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Joy Hester - Thea Proctor - Ethel Spowers - Edith Holmes - Grace Crowley - Nora Heysen - Clarice Beckett - Grace Cossington Smith - Hilda Rix Nicholas.
A rich and focused collection of works by over fifty outstanding Australian women artists who worked in Australia and abroad between 1880 and 1960. This book also provides great insights into women's professional and economic strategies of the time, in a predominately male environment and how women played a crucial role in the development of impressionism and modern art in Australia in the first decades of the 20th century. Some of Australia's most important women artists represented here include Margaret Preston, Grace Cossington Smith, Ethel Carrick Fox, Clarice Beckett and Hilda Rix Nicholas. An impressive selection of prints from Australia's most influential print makers, including Thea Proctor, Dorrit Black and Ethel Spowers. Also included are rarely or never before displayed works by artists including paintings by Dora Meeson, Florence Rodway, Grace Cossington Smith and Hilda Rix Nicholas. This important book brings much deserved attention to a group of talented, dedicated and determined women artists for whom the desire to create was paramount.
Women and arts and craft - Anne Dangar - Gladys Reynell - Modernist art theory and feminism - Influence of Paris - Margaret Preston - Dorrit Black - Thea Proctor - Evaline Syme and Ethel Spowers - Careers of women artists in Australia in the first half of the 20th century - Roger Fry - Omega Workshop.
A lively, in-depth look at nine women on the vanguard of Aboriginal Australian art. This book explores women artists who are at the forefront of the Aboriginal arts movement in Australia. Comprised of a series of illustrated essays, this book brings to life a wide array of artistic practices, each attempting to grapple with the most fundamental questions of existence. Written by leading art historians, anthropologists, curators, and other experts in the field, these essays provide a penetrating look at one of today's most dynamic artistic movements.
'It was an odd road to be walking, this of painting.' So wrote Virginia Woolf in her classic 1927 novel, To the Lighthouse. While the life journeys of many artists can be described as 'odd roads', few were as original and challenging as those of the pioneering Australian women of art from the late 19th and 20th centuries. As these richly talented women gathered around their easels and shared their dining tables, their courage, energy and generosity shone through. This book tells something of the extraordinary lives of these women and in the process celebrates their individuals and collective contributions to the shaping of modern Australian art.
First generation 1788-1900 - Second generation 1880-1920 - Education and marriage - Separation and aesthetics - Crafts - Third generation 1918-1930 - Fourth generation 1928-1948 - Art and Politics.
Women of Flowers pays tribute to the female colonial artists who drew and painted the indigenous wildflowers and plants of Australia. The publication focuses on the rich holdings of albums, sketchbooks and paintings in the Pictures Collection of the National Library of Australia, as well as works from other major collecting institutions. Each chapter presents a short biography of an artist, followed by a 'portfolio' section of images, in a similar layout to the previous successful title Brush with Birds. Artists include: Marianne Collinson Campbell; Ellis Rowan; Dorothy English Paty; Ida McComish; Louisa Ann Meredith.
It is hard for us to imagine the oppressed lives of single women in the first half of the twentieth century. Yet a few Australian women took a leap into the unknown and carved careers for themselves in Paris. They studied, painted, and haunted galleries and salons. They had a little fun too, at social gatherings or at cafes in Montparnasse. They were brave, and very determined young ladies. They exhibited in the Paris Salons and in private galleries on the Left Bank, and received prizes and awards out of all proportion to their numbers. They bought back home not only greatly enhanced skills but also Modernism, to a country that had barely heard of it. This book examines a selection of some of the best of them, including some who have been all-but forgotten. They were pioneers, role models, fine artists - and they have been neglected. Not any longer.
This important new book examines contemporary art while foregrounding the key role feminism has played in enabling current modes of artmaking, spectatorship and theoretical discourse. Contemporary Art and Feminism carefully outlines the links between feminist theory and practice of the past four decades of contemporary art and offers a radical re-reading of the contemporary movement. Rather than focus on filling in the gaps of accepted histories by ‘adding’ the ‘missing’ female, queer, First Nations and women artists of colour, the authors seek to revise broader understandings of contemporary practice by providing case studies contextualised in a robust art historical and theoretical basis. Readers are encouraged to see where art ideas come from and evaluate past and present art strategies. What strategies, materials or tropes are less relevant in today’s networked, event-driven art economies? What strategies and themes should we keep hold of, or develop in new ways? This is a significant and innovative intervention that is ideal for students in courses on contemporary art within fine arts, visual studies, history of art, gender studies and queer studies.
Artists include: Cristina Asquith Baker, Alice Marian Ellen Bale, Emma Minnie Boyd, Alice Chapman, Florence Fuller, Portia Geach, Ina Gregory, Grace Joel, Dora Meeson, Mary Meyer, Josephine Muntz Adams, Helen Peters, Jane Price, Iso Rae, Dora Serle, Clara Southern, Jane Sutherland, Violet Teague and May Vale.