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Volume 19 of the Australian Dictionary of Biography (ADB) contains concise biographies of individuals who died between 1991 and 1995. The first of two volumes for the 1990s, it presents a colourful montage of late twentieth-century Australian life, containing the biographies of significant and representative Australians. The volume is still in the shadow of World War II with servicemen and women who enlisted young appearing, but these influences are dimming and there are now increasing numbers of non-white, non-male, non-privileged and non-straight subjects. The 680 individuals recorded in volume 19 of the ADB include Wiradjuri midwife and Ngunnawal Elder Violet Bulger; Aboriginal rights activist, poet, playwright and artist Kevin Gilbert; and Torres Strait Islander community leader and land rights campaigner Eddie Mabo. HIV/AIDS child activists Tony Lovegrove and Eve Van Grafhorst have entries, as does conductor Stuart Challender, ‘the first Australian celebrity to go public’ about his HIV/AIDS condition in 1991. The arts are, as always, well-represented, including writers Frank Hardy, Mary Durack and Nene Gare, actors Frank Thring and Leonard Teale and arts patron Ian Potter. We are beginning to see the effects of the steep rise in postwar immigration flow through to the ADB. Artist Joseph Stanislaw Ostoja-Kotkowski was born in Poland. Pilar Moreno de Otaegui, co-founded the Spanish Club of Sydney. Chinese restaurateur and community leader Ming Poon (Dick) Low migrated to Victoria in 1953. Often we have a dearth of information about the domestic lives of our subjects; politician Olive Zakharov, however, bravely disclosed at the Victorian launch of the federal government’s campaign to Stop Violence Against Women in 1993 that she was a survivor of domestic violence in her second marriage. Take a dip into the many fascinating lives of the Australian Dictionary of Biography.
Australia is the planet’s sole island continent. This book argues that the uniqueness of this geography has shaped Australian history and culture, including its literature. Further, it shows how the fluctuating definition of the island continent throws new light on the relationship between islands and continents in the mapping of modernity. The book links the historical and geographical conditions of islands with their potent role in the imaginaries of European colonisation. It prises apart the tangled web of geography, fantasy, desire and writing that has framed the Western understanding of islands, both their real and material conditions and their symbolic power, from antiquity into globalised modernity. The book also traces how this spatial imaginary has shaped the modern 'man' who is imagined as being the island's mirror. The inter-relationship of the island fantasy, colonial expansion, and the literary construction of place and history, created a new 'man': the dislocated and alienated subject of post-colonial modernity. This book looks at the contradictory images of islands, from the allure of the desert island as a paradise where the world can be made anew to their roles as prisons, as these ideas are made concrete at moments of British colonialism. It also considers alternatives to viewing islands as objects of possession in the archipelagic visions of island theorists and writers. It compares the European understandings of the first and last of the new worlds, the Caribbean archipelago and the Australian island continent, to calibrate the different ways these disparate geographies unifed and fractured the concept of the planetary globe. In particular it examines the role of the island in this process, specifically its capacity to figure a 'graspable globe' in the mind. The book draws on the colonial archive and ranges across Australian literature from the first novel written and published in Australia (by a convict on the island of Tasmania) to both the ancient dreaming and the burgeoning literature of Aboriginal and Torres Strait Islanders in the twenty-first century. It discusses Australian literature in an international context, drawing on the long traditions of literary islands across a range of cultures. The book's approach is theoretical and engages with contemporary philosophy, which uses the island and the archipleago as a key metaphor. It is also historicist and includes considerable original historical research.
The technical problems confronting different societies and periods, and the measures taken to solve them form the concern of this annual collection of essays. Volumes contain technical articles ranging widely in subject, time and region, as well as general papers on the history of technology. In addition to dealing with the history of technical discovery and change, History of Technology also explores the relations of technology to other aspects of life -- social, cultural and economic -- and shows how technological development has shaped, and been shaped by, the society in which it occurred.
