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Authority, Gender, and Midwifery in Early Modern Italy: Contested Deliveries explores attempts by church, state, and medical authorities to regulate and professionalize the practice of midwifery in Italy from the late sixteenth to the late eighteenth century. Medical writers in this period devoted countless pages to investigating the secrets of women’s sexuality and the processes of generation. By the eighteenth century, male practitioners in Britain and France were even successfully advancing careers as male midwives. Yet, female midwives continued to manage the vast majority of all early modern births. An examination of developments in Italy, where male practitioners never made successful inroads into childbirth, brings into focus the complex social, religious, and political contexts that shaped the management of reproduction in early modern Europe. Authority, Gender, and Midwifery in Early Modern Italy argues that new institutional spaces to care for pregnant women and educate midwives in Italy during the eighteenth century were not strictly medical developments but rather socio-political responses both to long standing concerns about honor, shame, and illegitimacy, and contemporary unease about population growth and productivity. In so doing, this book complicates our understanding of such sites, situating them within a longer genealogy of institutional spaces in Italy aimed at regulating sexual morality and protecting female honor. It will be of interest to scholars of the history of medicine, religious history, social history, and Early Modern Italy.
A comprehensive history of abortion in Renaissance Italy. In this authoritative history, John Christopoulos provides a provocative and far-reaching account of abortion in sixteenth- and seventeenth-century Italy. Drawing on portraits of women who terminated—or were forced to terminate—pregnancies, he finds that Italians maintained a fundamental ambivalence about abortion, despite injunctions from civil and religious authorities. Italians from all levels of society sought, had, and participated in abortions. Early modern Italy was not an absolute anti-abortion culture, an exemplary Catholic society centered on the “traditional family.” Rather, Christopoulos shows, Italians held many views on abortion, and their responses to its practice varied. Bringing together medical, religious, and legal perspectives alongside a social and cultural history of sexuality, reproduction, and the family, Christopoulos offers a nuanced and convincing account of the meanings Italians ascribed to abortion and shows how prevailing ideas about the practice were spread, modified, and challenged. Christopoulos begins by introducing readers to prevailing medical ideas about abortion and women’s bodies, describing the widely available purgative medicines and surgeries that various healers and women themselves employed to terminate pregnancies. He also explores how these ideas and practices ran up against and shaped theology, medicine, and law. Catholic understanding of abortion was changing amid religious, legal, and scientific debates concerning the nature of human life, women’s bodies, and sexual politics. Christopoulos examines how ecclesiastical, secular, and medical authorities sought to regulate abortion, and how tribunals investigated and punished its procurers—or didn’t, even when they could have.
This book uses amputation and prostheses to tell a new story about medicine and embodied knowledge-making in early modern Europe. It draws on the writings of craft surgeons and learned physicians to follow the heated debates that arose from changing practices of removing limbs, uncovering tense moments in which decisions to operate were made. Importantly, it teases out surgeons’ ideas about the body embedded in their technical instructions. This unique study also explores the material culture of mechanical hands that amputees commissioned locksmiths, clockmakers, and other artisans to create, revealing their roles in developing a new prosthetic technology. Over two centuries of surgical and artisanal interventions emerged a growing perception, fundamental to biomedicine today, that humans could alter the body — that it was malleable.
Renaissance anatomist Gabrielle Falloppia is best known today for his account of the eponymous fallopian tubes but he made numerous other anatomical discoveries as well, was one of the most famous surgeons of his time, and is widely believed to have invented the condom. Drawing on Falloppia's Observationes anatomicae of 1561 and on dozens of handwritten and published sets of student notes, this book not only looks at Falloppia’s anatomical lectures and demonstrations. It also studies Falloppia’s work on surgical topics – including the French disease and cosmetic surgery – on thermal waters, and on pharmacology. Last but not least, it uses student notes and the letters of contemporary scholars to throw a new light on Falloppia’s biography, on his very special relationship with the botanist Melchior Wieland, who lived in his house for several years, and on his conflicts with his fellow professors in Padua, one of whom, Bassiano Landi, was murdered just ten days after his funeral – by Falloppia’s disciples, as some believed. Written by one of the leading scholars in the field of early modern medicine, this book will appeal to all those interested in the teaching and practice of anatomy, surgery, and pharmacology in the Renaissance.
This book presents a new interpretation of how and why the discovery of the circulation of the blood in animals was made. It has long been known that the English physician William Harvey (1578–1657) was a follower of Aristotle, but his most strikingly ‘modern’ and original discovery – of the circulation of the blood – resulted from Harvey following Aristotle’s ancient programme of investigation into animals. This is a new reading of the most important discovery ever made in anatomy by one man and produces not only a radical re-reading of Harvey as anatomist, but also of Aristotle and his investigations of animals.
