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Scholars and readers who are interested in eighteenth-century British literature are surely familiar with Hester Lynch Thrale Piozzi in the light she came to be known in her lifetime and after: first, as the “formidable hostess” of Streatham House, South London, and then as an outcast from respectable eighteenth-century society after she had married the Italian piano teacher of her daughter. As a writer, her importance has long been that of a footnote to Samuel Johnson and as a consequence, she has been part of the official British literary canon only as a character. This volume introduces Hester Lynch Thrale Piozzi as a whole, trying to link her fascinating and subversive biography to her development as a writer, emphasizing the innovative issues of her works, her style and her social and personal beliefs. Piozzi’s biography is an interesting example of the dynamic scene of the late eighteenth century, where she was both conservative and subversive: she was an eccentric, and although her decision to marry the Italian singer and composer Gabriele Piozzi disgraced her, it was through this act of subversion that Hester Thrale Piozzi could finally make her own entrance into the world as a public writer. Once she had transgressed the social codes of so-called “feminine” behaviour, she was also ready to move into the public sphere, publish her works and make money out of them, pioneering several traditional literary genres through her passionate search for professional independence in the literary canon of the eighteenth century.
Bringing together top specialists in the field, this edited volume challenges the theory that the eighteenth-century British intellectual women known as the Bluestockings were an isolated phenomenon spanning the period from the 1750s through the 1790s. On the contrary, the contributors suggest, the Bluestockings can be conceptualized as belonging to a chain of interconnected networks, taking their origin at a threshold moment in print media and communications development and extending into the present. The collection begins with a definition of the Bluestockings as a social role rather than a fixed group, a movement rather than a static phenomenon, an evolving dynamic reaching into our late-modern era. Essays include a rare transcript of a Bluestocking conversation; new, previously unknown Bluestockings brought to light for the first time; and descriptions of Bluestocking activity in the realms of natural history, arts and crafts, theatre, industry, travel, and international connections. The concluding essay argues that the Blues reimagined and practiced women’s work in ways that adapted to and altered the course of modernity, decisively putting a female imprint on economic, social, and cultural modernization. Demonstrating how the role of the Bluestocking has evolved through different historical configurations yet has structurally remained the same, the collection traces the influence of the Blues on the Romantic Period through the nineteenth century and proposes the reinvention of Bluestocking practice in the present.