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After a century of speculation by writers, filmmakers, travelers and scholars, being Australian' has become a recognisable shorthand for a group of national characteristics. Now, in an era of international terrorism, being seen as un-Australian' has become a potent rhetorical weapon for some, and a badge of honour for others. Catriona Elder explores the origins, meaning and effects of the many stories we tell about ourselves, and how they have changed over time. She outlines some of the traditional stories and their role in Australian nationalism, and she shows how concepts of egalitarianism, peaceful settlement and sporting prowess have been used to create a national identity. Elder also investigates the cultural and social perspectives that have been used to critique dominant accounts of Australian identity, including ideas of class, gender, sexuality, ethnicity and race. She shows how these critiques have been, in turn, queried in recent years. Being Australian is an ideal introduction to studying Australia for anyone interested in understanding Australian society, culture and history. A clever work: incisive and original. At a time when Australian identities have never been more debated, Elder finds an open way through the closed doors which often restrict cultural representations of Australian-ness.' Professor Adam Shoemaker, Dean of Arts, ANU This is a timely and significant new analysis essential reading on issues of identity and our own anxieties about national belonging and what it means to be Australian' in a globalising world.' Kate Darian-Smith, Professor of Australian Studies and History, University of Melbourne
Although there are 22 separate Arab nationalities representing an enormous variety of cultural backgrounds and experiences, the portrayal of Arabs in Australia tends to range from homogenising (at best) to racist pop-culture caricatures. Edited by award-winning author and academic Randa Abdel-Fattah, and activist and poet Sara Saleh, and featuring contributors Michael Mohammed Ahmad, Ruby Hamad and Paula Abood, among many others, this collection explores the experience of living as a member of the Arab diaspora in Australia and includes stories of family, ethnicity, history, grief, isolation, belonging and identity.CONTRIBUTORS INCLUDE:Paula Abood | Nokomi Achkar | Michael Mohammed Ahmad | Rooan Al Kalmashi | Ryan Al-Natour | Rawah Arja | Hana Assafiri | Sarah Ayoub | Omar Bensaidi | Sara El Sayed | Asma Fahmi | Farid Farid | Ruby Hamad | Abdulrahman Hammoud | Lamisse Hamouda | Amani Haydar | Miran Hosny | Lora Inak | Elias Jahshan | Nicola Joseph and Huna Amweero | Zainab Kadhim and Mohammad Awad | Wafa Kazal | Yassir Morsi
Issues of identity are central to many historical and current debates in Australia. This superb collection of essays represents a significant rethinking of received ideas on identity, and reveals how issues of identity lie at the heart of Australian political thought, and form the foundation of Australian society and culture. It provides a comprehensive introduction to the political discourse surrounding Australian identity through key themes including identity theory, the manipulation of identity for political ends, gender and sexuality, immigration and national identity, citizenship and Aboriginality, and literature and film. The book rejects many of the assumptions underlying contemporary political debates, including the promulgation of a singular national identity in historical fact or as a political goal. This is a thought-provoking study of identity, its links with nationalism, and its potentially divisive effects.
This book examines the influence of historical and popular figures on the way Australians see themselves in the 21st century. Investigating whether colonial figures such as convicts and bushrangers still influence contemporary Australian identity, and how the influence of sports figures, politicians and scientists manifests itself.
