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Remembering Wolsey seeks to contribute to our understanding of historical memory and memorialization by examining in detail the commemoration and representation of the life of Thomas Wolsey, the sixteenth-century cardinal, papal legate, and lord chancellor of England. Hornbeck surveys a wide range of representations of Cardinal Wolsey, from those contemporary with his death to recent mass-market appearances on television and historical fiction, to go beyond previous scholarship that has examined Wolsey only in an early modern context. Remembering Wolsey contributes significantly to the ongoing reimagining of English church history in the years prior to the Reformation. Surveying chronicle accounts, pamphlets, plays, poems, historical fictions, works of historical scholarship, civic pageants and monuments, films, and television programs, the book shows how an extended sequence of authors have told widely varying stories about Wolsey’s life, often through the lens of their own religious and ideological commitments and/or in response to the pressing concerns of their times.
Corruption is a preoccupation of governments and societies across place and time, from the 18th-19th Century British, Chinese, and Iberian empires to 20th Century Nazi Germany, Russia, the United States, and India. This study offers three different perspectives on corruption. The first chapters highlight corrupt practices, taking as a point of departure a technocratic definition of corruption. The second part of the book views corruption through the lens of discourses of corruption, revealing that accusations of corruption have been employed as tools, often in the context of contestations of power. The essays in the third part of the book treat corruption as a process, taking into account its causes and effects and their impact on society, economics, and politics. Contributors: Jeremy Adelman, Virginie Coulloudon, William Doyle, Diego Gambetta, Norman J. W. Goda, Robert Gregg, Michael Johnston, William Chester Jordan, Emmanuel Kreike, Vinod Pavarala, Dilip Simeon, Pierre-Etienne Will, David Witwer, Philip Woodfine William Chester Jordan is Professor of History at Princeton University; Emmanuel Kreike is Assistant Professor of African History and Director of the African Studies Program at Princeton University
In Great Britain during the Romantic period, governmental and social structures were becoming more secular as religion was privatized and depoliticized. If the discretionary nature of religious practice permitted spiritual freedom and social differentiation, however, secular arrangements produced new anxieties. Unquiet Things investigates the social and political disorders that arise within modern secular cultures and their expression in works by Jane Austen, Horace Walpole, Samuel Taylor Coleridge, Lord Byron, and Percy Shelley among others. Emphasizing secularism rather than religion as its primary analytic category, Unquiet Things demonstrates that literary writing possesses a distinctive ability to register the discontent that characterizes the mood of secular modernity. Colin Jager places Romantic-era writers within the context of a longer series of transformations begun in the Reformation, and identifies three ways in which romanticism and secularism interact: the melancholic mood brought on by movements of reform, the minoritizing capacity of literature to measure the disturbances produced by new arrangements of state power, and a prospective romantic thinking Jager calls "after the secular." The poems, novels, and letters of the romantic period reveal uneasy traces of the spiritual past, haunted by elements that trouble secular politics; at the same time, they imagine new and more equitable possibilities for the future. In the twenty-first century, Jager contends, we are still living within the terms of the romantic response to secularism, when literature and philosophy first took account of the consequences of modernity.
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