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After the death of Margaret Oliphant—the prolific nineteenth-century novelist, biographer, essayist, reviewer, and prominent voice on the “woman question”—two well-intending relatives took the autobiographical manuscripts she composed over a thirty-year period, and recomposed them to suit the model of a conventional memoir. In the process, they suppressed more than a quarter of the material. Based on the original manuscripts, the Broadview edition now makes available the missing text in its original order, and the restored Autobiography of Margaret Oliphant portrays a woman of scathing irony, anger, and grief. Part of Broadview’s Nineteenth-Century British Autobiographies series, this edition also includes extensive excerpts from Oliphant’s diaries.
Mrs. Oliphant (nee Margaret Oliphant Wilson) was a Scottish writer of "domestic realism, historical novel and tales of the supernatural."
Margaret Oliphant Wilson Oliphant (1828-1897) was a Scottish writer of 120 works, including novels, travel books, histories, and volumes of literary criticism. Her second cousin, Anna Louisa Walker Coghill (1836-1907), an English and Canadian teacher and author, edited Mrs. Oliphant's autobiography.
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The Scots novelist and historical writer Margaret Oliphant (1828-97) wrote over a hundred works ranging from domestic fiction, to historical and regional novels, to literary criticism. She remains famous for the 'Chronicles of Carlingford', which sketch the religious and domestic politics of a provincial community, and in particular for the most popular novel in the cycle, Miss Marjoribanks (1866). Published posthumously in 1899, Oliphant's autobiography brings together fragments written in 1860, 1864, and towards the end of her life, originally written for her sons. These texts were edited by Oliphant's cousin and supplemented by selected letters - including Oliphant's correspondence with the Blackwood family, who published much of her work, and with close family members - to bridge narrative gaps. Focusing on Oliphant's personal life as a mother, widow, and prolific author, this work provides valuable insights into the condition of women in the Victorian era.