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Explores the contentious debates among Black Catholics about the proper relationship between religious practice and racial identity Chicago has been known as the Black Metropolis. But before the Great Migration, Chicago could have been called the Catholic Metropolis, with its skyline defined by parish spires as well as by industrial smoke stacks and skyscrapers. This book uncovers the intersection of the two. Authentically Black and Truly Catholic traces the developments within the church in Chicago to show how Black Catholic activists in the 1960s and 1970s made Black Catholicism as we know it today. The sweep of the Great Migration brought many Black migrants face-to-face with white missionaries for the first time and transformed the religious landscape of the urban North. The hopes migrants had for their new home met with the desires of missionaries to convert entire neighborhoods. Missionaries and migrants forged fraught relationships with one another and tens of thousands of Black men and women became Catholic in the middle decades of the twentieth century as a result. These Black Catholic converts saved failing parishes by embracing relationships and ritual life that distinguished them from the evangelical churches proliferating around them. They praised the “quiet dignity” of the Latin Mass, while distancing themselves from the gospel choirs, altar calls, and shouts of “amen!” increasingly common in Black evangelical churches. Their unique rituals and relationships came under intense scrutiny in the late 1960s, when a growing group of Black Catholic activists sparked a revolution in U.S. Catholicism. Inspired by both Black Power and Vatican II, they fought for the self-determination of Black parishes and the right to identify as both Black and Catholic. Faced with strong opposition from fellow Black Catholics, activists became missionaries of a sort as they sought to convert their coreligionists to a distinctively Black Catholicism. This book brings to light the complexities of these debates in what became one of the most significant Black Catholic communities in the country, changing the way we view the history of American Catholicism.
An engaging study of black catholics, their contributions to the Catholic church, and the challenges they face. These essays describe the experience of black Catholics in this country since their arrival in North america in the sixteenth century ujtil the present day. The essays highlight the difficulties black Catholics faced in their early attempts to join churches and enter religious communities, their participation in the civil rights struggle, and the challenges they face today as they seek full inclusion in the church, whether in terms of liturgical practice or pastoral ministry.
This text seeks to address the issue of education for African-American Catholics. The book argues for reform in Catholic higher education, suggesting that particular attention be paid to the inclusion and integration of the African-American experience in Catholic theology.
A Precious Fountain is a work of liturgical ethnography that probes the rich liturgical life of one worshiping community whose roots and practices are at once Black and Catholic, using music as a primary lens through which to explore the community's liturgy and embodied theology. Our Lady of Lourdes community in San Francisco is part of a larger event in the American church: the emergence of a new paradigm of Catholic worship, one that is "authentically Black and truly Catholic." Mary E. McGann, RSCJ, describes how the music worship of Our Lady of Lourdes in San Francisco not only enriches that community but also is an example of how a theology of music is practiced in that parish. She offers this new genre of liturgical literature that brings to light how God?s Spirit is working in the churches through the idioms, perceptions, and insights of specific ethno-cultural communities in this time of massive cultural change and globalization.
Parishes are the missing middle in studies of American Catholicism. Between individual Catholics and a global institution, the thousands of local parishes are where Catholicism gets remade. American Parishes showcases what social forces shape parishes, what parishes do, how they do it, and what this says about the future of Catholicism in the United States. Expounding an embedded field approach, this book displays the numerous forces currently reshaping American parishes. It draws from sociology of religion, culture, organizations, and race to illuminate basic parish processes, like leadership and education, and ongoing parish struggles like conflict and multiculturalism. American Parishes brings together contemporary data, methods, and questions to establish a sociological re-engagement with Catholic parishes and a Catholic re-engagement with sociological analysis. Contributions by leading social scientists highlight how community, geography, and authority intersect within parishes. It illuminates and analyzes how growing racial diversity, an aging religious population, and neighborhood change affect the inner workings of parishes. Contributors: Gary J. Adler Jr., Nancy Ammerman, Mary Jo Bane, Tricia C. Bruce, John A. Coleman, S.J., Kathleen Garces-Foley, Mary Gray, Brett Hoover, Courtney Ann Irby, Tia Noelle Pratt, and Brian Starks
Winner of the John Gilmary Shea Prize A groundbreaking history of how Africans in the French Empire embraced both African independence and their Catholic faith during the upheaval of decolonization, leading to a fundamental reorientation of the Catholic Church. African Catholic examines how French imperialists and the Africans they ruled imagined the religious future of French sub-Saharan Africa in the years just before and after decolonization. The story encompasses the political transition to independence, Catholic contributions to black intellectual currents, and efforts to alter the church hierarchy to create an authentically “African” church. Elizabeth Foster recreates a Franco-African world forged by conquest, colonization, missions, and conversions—one that still exists today. We meet missionaries in Africa and their superiors in France, African Catholic students abroad destined to become leaders in their home countries, African Catholic intellectuals and young clergymen, along with French and African lay activists. All of these men and women were preoccupied with the future of France’s colonies, the place of Catholicism in a postcolonial Africa, and the struggle over their personal loyalties to the Vatican, France, and the new African states. Having served as the nuncio to France and the Vatican’s liaison to UNESCO in the 1950s, Pope John XXIII understood as few others did the central questions that arose in the postwar Franco-African Catholic world. Was the church truly universal? Was Catholicism a conservative pillar of order or a force to liberate subjugated and exploited peoples? Could the church change with the times? He was thinking of Africa on the eve of Vatican II, declaring in a radio address shortly before the council opened, “Vis-à-vis the underdeveloped countries, the church presents itself as it is and as it wants to be: the church of all.”
This is the untold story of how black saints - and the slaves who venerated them - transformed the early modern church. It speaks to race, the Atlantic slave trade, and global Christianity, and provides new ways of thinking about blackness, holiness, and cultural authority.
"If I could, I surely would stand on the rock where Moses stood." --from the Spiritual "Elijah Rock" Taking its theme from the pastoral letter of the Black Catholic bishops of the United States, which spoke of the challenge of being "authentically Black and truly Catholic," To Stand on the Rock invites us "to linger awhile in the garden of our imagination and try to see with the eyes of faith and art how the old ones . . . took a twisted version of Christianity and re-twisted it into a culture of liberation, transcendence, creativity and wholeness."Father Brown begins by recalling the religion and identity of those Africans who were brought to these shores in bondage: the original source in the quest for what it means to be "authentically Black." He then explores the style of Christianity they forged through the sufferings of slavery, which found expression in the Spirituals. Brown then reflects on the struggle of Black Catholics to claim their own style of faith and spirituality and to assert their distinctive gifts to the church universal.