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This book offers a comprehensive and original reading of Australian poetry, from the colonial period to the present, through the dual lenses of Romanticism and negativity. Paul Kane argues that the absence of Romanticism functions as a crucial presence in the poetry of all the major Australian poets. This absence or negativity is both thematic and structural, and Kane's scrupulous analyses uncover important relations between Romanticism and negativity. Chapters on nine individual poets explore and substantiate the theoretical claims informed by the work of contemporary critics of Romanticism and by various philosophers of negativity. These chapters can serve as a series of self-contained readings of Australian poets for the use of students, scholars, and informed general readers. Australian Poetry is unique in its sustained argument and theoretical sophistication.
This is the first of a new series, offering a poetic snapshot of the year that was, 1 July 2020-30 June 2021--featuring 100 poets and 100 poems across an astonishing range of poetic voice, approaches and themes.
A revelation in literary criticism, Philip Mead's Networked Language offers absorbing new perspectives on Australian poetry and its cultural life. This study presents new ways of understanding Australian poetry, drawing on an equal fascination with the artifice of poetry and the complexity of culture. It is about the ways poetry changes in relation to its social, political and historical contexts, the way poetic communities and the readerships of poetry have changed through history, and continue to change in the present.
Follow a river of poetry through country, town, the bush, the four seasons, night and day, and explore the Australian landscape through the eyes of our best Australian poets. Age 10-14. 'I am the river, gently flowing, as I wind my way to the sea.' (Mary Duroux) Follow the river of poetry through country, town, the bush, the four seasons, night and day and explore the Australian landscape through the eyes of our best Australian poets. In this beautiful collection of poems for children, award-winning author and poet, Libby Hathorn, has brought together favourites such as those by A.B. 'Banjo' Paterson, Dorothea Mackellar and C.J. Dennis, as well as more contemporary poems by Steven Herrick, Eva Johnson, Les A. Murray and others. Exquisite illustrations by Cassandra Allan make this a collection to treasure. Age 10-14.
An invaluable resource for staff and students in literary studies and Australian studies, this volume is the first major critical survey on Australian poetry. It investigates poetry's central role in engaging with issues of colonialism, nationalism, war and crisis, diaspora, gender and sexuality, and the environment. Individual chapters examine Aboriginal writing and the archive, poetry and activism, print culture, and practices of internationally renowned poets such as Lionel Fogarty, Gwen Harwood, John Kinsella, Les Murray, and Judith Wright. The Companion considers Australian leadership in the diversification of poetry in terms of performance, the verse novel, and digital poetries. It also considers Antipodean engagements with Romanticism and Modernism.
The Fremantle Press Anthology of Western Australian Poetry is a comprehensive survey of the state's poets from the 19th century to today. Featuring work from 134 poets, and including the work of many WA Indigenous poets, this watershed anthology brings together the poems that have contributed to and defined the ways that Western Australians see themselves.
With their tidal imagination, the poems in this debut collection sweep between old worlds and new, seeking the lost and recovering the found among shipwrecks, underwater zoos and discovered lands. Emma Jones brings her inventive worlds dramatically to life in a series of vividly distilled meetings - of settlers and indigenous peoples, of seawaters and shore, of humanity and the wilds of nature. Here, tigers stalk the captive and the free, while Death encounters his own double and Daphne tells of her new leaves, 'They sing, and make the world.' The same might be said of the poems themselves in this restless and memorable search for belonging.
In Braiding the Voices, Peter Steele brings to bear a lifetime of reading, writing, and teaching prose and poetry. With gusto and focus, these essays concert poets and poems of different tempers and aspirations. They are by Gwen Harwood, Les Murray, Peter Porter, Vincent Buckley and, further afield, Fleur Adcock, Richard Wilbur, Anthony Hecht, W.S. Merwin, Deborah Randall, Ben Belitt, Norman MacCaig, R.S. Thomas, P.J. Kavanagh, Seamus Heaney and Gerard Manley Hopkins. The writing of some of his own poems is also addressed. Characteristically, Steele refers copiously also to much else. The book investigates some of the ways in which individual poets have found what they most wanted to say, and how their art takes its place in the general conversation of humanity itself. Applauding the dexterity and the variety with which this feat is carried off by the poets, Steele's distinctive prose is deliberately fashioned to be as hospitable to insight as possible.
Award-winning poet, critic, editor and academic Sarah Holland-Batt takes the helm again as editor of this year’s Best Australian Poems. Previous contributors include Judith Beveridge, Stephen Edgar, Fiona Wright, Clive James, Lisa Gorton, Robert Adamson, Dorothy Porter, John Kinsella, David Malouf, Cate Kennedy and Les Murray. Sarah Holland-Batt is the author of The Hazards (UQP, 2015), which won the poetry prize at the 2016 Prime Minister's Literary Awards, and Aria (UQP, 2008), which won the Thomas Shapcott Poetry Prize, the Arts ACT Judith Wright Award, and the FAW Anne Elder Award and was shortlisted in both the New South Wales and Queensland Premiers’ Literary Awards. She is presently a Senior Lecturer in Creative Writing at the Queensland University of Technology and the poetry editor of Island.