology that helps children understand and develop character—and helps parents teach it to them. Thirty years ago, readers thought that the times were right for a book about moral literacy. Back then, Americans worried that schools were no longer parents’ allies in teaching good character. As the book’s original introduction noted, “moral anchors and moorings have never been more necessary.” If that was true in the 1990s, it is even more true today. The explosion of information with the Internet has left many unsure of what is valuable and what is not. Responsibility. Courage. Compassion. Loyalty. Honesty. Friendship. Persistence. Hard work. Self-discipline. Faith. These remain the essentials of good character. The Book of Virtues contains hundreds of exemplary stories offering children examples of good and bad, right and wrong. Drawing on the Bible, American history, Greek mythology, English poetry, fairy tales, and modern fiction, William J. and Elayne Bennett show children the many virtuous paths they can follow—and the ones they ought to avoid. For the 30th anniversary edition, the Bennetts have slimmed down the book’s contents, while also finding room to introduce such figures as Mother Teresa, Colin Powell, and heroes of 9/11 and the War in Afghanistan. Here is a rich mine of moral literacy to teach a new generation of children about American culture, history, and traditions—ultimately, the ideals by which we wish to live our lives. The updated edition of The Book of Virtues will continue a legacy of raising moral children far into a new century.
For a generation, Alan M. Wald's The New York Intellectuals has stood as the authoritative account of an often misunderstood chapter in the history of a celebrated tradition among literary radicals in the United States. His passionate investigation of over half a century of dissident Marxist thought, Jewish internationalism, fervent political activism, and the complex art of the literary imagination is enriched by more than one hundred personal interviews, unparalleled primary research, and critical interpretations of novels and short stories depicting the inner lives of committed writers and thinkers. Wald's commanding biographical portraits of rebel outsiders who mostly became insiders retains its resonance today and includes commentary on Max Eastman, Elliot Cohen, Lionel Trilling, Sidney Hook, Tess Slesinger, Philip Rahv, Mary McCarthy, James T. Farrell, Irving Kristol, Irving Howe, Hannah Arendt, and more. With a new preface by the author that tracks the rebounding influence of these intellectuals in the era of Occupy and Bernie Sanders, this anniversary edition shows that the trajectory and ideological ordeals of the New York intellectual Left still matters today.
So far, in the West, the dissemination of Bakhtinian thought has proceeded with little or no awareness of contemporary approaches to Bakhtin in his homeland. This collection offers unprecedented access to leading Russian research in juxtaposition with important Western scholarship on Bakhtin. Taking its cue from Bakhtin as founder of dialogical criticism, Face to Face aims to stimulate dialogue across disciplines and national boundaries.
A richly illustrated volume examines the portrait work of Dorthea lange, Richard Avedon, Robert Weingarten, George K. Warren, Julia Margaret Cameron, the Barr & Wright Studio, Gertrude Käseebier, Nickolas Muray, Henry Horenstein, and Lauren Greenfiled. The Changing Face of Portrait Photography explores the power of the portrait and the role it plays in our personal and national identities. The Changing Face of Portrait Photography explores ten groups of portraits selected from within the Smithsonian National Museum of American History's Photographic History Collection. The selections represent work by specific photographers with diverse relationships to portraiture, and through their sampling take a focused look at changing convention, theory, and technologies.
This overview of Joanna Macy's innovative work combines deep ecology, general systems theory, and the Buddha's teachings on interdependent co-arising. A blueprint for social change, World as Lover, World as Self shows how we can reverse the destructive attitudes that threaten our world, with concrete suggestions on how to address "An Inconvenient Truth". The essays are based on the Buddha's teachings of "Paticca samuppada" (interdependent co-arising). Reduced to deceptively simple terms this says that everything in the world- every object, feeling, emotion, and action is influenced by a huge, all-inclusive web of factors. Any change in the condition of any one thing in this web affects everything else by virtue of interconnectedness. It makes World as Lover World as Self a quintessential guide for those readers who want to integrate their Buddhist practice with concerns for social issues like global warming. It also breaches the dualities that have haunted much of both Eastern and Western thought, namely the dichotomies between mind/body, humanity/nature, reason/emotion, self/world, science/spirituality. The premise is that self-centeredness, and modern individualisms are ultimately destructive for the environment. We are not individuals separate from the world. Instead we are always "co-arising" or co-creating the world, and we cannot escape the consequence of what we do to the environment. Joanna Macy presents a re-focusing on the beauty of the natural world as personally nourishing and replenishment as one way to move away from our self-centeredness. For this revised edition the author will be adding some chapters as well as removing others. The new ones will deal largely with her new work around the "Great Turning" that will add a somewhat more visionary, future-oriented, and strategic dimension to the book. World as Lover, World as Self shows us how to realize that the earth is an extension of ourselves and how to discover the knowledge, authority and courage to respond creatively to the crises of our time. Foreword Thich Nhat Hanh
A revised edition of the classic Led Zeppelin biography, featuring rich and substantial new material Rock writer Mick Wall draws on insider access, as former confidante to both Plant and Page, to craft the definitive biography of the world's most legendary rock band—Led Zeppelin. In When Giants Walked the Earth, Wall audaciously tells the story of the band known not just as one of the biggest-selling bands of all-time, but also as the one that set the mark for on-the-road excess. Detailed and revealing, When Giants Walked the Earth bores into not only the disaster, addiction and death that haunted the band but also into the real relationship between Page and Plant, including how it was influenced by Page's interest in the occult. Comprehensive and yet intimately detailed, WhenGiants Walked the Earth literally gets into the principals' heads to bring to life both an unforgettable band and an unrepeatable slice of rock history. This edition includes approximately 35,000 words of new material about the band and the last decade, featuring fresh interviews and newly unearthed content.
Please note: This is a companion version & not the original book. Sample Book Insights: #1 A school in Connecticut held a panel discussion about writing as a vocation and avocation. Dr. Brock, a surgeon, was going to talk about writing as an avocation. I told him that writing was not easy and not fun, but it was hard and lonely. #2 The writing process is a personal one, and it’s difficult to find the real person behind the tension. But ultimately, the product that any writer has to sell is not the subject being written about, but who they are. #3 Clutter is the disease of American writing. We are a society strangling in unnecessary words, circular constructions, pompous frills, and meaningless jargon. To clear our heads of clutter, we must practice clear thinking and clear writing. #4 The reader is someone with an attention span of about 30 seconds. They are constantly being attacked by many forces competing for their attention. The writer must ask: What am I trying to say. Very few sentences come out right the first time or even the third time.