Forty Days: Quarantine and the Traveller, c. 1700 –1900 provides a timely reminder that no traveller in past centuries could return from the East without spending up to 40 days in a lazaretto to ensure that no symptoms of plague were developing. Quarantine was performed in virtual prisons ranging from mud huts in the Danube basin to a converted fort on Malta, evoking every emotion from hatred and hostility through to resignation and even contentment. Drawing on the diaries and journals of some 300 men and women of many nationalities over more than two centuries, the author describes the inadequate accommodation, poor food and crushing boredom experienced by detainees. The book also draws attention to comradeship, sickness, and death in detention, as well as Casanova’s unique ability to do what he did best even in the lazaretto of Ancona. Other well-known detainees included Hans Christian Andersen, Mark Twain and Sir Walter Scott. Lavishly illustrated, the work includes a gazetteer of 49 lazarettos in Europe and Asia Minor, with inmates’ comments on each. This book will appeal to all those interested in the history of medicine and the history of travel.
In this timely and richly illustrated book, a group of multidisciplinary scholars explores the uses and handlings of fetuses, still-born, reproductive organs, and pregnant bodies for knowledge production, including the development of vaccines and pharmaceuticals, in Sweden over five hundred years. By examining the conflicted values and balancing acts of a variety of actors, such as medical experts, legal officials, policymakers, media professionals, disability organizations, and women’s movements, it demonstrates how the uses of aborted fetuses for research generated public controversy and became regulated by ethics and law in Sweden. Contributors are: Eva Åhrén, Annika Berg, Elisabet Björklund, Maria Björkman, Maja Bondestam, Isa Dussauge, Helena Franzén, Solveig Jülich, Francis Lee, Tove Paulsson Holmberg, Morag Ramsey, Anton Runesson, Helena Tinnerholm Ljungberg, and Anna Tunlid.
This monograph offers the first comprehensive treatment of the multi-faceted scholarly interests of Ole Worm, professor of medicine at the University of Copenhagen. Scholarship about Worm has focused mainly on Worm’s collecting and the creation of his cabinet of curiosity, the Museum Wormianum, resulting in Worm’s rationale for his research being largely overlooked. Worm shared his many interests with a number of other physicians of the age, but in terms of breadth, few matched the variety of his concerns. For a man who considered himself first and foremost a physician and anatomist, his interests in Paracelsianism and collecting can at times be baffling, while his interests in antiquarianism, runes, and chronology strike the modern reader as at odds with his medical and natural philosophical interests. It is important to comprehend that Worm’s multi-faceted interests in the created world were underpinned by his Lutheran, Melanchthonian natural philosophy, and this served to unify all Worm’s scholarly undertakings, inquiries, and experiments in the single aim of reaching a better understanding of God’s creation, the Book of Nature.
Medical Humanities may be broadly conceptualized as a discipline wherein medicine and its specialties intersect with those of the humanities and social sciences. As such it is a hybrid area of study where the impact of disease and healing science on culture is assessed and expressed in the particular language of the disciplines concerned with the human experience. However, as much as at first sight this definition appears to be clear, it does not reflect how the interaction of medicine with the humanities has evolved to become a separate field of study. In this publication we have explored, through the analysis of a group of selected multidisciplinary essays, the dynamics of this process. The essays predominantly address the interaction of literature, philosophy, art, art history, ethics, and education with medicine and its specialties from the classical period to the present. Particular attention has been given to the Medieval, Early Modern, and Enlightenment periods. To avoid a rigid compartmentalization of the book based on individual fields of study we opted for a fluid division into multidisciplinary sections, reflective of the complex interactions of the included works with medicine.
Throughout the early modern period in France, surgeon men-midwives were predominantly associated with sexual impropriety and physical danger; yet over time they managed to change their image, and by the eighteenth century were summoned to attend even the uncomplicated deliveries of wealthy, urban clients. In this study, Lianne McTavish explores how surgeons strove to transform the perception of their midwifery practices, claiming to be experts who embodied obstetrical authority instead of intruders in a traditionally feminine domain. McTavish argues that early modern French obstetrical treatises were sites of display participating in both the production and contestation of authoritative knowledge of childbirth. Though primarily written by surgeon men-midwives, the texts were also produced by female midwives and male physicians. McTavish's careful examination of these and other sources reveals representations of male and female midwives as unstable and divergent, undermining characterizations of the practice of childbirth in early modern Europe as a gender war which men ultimately won. She discovers that male practitioners did not always disdain maternal values. In fact, the men regularly identified themselves with qualities traditionally respected in female midwives, including a bodily experience of childbirth. Her findings suggest that men's entry into the lying-in chamber was a complex negotiation involving their adaptation to the demands of women. One of the great strengths of this study is its investigation of the visual culture of childbirth. McTavish emphasizes how authority in the birthing room was made visible to others in facial expressions, gestures, and bodily display. For the first time here, the vivid images in the treatises are analysed, including author portraits and engravings of unborn figures. McTavish reveals how these images contributed to arguments about obstetrical authority instead of merely illustrating the written content of the books. At the same time, her arguments move far beyond the lying-in chamber, shedding light on the exchange of visual information in early modern France, a period when identity was largely determined by the precarious act of putting oneself on display.