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A collection of traditional Aboriginal paintings which spans decades and which displays the distinctive styles of two regions of Australia: the western desert and Arnhem Land. The paintings are simply presented to be easily appreciated, with brief notes on information provided by the artists themselves.
Step into the vibrant world of Marji Hill, an Australian artist whose canvases are windows into the soul of Australia - the land Down Under. In this captivating art book Marji showcases a diverse collection of paintings that span from the artist's formative teenage years to her most recent creations. Her artworks are a powerful mirror reflecting the intricate tapestry of Australian society. • the nuanced dynamics of black/white relations • the complexities of identity and culture • Australia’s hidden past as layers of history intertwine with the present, inviting contemplation and reflection. • the allure of gold discoveries echoing the dreams and aspirations of generations past • the essence of the land and sea which capture the breathtaking beauty of Australia’s landscapes Amidst the weighty themes, find moments of joy and light-heartedness as Marji infuses her paintings with a sense of whimsy and playfulness. Each stroke of the brush tells a story so you can immerse yourself in the rich narrative woven throughout these pages. Journey into Marji’s world of art and discover the essence of Australia, painted with passion, depth, and unyielding reverence for the land and its people.
'Painting matters to Australia and Australians as it does in few other countries. It has formed our consciousness, our sense of where we come from, and who we are. It cries out for wider recognition and acknowledgement.' - Patrick McCaughey Why has Australia, an island continent with a small population, produced such original and powerful art? And why is it so little known beyond our shores? Strange Country: Why Australian Painting Matters is Patrick McCaughey's answer.
Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world.
"This publication accompanies the exhibition Everywhen: The Eternal Present in Indigenous Art from Australia, Harvard Art Museums, Cambridge, Massachusetts, February 5 through September 18, 2016."
Describes the art of the Australian Aborigines including rock painting and engraving as well as sand and bark painting; also discusses the symbolism found in these works.
"This publication arose from an inspired partnership between the Terra Foundation, The University of Western Australia, the Art Gallery of Western Australia, and the University of Melbourne's Ian Potter Museum of Art. Together, the partners co-organized and presented the Terra Collection Initiative exhibition Continental shift: Nineteenth Century American and Australian Landscape Painting (shown in Melbourne as Not as the Songs of Other Land s: 19th Century American and Australian Landscape Painting)."--Page 7.