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Strings Around the World, is designed for the student string orchestra, string quartet, or violin group. The arrangements often take the tunes a step further than their original musical intention but they are not technically difficult. Titles are: Barn Dance (Australian Folk Song) * The Black Velvet Band (Australian Folk Song) * Botany Bay (Australian Folk Song) * Brisbane Ladies (Australian Folk Song) * Click Go the Shears (Australian Folk Song) * Jim Jones at Botany Bay (Australian Folk Song) * Kookaburra (Sinclair) * Along the Road to Gundagai (O'Hagan) * A Thousand Miles Away (Australian Folk Song) * Waltzing Matilda (Cowan).
A stirring, foot-stomping treasure-trove of more than 100 traditional songs that celebrate what it is to be Australian. Warren Fahey's AUStRALIAN FOLK SONGS AND BUSH BALLADS is a stirring, foot-stomping treasure-trove of more than 100 traditional songs that celebrate what it is to be Australian. these are not some dusty old songs to be thrown in a drawer and forgotten. they are songs to be sung with gusto whenever the spirit takes you - on holiday, at school, at a party, around the barbecue or kitchen table. You'll find the words and music for sing-along favourites such as 'Old Bullock Dray', 'Wild Colonial Boy', 'Stir the Wallaby Stew', 'the Old Bark Hut', 'Limejuice tub', 'Banks of the Condamine', 'Euabalong Ball', 'Augathella Station', 'Click Go the Shears', 'the Dying Stockman', 'the Overlanders' and 'Waltzing Matilda', plus the song we should all know the words to (but few of us do) - 'Advance Australia Fair'. there are also several bush songs published for the first time.Featuring fascinating background notes and liberally illustrated with rare images, this book is a must for anyone interested in Australia's musical and cultural history. And it has been collected by the one who knows them best: legendary folklorist and performer, Warren Fahey.
An illuminating history of the song for every kind of music lover Often today, the word ‘song’ is used to describe all music. A free-jazz improvisation, a Hindustani raga, a movement from a Beethoven symphony: apparently, they’re all songs. But they’re not. From Sia to Springsteen, Archie Roach to Amy Winehouse, a song is a specific musical form. It’s not so much that they all have verses and choruses – though most of them do – but that they are all relatively short and self-contained; they have beginnings, middles and ends; they often have a single point of view, message or story; and, crucially, they unite words and music. Thus, a Schubert song has more in common with a track by Joni Mitchell or Rihanna than with one of Schubert’s own symphonies. The Song Remains the Same traces these connections through seventy-five songs from different cultures and times: love songs, anthems, protest songs, lullabies, folk songs, jazz standards, lieder and pop hits; ‘When You Wish Upon a Star’ to ‘We Will Rock You’, ‘Jerusalem’ to ‘Jolene’. Unpicking their inner workings makes familiar songs strange again, explaining and restoring the wonder, joy (or possibly loathing) the reader experienced on first hearing. ‘As much about singing, musicianship and recording as it is about songwriting, this eclectic ride through a unique choice of songs (everyone will argue for alternatives) is cleverly curated and littered with intriguing details about the creators and their times, filled with loving cross-references to other songs and deft musical analysis. I defy anyone not to leap online to listen to the unfamiliar, or re-listen to old favourites in light of new detail. One of the best games in this book is figuring out why one song follows the other: there’s always an intelligent, often very funny, link.’ —Robyn Archer
An expose of two cover-ups: one the death of a swagman by a billabong; the other, a torrid affair between Banjo Paterson and his fiancee's best friend, and how the two events come together in Australia's best-loved national song. Australians know Waltzing Matilda, written by their most popular poet Banjo Paterson, as their most loved song and unofficial national anthem. What Australians don't know is that their song is embroiled in a web of secrecy, violence and a triangular love affair. Written at a pivotal time in Australia's history, Waltzing Matilda is as important to Australian culture as events like the Eureka Stockade and the story of Ned Kelly. One hundred and fifteen years after the writing of Waltzing Matilda, Australians continue to be fascinated with the song and sing it proudly wherever they meet to celebrate. Given the facts outlined in this story, they will be further captivated and embrace the song for decades to come.
Strings Around the World, is designed for the student string orchestra, string quartet, or violin group. The arrangements often take the tunes a step further than their original musical intention but they are not technically difficult. Titles are: Barn Dance (Australian Folk Song) * The Black Velvet Band (Australian Folk Song) * Botany Bay (Australian Folk Song) * Brisbane Ladies (Australian Folk Song) * Click Go the Shears (Australian Folk Song) * Jim Jones at Botany Bay (Australian Folk Song) * Kookaburra (Sinclair) * Along the Road to Gundagai (O'Hagan) * A Thousand Miles Away (Australian Folk Song) * Waltzing Matilda (Cowan).
Give me a home among the gum trees With lots of plum trees A sheep or two A kangaroo. Ben Woods warm and funny illustrations bring this classic Aussie song to life.
A mesmerizing journey into the musical world of Australia's Aboriginal people. Winner of the Stanner Award from the Australian Institute of Aboriginal and Torres Strait Islanders Studies (2006) Aboriginal musicians receive songs both from an eternal realm known as The Dreaming and from the ghosts of deceased ancestors. Songs, Dreamings, and Ghosts is the first book-length study of wangga, a musical and ceremonial genre of Aboriginal people of the Daly Region of Northern Australia. This work is a labor of love, the culmination of nearly 20 years of field work and research by renowned ethnomusicologist Allan Marett, and represents the only comprehensive documentation of a single major genre of Aboriginal music. With first-hand, in-depth knowledge of Northwest Australia's Aboriginal cultures, Marett provides the reader with a penetrating description and analysis of this compelling musical practice. This book makes a significant contribution to knowledge of Aboriginal studies, and provides a rare glimpse into relatively unknown traditions and cultures. It includes illustrations, musical examples, and links to a web-based virtual CD loaded with samples of this fascinating music, closely linked to the text, at http://www.wesleyan.edu/wespress/wanggacd/.