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The proceedings of ISCV'95, the successor to previous Workshops on Computer Vision, comprise 104 refereed papers on topics in optical flow, matching/stereo, motion, object recognition, low-level vision, CAD-based vision, stereo, deformable models, systems and applications, tracking, segmentation and grouping, active vision, aerial image analysis, and integration/texture. No index. Annotation copyright by Book News, Inc., Portland, OR
Set in Philadelphia some 60 years ago, There Is Confusion traces the lives of Joanna Mitchell and Peter Bye, whose families must come to terms with an inheritance of prejudice and discrimination as they struggle for legitimacy and respect.
Cecilia Valdés is arguably the most important novel of 19th century Cuba. Originally published in New York City in 1882, Cirilo Villaverde's novel has fascinated readers inside and outside Cuba since the late 19th century. In this new English translation, a vast landscape emerges of the moral, political, and sexual depravity caused by slavery and colonialism. Set in the Havana of the 1830s, the novel introduces us to Cecilia, a beautiful light-skinned mulatta, who is being pursued by the son of a Spanish slave trader, named Leonardo. Unbeknownst to the two, they are the children of the same father. Eventually Cecilia gives in to Leonardo's advances; she becomes pregnant and gives birth to a baby girl. When Leonardo, who gets bored with Cecilia after a while, agrees to marry a white upper class woman, Cecilia vows revenge. A mulatto friend and suitor of hers kills Leonardo, and Cecilia is thrown into prison as an accessory to the crime. For the contemporary reader Helen Lane's masterful translation of Cecilia Valdés opens a new window into the intricate problems of race relations in Cuba and the Caribbean. There are the elite social circles of European and New World Whites, the rich culture of the free people of color, the class to which Cecilia herself belonged, and then the slaves, divided among themselves between those who were born in Africa and those who were born in the New World, and those who worked on the sugar plantation and those who worked in the households of the rich people in Havana. Cecilia Valdés thus presents a vast portrait of sexual, social, and racial oppression, and the lived experience of Spanish colonialism in Cuba.
Autobiografía de un esclavo es el primer testimonio en castellano de la esclavitud sufrida en las colonias españolas del Nuevo Mundo. Por tanto, tiene un gran valor histórico, a pesar de estar inacabada porque la segunda parte -Apuntes autobiográficos- no se conserva, por ser considerada una obra clave de la narrativa antiesclavista y del periodo colonial. Salió a la luz en 1937, una centuria después de que se comenzara a escribir en 1835 por Juan Francisco Manzano. En esta Autobiografía, Manzano relata su vida en la esclavitud y todo lo que ello supone cuando sirve a su primera ama, Beatriz de Jústiz de Santa, quien gracias a su aperturismo consigue leer numerosas obras y aprender a escribir; o cuando sirve en casa de la marquesa de Prado Ameno, una señora autoritaria que provoca su huida.
The Unsettlement of America explores the career and legacy of Don Luis de Velasco, an early modern indigenous translator of the sixteenth-century Atlantic world who traveled far and wide and experienced nearly a decade of Western civilization before acting decisively against European settlement. The book attends specifically to the interpretive and knowledge-producing roles played by Don Luis as a translator acting not only in Native-European contact zones but in a complex arena of inter-indigenous transmission of information about the hemisphere. The book argues for the conceptual and literary significance of unsettlement, a term enlisted here both in its literal sense as the thwarting or destroying of settlement and as a heuristic for understanding a wide range of texts related to settler colonialism, including those that recount the story of Don Luis as it is told and retold in a wide array of diplomatic, religious, historical, epistolary, and literary writings from the middle of the sixteenth century to the middle of the twentieth. Tracing accounts of this elusive and complex unfounding father from the colonial era as they unfolds across the centuries, The Unsettlement of America addresses the problems of translation at the heart of his story and speculates on the implications of the broader, transhistorical afterlife of Don Luis for the present and future of hemispheric American studies.
"Autobiografía de un Esclavo" fue una de las varias obras escritas por Juan Francisco Manzano en su vida y fue publicada en 1840. Esta obra es una autobiografía poderosa y reveladora, donde Manzano narra su viaje desde la esclavitud hacia la libertad, ofreciendo una visión íntima y profunda de su vida y de las condiciones que enfrentaban los esclavizados en Cuba. A lo largo del tiempo, se han escrito y continúan escribiéndose varias biografías sobre este icónico poeta y ex esclavo, con una calidad y amplitud cada vez mayores. Sin embargo, para conocer el pensamiento y el modo de ser de una persona real, no hay nada mejor que escuchar la historia con todas sus circunstancias, errores y aciertos contada por quien las vivió en primera persona. Este es el propósito de esta autobiografía de Juan Francisco Manzano: llevar al público al hombre valiente y visionario, que, a través de su perseverancia e inteligencia, se convirtió en una de las voces más influyentes en la lucha por la libertad y los derechos de los afrodescendientes en América Latina. Esta obra forma parte de la colección "Voces hispánicas", que tiene como objetivo destacar las historias de vida de figuras importantes en la historia hispanoamericana, contadas por ellos mismos.
This is a revised second edition of Edward Mullen's landmark scholarly presentation of Juan Francisco Manazo's autobiography and poetry. Taking into account the extensive scholarship that has accrued in the intervening decades, this is an accessible, essential resource for scholars and students of Caribbean literatures.
Narratives of anarchist and syndicalist history during the era of the first globalization and imperialism (1870-1930) have overwhelmingly been constructed around a Western European tradition centered on discrete national cases. This parochial perspective typically ignores transnational connections and the contemporaneous existence of large and influential libertarian movements in Africa, Asia, Latin America, and Eastern Europe. Yet anarchism and syndicalism, from their very inception at the First International, were conceived and developed as international movements. By focusing on the neglected cases of the colonial and postcolonial world, this volume underscores the worldwide dimension of these movements and their centrality in anti-colonial and anti-imperialist struggles. Drawing on in-depth historical analyses of the ideology, structure, and praxis of anarchism/syndicalism, it also provides fresh perspectives and lessons for those interested in understanding their resurgence today. Contributors are Luigi Biondi, Arif Dirlik, Anthony Gorman, Steven Hirsch, Dongyoun Hwang, Geoffroy de Laforcade, Emmet O'Connor, Kirk Shaffer, Aleksandr Shubin, Edilene Toledo, and Lucien van der Walt. With a foreword by Benedict Anderson.
Young students will learn the importance of following rules at school with this picture book. By teaching key words and encouraging students to describe what is happening in the images, children will develop their oral language skills as they observe pictures of students following-and not following-the rules at school.
Incorporating recent narrative theory and original historical documents, such as the voluminous correspondence of Domingo del Monte (1804-1853), Williams offers insights into the pattern of female development through an exploration of the representation of the female slave in the five novels. In addition, she provides the first exhaustive analysis of Gertrudis Gomez de Avellaneda's Sab and the first detailed treatment of the intertextual echoes in these other literary texts: Juan Francisco Manzano's Autobiografia, Amnselmo Suarez y Romero's Francisco, Antonio Zambrana's El negro Francisco, Martin Morua Delgado's Sofia, and Cirilo Villaverde's Cecilia Valdes.