The fascinating biography of a brilliant man who captured the nation's imagination and boldly showed Australians who we were and how we could change In the 1960s, Donald Horne offered Australians a compelling reinterpretation of the Menzies years as a period of social and political inertia and mediocrity. His book The Lucky Country was profoundly influential and, without doubt, one of the most significant shots ever fired in Australia's endless culture war. Ryan Cropp's landmark biography positions Horne as an antipodean Orwell, a lively, independent and distinct literary voice 'searching for the temper of the people, accepting it, and moving on from there'. Through the eyes – and unforgettable words – of this preternaturally observant and articulate man, we see a recognisable modern Australia emerge. Shortlisted for the 2024 National Biography Award 'A compulsive read about a writer who shaped the way we Australians think about ourselves' —Judith Brett 'Unmissable for anybody interested in the intellectual life of this country' —Sean Kelly 'Ryan Cropp's thoughtful life of Donald Horne … charted the restless and provocative habits of his subject with care and elegance, and animated decades of faded news and current affairs with colour and poise.' —Patrick Mullins, Australian Book Review 'Books of the Year 2023' 'In his accomplished and insightful biography … Cropp has captured a full life, well lived, that was a tribute to the importance of paying attention and making a difference.' —Julianne Schultz, The Conversation
Dictionaries of national biography are a long-established and significant genre of biographical and historical writing, existing in many forms across the globe. This book brings together practitioners from around the English‑speaking world to reflect on national biographical dictionary projects’ recent cultural journeys, and the challenges presented to them by such developments as the transition to a digital environment, a new alertness to the need to represent diversity, and the rise of transnationalism. Exploring their paths forward, the chapters of this book collectively make a powerful argument for the continued value and importance of large‑scale collaborative biographical dictionary research.
During the late eighteenth century, a musical–cultural phenomenon swept the globe. The English square piano—invented in the early 1760s by an entrepreneurial German guitar maker in London—not only became an indispensable part of social life, but also inspired the creation of an expressive and scintillating repertoire. Square pianos reinforced music as life’s counterpoint, and were played by royalty, by musicians of the highest calibre and by aspiring amateurs alike. On Sunday, 13 May 1787, a square piano departed from Portsmouth on board the Sirius, the flagship of the First Fleet, bound for Botany Bay. Who made the First Fleet piano, and when was it made? Who owned it? Who played it, and who listened? What music did the instrument sound out, and within what contexts was its voice heard? What became of the First Fleet piano after its arrival on antipodean soil, and who played a part in the instrument’s subsequent history? Two extant instruments contend for the title ‘First Fleet piano’; which of these made the epic journey to Botany Bay in 1787–88? The First Fleet Piano: A Musician’s View answers these questions, and provides tantalising glimpses of social and cultural life both in Georgian England and in the early colony at Sydney Cove. The First Fleet piano is placed within the musical and social contexts for which it was created, and narratives of the individuals whose lives have been touched by the instrument are woven together into an account of the First Fleet piano’s conjunction with the forces of history. View ‘The First Fleet Piano: Volume Two Appendices’. Note: Volume 1 and 2 are sold as a set ($180 for both) and cannot be purchased separately.
THE ADB'S STORY is a detailed history of the eminent publication THE AUSTRALIAN DICTIONARY OF BIOGRAPHY. Published as part of the ANU Lives series, the National Centre of Biography has produced this comprehensive profile of the ADB's origins, processes and people. Edited by Melanie Nolan and Christine Fernon, this is a fantastic book for scholars of Australian history and biography.
In 1788, Great Britain founded a colony in Australia to swallow up its criminals. And swallow them it did – more than 160,000 men and women were transported to the Australian colonies over eight decades. Remarkably, these colonies swiftly developed into robust and innovative democracies. The 1856 Victorian election was the first in the world where voters took a government-printed ballot paper, took it into a private voting booth to fill it out, then put it in a ballot box. And Australians have kept this democratic model ever since. A House of Commons for a Den of Thieves is the story of how the citizens of these colonies threw off the stigma of their criminal origins and asserted their rights. Not only against imperial authorities in London but also those wealthy and powerful men in the colonies themselves who distrusted the idea of mass democracy. And through their success, they created a lasting democratic tradition that their descendants have expanded and built on up until the present day.
This book throws fresh light on the history of memory, forgetting and colonialism. It considers key moments of historical imagination, and analyses the strange ensemble of elements that constitute Australian History. It is an innovative and stimulating investigation of historical cultures and narratives.
This book is a compilation of the remarkable journeys of 48 hand surgery pioneers from the Asian-Pacific region. They came from diverse backgrounds — one being the 21st generation doctor in the family to another being the first ever orthopaedic surgeon of a major university. While some pioneers delved deep in the lab to push the boundaries of surgical care, others strived to make high quality hand surgery available to the masses. However, what united them all was an unwavering commitment to their patients' well-being and a willingness to go above and beyond to attain their objectives.The International Federation of Societies for Surgery of the Hand (IFSSH) celebrates the spirit of enthusiasm, sacrifice and commitment to the cause of hand surgery by recognising these pioneers during the triennial IFSSH congress. Each biographical article in this anthology was written by someone who has closely known or collaborated with the featured pioneer. Each of these trailblazers has a story that will stir emotions and inspire others. We believe it's important to share these narratives to motivate the younger generation. By doing so, we hope to inspire them to follow in their footsteps, provide exceptional care to their patients and collectively create a better world to live in.