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Gust, Gust, Gust! is the story of a young boy's journey as he navigates his fear of the wind with its necessity to supply electricity and water to his village for survival. Gustavo, who is raised by his Tata (grandfather) in a small village in New Mexico, loves to play the bongos. Everyone in the village knew that Gustavo was afraid of the wind and is the reason why they called him Gust. Each time the wind blew, the villagers could hear the sounds of the bongos until one destructive storm forced the village elders to make a rash decision that impacted Gust and his Tata from ever playing the bongos again. Gust and his Tata go from villains to heroes as they are called on to save the village.
Explains what causes wind, the various kinds of wind, and describes hurricanes and tornadoes.
Adventures in Fantasy offers an exciting approach to teaching narrative and descriptive writing that stimulates a student’s creativity and imagination. Filled with mini-lessons, reading projects, and hands-on writing activities, the book shows teachers step-by-step how to introduce students to the “magic” of creating a complete story in the fantasy/adventure genre. Before fleshing out their stories, however, students are asked to construct actual maps of their ‘fantasyland’ – and then to write a travelogue describing the setting in vivid detail. This initial fantasizing encourages students to be wildly inventive in creating the drama, ogres, villains, heroes and heroines featured in their story, and on the way they learn about the mythic journey.
Now with all new content by John Ringo! The aliens had arrived With gifts, warnings, and an offer we couldn't refuse.... Our choice was simple: we could be cannon fodder, or we could be ... fodder. We could send our forces to fight and die (as only humans can) against a ravening horde that was literally feeding on its interstellar conquests¾or remain as we were¾virtually weaponless and third in line for brunch. We chose to fight. Thanks to alien technology and sheer guts, the Terrans on two worlds fought the Posleen to a standstill. Thank God there was a moment to catch our breath, a moment, however brief, of peace¾. Now, for the survivors of the Barwhon and Diess Expeditionary Forces, it was a chance to get some distance from the blood and misery of battle against the Posleen centaurs. A blessed chance to forget the screams of the dying in purple swamps and massacres under searing alien suns. For Earth it was an opportunity to flesh out their force of raw recruits with combat-seasoned veterans. Political, military and scientific blundering had left the Terran forces in shambles-and with the Posleen Invasion only months away, these shell-shocked survivors might be the only people capable of saving the Earth from devastation. If the veterans had time to lick their wounds. Because the Posleen don't read schedules. At the publisher's request, this title is sold without DRM (Digital Rights Management).
Irresistible in its color and momentum, Greg Alan Brownderville's debut collection explores the competing mysticisms of his boyhood: the Voudou of his native Arkansas Delta and the Pentecostalism embodied by his devil-hunting pastor, Brother Langston. On the one hand, "gust" sonically suggests "ghost," and wind is a metaphor for inspiration and the Holy Spirit. On the other hand, "gust" suggests urge and pleasure, especially of the gastronomic variety, thus evoking the body. Brownderville commands the complex eloquence of Southerners who love not only local color but also high-flown rhetoric. Instead of reinforcing stereotypes about rural folks' thought and speech, he challenges our assumptions by presenting real life as a festival of mixed diction. Church, as Brownderville enacts it, both quickens and forbids the erotic, whose lightning flashes and crashes everywhere in these poems. Highlights include a press conference with a bizarrely poetic rural sheriff, a Zimbabwean meter never before employed in English, a rock and roll song interrupted by a Walmart intercom, and poems about the exploitation of Italians in Arkansas cotton fields. At once evoking Yeats and Whitman, Gust recovers the dramatic mode often neglected in contemporary American poetry. Brownderville's uncanny lyricism storms through stories that are both moving and humorous.
Title Page -- Copyright Page -- Dedication -- Table of Contents -- Preface -- Abbreviations -- Foreword -- Overview of the Armenian Genocide -- Bibliography -- Notes On Using the Documents -- The Documents -- Glossary -- Index
"Part primer, part parable, part elegy for the depth and decency we sacrifice daily to the order of self-possession, The Wind invites us to enjoy it inventively .... A philosopher coming up against the limits of philosophy's forms of communication ("Philosophy, without being in touch, is always abstract"), Bendik-Keymer courts a thoughtfulness in which wonder practically circumvents theory. Energized by "utopian anger," he invokes the clearing, shaking energies of wind against the violent social rigidities we accept as normal. The wind, impersonal, is the figure through which to keep the dynamic inter-personal in view. ... I admire this book's inventiveness, its willingness to break with discipline in pursuing a wider vision of accountability." (Sarah Gridley, author of "Weather Eye Open" and "Loom") A process begun in Pisa, Italy in April of 2016 during a workshop on political theory in the Anthropocene, The Wind An Unruly Living is a philosophical exercise (askêsis, translated, following Ignatius of Loyola, as "spiritual exercise"). In his exercise, Bendik-Keymer throws to the void: the ideology of self-ownership from a society of possession. By using the Stoic kanôn, the rule of living by phûsis, he follows an element. Unhappily for the Stoic and happily for us, the wind is unruly. A swerve of currents through a social fabric, it's full of holes, all holely. Stretch and stitch as you want, it might settle more shapely tattered into light, but it will never become whole. The wind's only holesome.
While the Yucatán Peninsula of Mexico may conjure up images of vacation getaways and cocktails by the sea, these easy stereotypes hide a story filled with sweat and toil. The story of sugarcane and rum production in the Caribbean has been told many times. But few know the bittersweet story of sugar and rum in the jungles of the Yucatán Peninsula during the nineteenth century. This is much more than a history of coveted commodities. The unique story that unfolds in John R. Gust and Jennifer P. Mathews’s new history Sugarcane and Rum is told through the lens of Maya laborers who worked under brutal conditions on small haciendas to harvest sugarcane and produce rum. Gust and Mathews weave together ethnographic interviews and historical archives with archaeological evidence to bring the daily lives of Maya workers into focus. They lived in a cycle of debt, forced to buy all of their supplies from the company store and take loans from the hacienda owners. And yet they had a certain autonomy because the owners were so dependent on their labor at harvest time. We also see how the rise of cantinas and distilled alcohol in the nineteenth century affected traditional Maya culture and that the economies of Cancún and the Mérida area are predicated on the rum-influenced local social systems of the past. Sugarcane and Rum brings this bittersweet story to the present and explains how rum continues to impact the Yucatán and the people who have lived there for millennia.
Minneapolis corporate attorney Dixon Donnelly takes on what he thinks is a simple insurance coverage dispute as a favor to a friend, only to find himself involved in a bizarre shooting incident in northern Minnesota and the unfamiliar areas of criminal law and rural America.