Childhood stories of family, country and belonging What is it like to grow up Aboriginal in Australia? This anthology, compiled by award-winning author Anita Heiss, showcases many diverse voices, experiences and stories in order to answer that question. Accounts from well-known authors and high-profile identities sit alongside those from newly discovered writers of all ages. All of the contributors speak from the heart – sometimes calling for empathy, oftentimes challenging stereotypes, always demanding respect. This groundbreaking collection will enlighten, inspire and educate about the lives of Aboriginal people in Australia today. Contributors include: Tony Birch, Deborah Cheetham, Adam Goodes, Terri Janke, Patrick Johnson, Ambelin Kwaymullina, Jack Latimore, Celeste Liddle, Amy McQuire, Kerry Reed-Gilbert, Miranda Tapsell, Jared Thomas, Aileen Walsh, Alexis West, Tara June Winch, and many, many more. Winner, Small Publisher Adult Book of the Year at the 2019 Australian Book Industry Awards ‘Growing Up Aboriginal in Australia is a mosaic, its more than 50 tiles – short personal essays with unique patterns, shapes, colours and textures – coming together to form a powerful portrait of resilience.’ —The Saturday Paper ‘... provides a diverse snapshot of Indigenous Australia from a much needed Aboriginal perspective.’ —The Saturday Age
This book investigates the discursive and performative strategies employed by Australian Indigenous rappers to make sense of the world and establish a position of authority over their identity and place in society. Focusing on the aesthetics, the language, and the performativity of Hip Hop, this book pays attention to the life stance, the philosophy, and the spiritual beliefs of Australian Indigenous Hip Hop artists as ‘glocal’ producers and consumers. With Hip Hop as its main point of analysis, the author investigates, interrogates, and challenges categories and preconceived ideas about the critical notions of authenticity, ‘Indigenous’ and dominant values, spiritual practices, and political activism. Maintaining the emphasis on the importance of adopting decolonizing research strategies, the author utilises qualitative and ethnographic methods of data collection, such as semi-structured interviews, informal conversations, participant observation, and fieldwork notes. Collaborators and participants shed light on some of the dynamics underlying their musical decisions and their view within discussions on representations of ‘Indigenous identity and politics’. Looking at the Indigenous rappers’ local and global aspirations, this study shows that, by counteracting hegemonic narratives through their unique stories, Indigenous rappers have utilised Hip Hop as an expressive means to empower themselves and their audiences, entertain, and revive their Elders’ culture in ways that are contextual to the society they live in.
This book provides a concise and innovative history of Italian migration to Australia over the past 150 years. It focuses on crucial aspects of the migratory experience, including work and socio-economic mobility, disorientation and reorientation, gender and sexual identities, racism, sexism, family life, aged care, language, religion, politics, and ethnic media. The history of Italians in Australia is re-framed through key theoretical concepts, including transculturation, transnationalism, decoloniality, and intersectionality. This book challenges common assumptions about the Italian-Australian community, including the idea that migrants are ‘stuck’ in the past, and the tendency to assess migrants’ worth according to their socio-economic success and their alleged contribution to the Nation. It focuses instead on the complex, intense, inventive, dynamic, and resilient strategies developed by migrants within complex transcultural and transnational contexts. In doing so, this book provides a new way of rethinking and remembering the history of Italians in Australia.
For many Australians, there are two great passions: sport and ‘taking the piss’. This book is about national identity – and especially about Australia’s image as a sporting country. Whether reverent or not, any successful national image has to reflect something about the reality of the country. But it is also influenced by the reasons that people have for encouraging particular images – and by the conflicts between differing views of national identity, and of sport. Buffeted by these elements, both the extent of Australian sports madness and the level of stirring have varied considerably over time. While many refer to long-lasting factors, such as the amount of sunshine, this book argues that the ebb and flow of sporting images are strongly linked to current views of national identity. Starting from Archer’s win in the first Melbourne Cup in 1861, it traces the importance of trade unions in the formation of Australian Rules, the success of a small rural town in holding one of the world’s foremost running races, and the win-from-behind of a fat arsed wombat knocking off the official mascots of Sydney 2000. This book was based on a special issue of Soccer and Society.
This book explores the inculcation of an Australian national identity through a deconstruction of the content of the required reading curriculum for children in schools in the state of Victoria during the first two decades after Federation in 1901.
Contemporary Australian society is a patchwork of cultural and ethnic diversity. Australians are largely embracing of multiculturalism and welcoming of those born overseas, however being 'Australian' can describe a broad range of characteristics, behaviours and attitudes. National identity and pride in being Australian regularly influence public debate in Australia, but they are not always clearly defined. How do Australians living in a multicultural society identify with their national identity, and how do they view themselves as citizens? This book examines Australia's cultural diversity and the issue of social cohesion in light of its longstanding policy of multiculturalism. It also discusses a range of symbols and attitudes which define what it means to be Australian. Are multiculturalism and nationalism necessarily at odds?